Showing posts with label quan. Show all posts
Showing posts with label quan. Show all posts

Tuesday, February 15, 2011

Symphony ready for Opera House date

In charge: Composer Do Hong Quan at a performance. His latest symphony Ascending Dragon will be performed this weekend. — VNS File Photo

In charge: Composer Do Hong Quan at a performance. His latest symphony Ascending Dragon will be performed this weekend. — VNS File Photo

HA NOI — The Viet Nam National Symphony and Orchestra (VNSO) will perform a Lunar New Year's Concert this Friday and Saturday night at the Ha Noi Opera House.

The programme for the night features music by contemporary Vietnamese composer Do Hong Quan and old European masters such as Johann Strauss and Franz Lehar.

Quan's latest symphony, Dang Rong Len (Ascending Dragon), promises to be a concert highlight as the symphony was composed at the request of the VNSO and premiered last year on the occasion of Ha Noi's 1,000th birthday.

The symphony aims to evoke images of modern and ancient Ha Noi, musically celebrating the city's vibrant culture and romantic character, according to the composer.

Quan was born in 1956 into a family with a long musical tradition. His father, composer Do Nhuan, was a well-known composer and former general secretary of the Viet Nam Musicians' Association.

Quan began piano studies at the age of six at the Viet Nam National Academic of Music (VNAM). In 1976 he was sent to study composition and conducting at the Moscow State Conservatory in Russia, where he graduated with honours in 1981. In 1991 and 1992 he studied composition and conducting at the Paris National Conservatory.

Beginning his professional career in Ha Noi in 1986, Quan has served as vice director of the Ha Noi Youth Theatre, conductor of the Ha Noi Conservatory Symphony Orchestras, and is currently the dean of the Composition Faculty at VNAM.

His most well known works are Variations for piano, Four Pictures for oboe (or flute), piano and percussion, Rhapsodie Viet Nam for symphonic orchestra and the ballet The Mists, which won the State Musical Prize.

He has also conducted the symphony orchestras of the Moscow State Film Studio, the Tashkent State Opera House (Uzbekistan) and the VNSO.

The concert at the Opera House will also feature performances of Johann Strauss' operetta from Gypsy Baron, Eljen a Magyar; Tritch Tratch Polka and Emperor Waltz, along with the waltz Gold and Silver by Franz Lehar.

The concert begins at 8pm on Friday and Saturday. — VNS

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Monday, November 8, 2010

Renovation project sparks debate over gate

 

History matters: O Quan Chuong before (left) and after (right) renovation.— VNA/VNS Photo Hoang Ha

History matters: O Quan Chuong before and after  renovation.— VNA/VNS Photo Hoang Ha

HA NOI — Public outrage stirred when O Quan Chuong, one of Ha Noi's five oldest gates and the former eastern entrance to the capital citadel, was renovated. Agencies in charge of the project were asked to restore the gate to its former shape and colour.

O Quan Chuong stands tall in Ha Noi's Old Quarter with its official name written in ancient Han Chinese characters just below the bell tower.

Once you pass through the gate, the street becomes Hang Chieu. It runs close to the busy Dong Xuan Market before turning into Hang Ma Street in perhaps the most atmospheric part of the capital's Old Quarter.

Many Hanoians have childhood memories of shopping trips along the busy market street and the thrill of passing through the venerable arched gateway.

O Quan Chuong was built in 1749 when the Le dynasty rebuilt the Thang Long Citadel on a war-torn fort destroyed by northern invaders.

The gate breathed life into several trades that later formed the famous streets and alleys surrounding it.

Restoration

Nguyen Doan Tuan, head of the project's management board, said officials from the Ministry of Culture, Sports and Tourism have visited the site and ordered workers to use the correct bricks to restore the gate.

Le Thanh Vinh, head of the Institute for Research and Preservation of Relics, said the new paint for O Quan Chuong is not right yet.

"Experts are trying to find the proper paint colours for the gate. It is very difficult," said Vinh.

Architect and former director of the Ha Noi Department for Architecture and Planning Dao Ngoc Nghiem said it's not easy to determine the original materials used to build the gate because it has been renovated many times.

"The gate's ancient and mossy image has been used in poems, and embedded in every Hanoian's memory so we should respect its former image while restoring it," Nghiem said.

He said before upgrading the gate again, relevant parties should establish a plan and use that to get an appropriate investment so that there will be more money than just the amount provided by a few organisations.

"We should immediately restore the original surrounding landscape and the original colour of the site," Nghiem said.

Architect and deputy chairman of the Viet Nam Architecture Association Nguyen Thuc Hoang agreed with Nghiem: "We should respect the site for its special place in the public's heart by taking immediate measures to bring it back to its former shape and colours." — VNS

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Saturday, August 21, 2010

Living the Quan Life

Nhau

During a journey into local food and drink culture, Tom DiChristopher learns how to nhau with the best of them.

I’m just finishing my first package of quail eggs at an al fresco District 3 quan when the rain starts coming down. Staff scramble to extend the awning as customers cover their food and beer and run for cover.

Nobody complains or sulks. Everyone is laughing. A few stare at the lone Westerner huddled in their midst, clutching his Bierre Larue.

With the awning up, the staff darts around, wiping down plastic chairs and aluminium tables. Clearly, if you had reservations, you are in the wrong place. However, if you’re looking for something different, pull out a plastic chair and prepare to nhau. There’s no better place to learn than HCM City.

A ruou-fueled Introduction

The first thing to know is that there are two types of quan: quan an and quan nhau. The former is essentially a restaurant, while the latter is the Vietnamese version of a beer hall. While some quan nhau—especially large, multi-story ones—serve everything from clams to kangaroo, many specialise in a staple.

On this rainy evening, I’m meeting my friend Hai and his roommate Adam at Lau De 306B Dien Bien Phu, where goat is the house specialty.

No matter the size or specialty of the quan, explains Hai, one thing remains consistent: food, drink and conversation share equal billing.

Savoury (often barbecued) meat, salty seafood, heaps of greens and snacks sold by roving street vendors are meant to be shared, fuel for good conversation and a means of bracing your stomach for the deluge of beer.

The relationship is so indivisible that the word nhau also functions as slang for the kind of eating, drinking and talking that goes on at the quan.

Though it’s not uncommon for locals drink in excess, there is an art to keeping yourself upright during a marathon nhau session. Beer is often inexpensive, so it tends to go fast. (Our Bierre Larues tonight run just VND9,000).

Also, once you’ve established that you’re staying, it’s standard practice for waitstaff to pop bottles until you tell them to stop, particularly when a crate of beer is placed at the foot of your table.

Rice wine is another menu item that requires caution. It turns out the staff at Lau De are Hanoian, and they’ve brought with them ruou ong khoai, or bee wine. The deep ochre nectar has a slightly floral aroma, and the taste is a mix of vanilla and burning.

Between dirt cheap beer and ruou shots, balancing food and drink can take some practice (as the massive headache I will awake with the following day will prove).

One tool in the fight for sobriety is the hotpot. However, there’s room for surprise even when it comes to this ubiquitous DIY dish.

“What is that? Liver?” asks Adam as Hai shovels a plateful of ingredients into the hotpot.

“It’s brain,” says Hai.

Silence.

“Pig brain.”

Silence.

“Brain is the best,” Hai assures us. “It melts in your mouth.”

And he’s right. It’s no sweetbreads served at a chichi bistro, but after a few minutes simmering in the hotpot, we’ve got ourselves a delicacy. Bon appetit.

Nhau for the intermediate

Inspired by my brief encounter with bee wine and pig’s brain, I head out with former AsiaLIFE staff photographer Christian Berg, who has his masters in Southeast Asian Studies and speaks Vietnamese fluently, to learn more about the quan life.

On a Thursday evening, we convene a party of eight at Lucky Beer (325 Vo Van Tan, D3), a quan nhau known for the quality of its VND5,000 bia hoi (fresh beer). Looking around the joint, there’s a question that’s nagging me: where are all the women? Christian’s answer is inflected with nuance: “A ‘traditionally good’ Vietnamese woman would not go to quan nhau.”

While more liberal women nhau, the quan remains an overwhelmingly male institution. Christian adds that the crowd at a quan nhau will vary depending on a few factors, from the type and strength of rice wine served to the cut of the waitstaff’s uniforms (Indeed, at one quan popular among gentlemen located at 302 Dien Bien Phu, the waitresses seem to share one common endowment.)

Current staff photographer Nam Quan also helps to explain the demographics, telling me that people typically begin to nhau at 18 or 19, although the more affluent of this generation often prefer modern venues like KFC and Gloria Jean’s.

However, certain quans are better regarded than others; one just up the street at 121 Vo Van Tan, Nam says, is usually packed despite the fact that their prices are high by quan standards.

But for the novice, Lucky Beer provides plenty of opportunities to broaden the palette. The house does wonderful things with peppercorn, and some of us have even developed a taste for the kidney and liver dish that Nam ordered.

The spicy fare and light beer has us out late, and by evening’s end we’ve engaged in all manner of discourse: our respective country’s views on the Cold War's thaw, the existential dilemma of the expatriate and the relative strength of Borat versus Bruno.

By the time we leave, the atmosphere is still lively and I’m reminded of something Hai, who used to live up north, told me at Lau De about quan culture: “People in Hanoi are light years behind. People in Saigon know how to live.”

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