Wednesday, December 22, 2010

Actor does charity star-turn

Doing his bit: Actor Chi Bao at a ceremony held to review the UHP charity programme in HCM City last week. — VNS Photo Vo Le Hong

Doing his bit: Actor Chi Bao at a ceremony held to review the UHP charity programme in HCM City last week. — VNS Photo Vo Le Hong

HCM CITY — A charity programme run by popular actor Chi Bao has sold a self-improvement book by Zen master Minh Niem to raise money for providing heart and cleft palate surgeries for poor children.

The programme, called Hieu ve Trai Tim (Understanding the Heart Programme), has sold 27,000 copies of Understanding the Heart and the proceeds have funded operations for 78 children with congenital heart diseases.

Carried out in co-operation with the Heart Beat Viet Nam and VinaCapital Foundation, the programme will benefit a further 22 this year.

Bao, deputy president and manager of the UHP, told a ceremony held to review the programme last week: "I recently read by chance some stories in [the book] which I found very useful for myself. The book helps readers understand some basic concepts like happiness, unhappiness, love, and suffering.

"I introduced the stories to some people and received positive feedback. So, I decided to gather friends to publish the book for charity."

He has also lectured about the book at clubs attached to dozens of colleges and universities around the country and firms.

The 50 psychoanalytical stories in Understanding the Heart are simple and practical but profound, enabling youths to look into their soul.

Niem, the author, has followers around the world. His writings help readers discover themselves, seek to sow good traits like generosity and selflessness in their soul, and transform negative energy caused by anger, envy and other sentiments. — VNS

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Battle royal between star captains in Vietnam Hat final

Captain of the Brown Team, Jason Lopez (L) leaps for the disk against the Blue Team in the Vietnam Hat semifinals on Sunday - Photo: Pieter Funnekotter
A see-sawing scoreline and a desperate physical contest between rival teams and captains kept spectators riveted to the final in the Vietnam Hat Ultimate Frisbee Tournament on Sunday.

The team captains, David Jensen, an American who resides in Saigon, of the Orange Team and Jason Lopez, a Filipino who works in Singapore, of the Brown Team, both veteran Asian Ultimate Frisbee players, faced off in a desperate competition of high flying grabs and belly sliding layouts.

Lopez said he had been the bridesmaid at the last three Vietnam Hat tournament finals and was determined to be the bride this time

After Sunday’s tense 10-13 loss in the fading daylight, Lopez, whose Brown team was underdog to Jensen’s Orange, could only wait for next year. Jensen’s masterful long throws and high grabs stole the match from Lopez whose focus on the flying disc and athleticism was akin to a border collie.

Brilliant performances from team members on both sides kept the scores moving neck and neck throughout the long match.

“In seven years of playing in the Vietnam Hat this is the highest level of play and the most breathtaking plays I’ve seen in a final,” Jensen said.

The opposite to Lopez, Jensen has won the four finals he has played in the Vietnam Hat – two of them against the Filipino.

The Vietnam Hat 2010 over the weekend at the RMIT International University fields in HCMC’s District 7 was the biggest Ultimate Frisbee tournament held in Vietnam so far with nearly 200 competitors from at least 13 countries.

There were 50 Vietnamese players, 20 expats in Vietnam with the remainder traveling from around the world to play at the tournament.

Most of the international visitors were taking a short holiday in Vietnam after the tournament before going home.

One of the Orange team players, Barry Labendz, 29, of Brooklyn New York, who is on a six week holiday in Asia, said, “That’s what’s cool about playing Ultimate, people travel around so much.”

“I have never traveled in Asia so I wanted to entrench myself in the Frisbee community,” he said.

The Saigon Times Daily was the proud media sponsor of Vietnam Hat 2010.

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Tuesday, December 21, 2010

Battle royal between star captains in Vietnam Hat final

Captain of the Brown Team, Jason Lopez (L) leaps for the disk against the Blue Team in the Vietnam Hat semifinals on Sunday - Photo: Pieter Funnekotter
A see-sawing scoreline and a desperate physical contest between rival teams and captains kept spectators riveted to the final in the Vietnam Hat Ultimate Frisbee Tournament on Sunday.

The team captains, David Jensen, an American who resides in Saigon, of the Orange Team and Jason Lopez, a Filipino who works in Singapore, of the Brown Team, both veteran Asian Ultimate Frisbee players, faced off in a desperate competition of high flying grabs and belly sliding layouts.

Lopez said he had been the bridesmaid at the last three Vietnam Hat tournament finals and was determined to be the bride this time

After Sunday’s tense 10-13 loss in the fading daylight, Lopez, whose Brown team was underdog to Jensen’s Orange, could only wait for next year. Jensen’s masterful long throws and high grabs stole the match from Lopez whose focus on the flying disc and athleticism was akin to a border collie.

Brilliant performances from team members on both sides kept the scores moving neck and neck throughout the long match.

“In seven years of playing in the Vietnam Hat this is the highest level of play and the most breathtaking plays I’ve seen in a final,” Jensen said.

The opposite to Lopez, Jensen has won the four finals he has played in the Vietnam Hat – two of them against the Filipino.

The Vietnam Hat 2010 over the weekend at the RMIT International University fields in HCMC’s District 7 was the biggest Ultimate Frisbee tournament held in Vietnam so far with nearly 200 competitors from at least 13 countries.

There were 50 Vietnamese players, 20 expats in Vietnam with the remainder traveling from around the world to play at the tournament.

Most of the international visitors were taking a short holiday in Vietnam after the tournament before going home.

One of the Orange team players, Barry Labendz, 29, of Brooklyn New York, who is on a six week holiday in Asia, said, “That’s what’s cool about playing Ultimate, people travel around so much.”

“I have never traveled in Asia so I wanted to entrench myself in the Frisbee community,” he said.

The Saigon Times Daily was the proud media sponsor of Vietnam Hat 2010.

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Korean art meets Vietnamese art

Each visitor is given a lump of soft clay and instructed to roll it with their hands and carve their name on it. These balls will be shipped back to Jeju Island in Korea to make an unknown artwork - Photo: Thanh Hang
Durian Pie Factory, a collaborative exhibition between Korean and Vietnamese artists, is on at HCMC Fine Arts University until December 23.

This event is co-organized by Kim Ji Hye—an independent Korean curator and Nguyen Thanh Truc—a Vietnamese artist and member of the HCMC Fine Arts Association. The project has support from the consulate general of the Republic of Korea in HCMC and the HCMC Fine Arts University.

Eight Korean artists and three Vietnamese artists have produced 18 works ranging from paintings, installation art, and video art.

“Coming to Vietnam for the first time, we found durian to be a very strange fruit, yet we grew to like it. It’s the same for the artists from the two countries when they first met. It went from differences to harmony. This exhibition is just one step for Korean and Vietnamese artists to interact and understand each other,” said Kim.

The group of Seoul-based artists held a talk with a slideshow of art last week and an exhibition called Fluctuating Variation at ZeroStation, 91 A Dinh Tien Hoang St., Binh Thanh District.

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Perfect of its kind

Conductor and HBSO music director, Tran Vuong Thach - Photo: Courtesy of HBSO
In the Saigon Opera House on Sunday evening, the HCMC Ballet Symphony Orchestra (HBSO) chose to offer Tchaikovsky’s Fifth Symphony as the central item of its last concert of 2010. It was preceded by the same composer’s Slavonic March in B Flat Minor, and followed by a mixed-repertoire presentation by the dancers (replacing the advertised Four Seasons program).

 It was clear from the opening notes that the orchestra under their director Tran Vuong Thach was in good form. The Slavonic March was as stirring and unsubtle as it was intended to be, and throughout the Russian spirit was strong, with Tchaikovsky’s affinity to his mighty successor Shostakovich occasionally apparent.

The symphony was also strongly played and full of beautiful episodes, especially in the second movement (taken at an appropriately unhurried pace). The Elgar-like third movement proved similarly effective, and the final movement was quite rightly given with exceptional vigour, particularly towards the end.

Ballet is essentially movement to music, and these days everyone’s doing it, from MTV to Vietnam’s own Yeah1 TV channel, with all conceivable styles on offer. But on Sunday evening the HBSO Ballet showed itself as involved in a strictly classical approach. They began with the vigorous mazurka from Le Corsaire (music by Adolphe Adam and others), continuing the Russian theme from the first half of the evening. This was followed by a pas de deux from the ballet Diana and Acteon, with Acteon dressed to resemble something between a stag (which in the myth he turns into) and Tarzan.

The highlight was the Duo from Chopiniana (also known as Les Sylphides). The two dancers here, Quynh Ly and Duc Nhuan, were outstanding in every way. They used the highly traditional Mikhail Fokine choreography, and indeed the whole evening was a tribute to these old Russian dance formulations, the very heart of the strictly classical repertoire. But this item in particular was genuinely magical, and more than made up for any lack of innovation in the program as a whole.

For the rest, we had the familiar corps de ballet numbers lit in white and dove-grey tones, with a pinkish light later turning to yellow. The very gestures we saw on Sunday can be seen on many an Internet site, so famous have these particular routines become. Let’s hope we experience some newer things soon, but these classical numbers, when well done, can never, in truth, be seen too often.

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Perfect of its kind

Conductor and HBSO music director, Tran Vuong Thach - Photo: Courtesy of HBSO
In the Saigon Opera House on Sunday evening, the HCMC Ballet Symphony Orchestra (HBSO) chose to offer Tchaikovsky’s Fifth Symphony as the central item of its last concert of 2010. It was preceded by the same composer’s Slavonic March in B Flat Minor, and followed by a mixed-repertoire presentation by the dancers (replacing the advertised Four Seasons program).

 It was clear from the opening notes that the orchestra under their director Tran Vuong Thach was in good form. The Slavonic March was as stirring and unsubtle as it was intended to be, and throughout the Russian spirit was strong, with Tchaikovsky’s affinity to his mighty successor Shostakovich occasionally apparent.

The symphony was also strongly played and full of beautiful episodes, especially in the second movement (taken at an appropriately unhurried pace). The Elgar-like third movement proved similarly effective, and the final movement was quite rightly given with exceptional vigour, particularly towards the end.

Ballet is essentially movement to music, and these days everyone’s doing it, from MTV to Vietnam’s own Yeah1 TV channel, with all conceivable styles on offer. But on Sunday evening the HBSO Ballet showed itself as involved in a strictly classical approach. They began with the vigorous mazurka from Le Corsaire (music by Adolphe Adam and others), continuing the Russian theme from the first half of the evening. This was followed by a pas de deux from the ballet Diana and Acteon, with Acteon dressed to resemble something between a stag (which in the myth he turns into) and Tarzan.

The highlight was the Duo from Chopiniana (also known as Les Sylphides). The two dancers here, Quynh Ly and Duc Nhuan, were outstanding in every way. They used the highly traditional Mikhail Fokine choreography, and indeed the whole evening was a tribute to these old Russian dance formulations, the very heart of the strictly classical repertoire. But this item in particular was genuinely magical, and more than made up for any lack of innovation in the program as a whole.

For the rest, we had the familiar corps de ballet numbers lit in white and dove-grey tones, with a pinkish light later turning to yellow. The very gestures we saw on Sunday can be seen on many an Internet site, so famous have these particular routines become. Let’s hope we experience some newer things soon, but these classical numbers, when well done, can never, in truth, be seen too often.

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War-time posters find new life as art

Hung up: A tourist flicks through war-time posters at a shop in Ha Noi. Vietnamese posters have become popular souvenirs among holidaymakers. — File Photo

Hung up: A tourist flicks through war-time posters at a shop in Ha Noi. Vietnamese posters have become popular souvenirs among holidaymakers. — File Photo

HA NOI — Vietnamese wartime posters featuring President Ho Chi Minh or heroic images of liberation fighters have become popular souvenirs for tourists.

The posters are common items alongside jewellery, clothing and more routine memorabilia like elephant figurines and keychains in the narrow, congested streets of Ha Noi's Old Quarter tourist district.

"It is a souvenir with a style element, at a reasonable price, more interesting than a cheap ‘fashion' bag that you can find in all these shops," said a German tourist, who gave his name only as Fritz.

He had stopped at an Old Quarter shop where his eyes feasted on poster portraits of Ho, the country's revolutionary leader who died in 1969 at the height of the war against the US.

The sale of posters began in the 1990s when Viet Nam's economy opened to the world and the number of tourists started to explode.

"Foreign tourists wanted to buy things linked to the war," said Nora Taylor, a specialist in the history of Vietnamese art, at the School of the Art Institute of Chicago (SAIC).

She said from Chicago that while many buyers think they have found a treasured, authentic historical object, a unique item from the war era is extremely rare.

An authentic poster dating from the conflict against French colonisers about 60 years ago, or from the later war against the Americans, sells for between US$300 and $2,000, according to owners of galleries which display the originals as well as cheaper copies that sell for as little as $5.

Pham Ngoc Manh, 33, who owns two Ha Noi shops, said he owns about 100 original posters obtained from their creators or from people close to them.

"I sell very few originals, mostly reproductions," said Manh, who estimates that only between 2,000 and 3,000 authentic posters survive.

"When Uncle Ho says ‘Victory', then we will win," declares one poster under a portrait of Ho Chi Minh, the founder of the republic, on a red background.

"Nixon must pay the blood debt," shouts another, which shows the former northern Viet Nam being targeted by a bomb carrying a picture of Richard Nixon, the late US president.

Some posters, newly reprinted, include slogans translated into English to please the visitors.

"For many tourists, it's a souvenir of the war rather than an object of art," Taylor said.

Among Vietnamese, though, there is little interest.

"Without tourists there wouldn't be any business," said Nguyen Bach Tuyet, 48, a gallery owner.

Manh, the other retailer, also has few Vietnamese customers. "They see enough of those things in the street," he said.

The authorities still hangs their slogans throughout the country. Billboards featuring Ho Chi Minh or war-era fighters do not dominate the landscape but they can be seen in some places. Key political and social events are heralded with red banners strung across main streets.

"Vietnamese suffered incessant wars for generations. Maybe by the time the fighting finally ceased, they did not want to be reminded too much," said Richard di San Marziano, curator of the private "Dogma Collection" of original posters from the 1960s and 70s available for viewing only on the internet.

"Maybe they will become interested" one day, added the Briton who lives in HCM City.

San Marziano said foreign visitors are greatly interested in Vietnamese patriotic posters because it is "vigorous, fresh and interesting compared to other countries, and the work itself is an historical document." — AFP/VNS

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