Saturday, November 13, 2010

Historians' work ‘benefits society'

Looking back: The Thang Long Imperial Citadel opened to the public in October. The site provided archaeologists with a treasure-trove of artefacts and insights into the country's history. — VNA/VNS Photo Trong Duc

Looking back: The Thang Long Imperial Citadel opened to the public in October. The site provided archaeologists with a treasure-trove of artefacts and insights into the country's history. — VNA/VNS Photo Trong Duc

HA NOI — Politburo member Truong Tan Sang applauded the work of Vietnamese historians while addressing the 6th Congress of the Viet Nam Historians' Association in Ha Noi on Thursday.

"The association has made an active contribution to the learning of Vietnamese history and to preserving our cultural heritage," he said. "The association's members have helped improve the way history is formally taught. Their research has benefited society and helped to protect the country's sovereignty. The society also made a great contribution to the 1,000th anniversary of Ha Noi celebrations."

Sang called on the society to continue its work on preserving the nation's cultural values. He said he hoped historians would play an even greater role in the teaching of history in and outside of schools so that students better understood the nation's past.

Duong Trung Quoc, general secretary of the association, said it was important not to present a biased view of Viet Nam's past when teaching history.

"Modern Vietnamese history is generally thought to have begun with the Dong Son Civilisation (700-100BC) and the formation of the Van Lang-Au Lac State and subsequently, the Dai Co Viet State," he said. " We should therefore realise that Viet Nam's history embraces the history of various communities, races and states which went to form modern-day Viet Nam."

"Viet Nam's history includes the history of the Sa Huynh Culture (1,000-200BC) and the establishment of Champa State and the Oc Eo Culture (1-630AD) with the Phu Nam State," he said.

He further stressed that history was not just about foreign invasions, revolutions and history but should include every aspect of society such as economics, culture, religion and beliefs.

He said the importance of an "objective" and "comprehensive" approach to Viet Nam's past had been discussed at a number of recent history conferences.

Quoc said the importance of that notion had been forgotten by authors of a number of history textbooks, which had led to a skewed teaching of the subject.

The conference also heard that a history book titled Ho Chi Minh Era should also be published for use in schools.

The association asked the State to implement more effective policies to promote the country's history. The association also asked the Ministry of Education and Training to rewrite history textbooks so that they presented a more balanced approach to the nation's past. They also called on the ministry to help historians publish their research.

At the meeting, professor Phan Huy Le and historian Duong Trung Quoc were re-elected chairman and general secretary of the association respectively. — VNS

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Cable TV operators race to meet demand

HCM CITY — Cable television operators are sinking big money to stay ahead of what is a highly competitive field but consumers, who have got used to a good thing, are demanding more and more.

Ha Noi Cable Television (HCATV), which now has 55,000 subscribers and has been growing since its launch in 2002, offers 18 Vietnamese and foreign channels.

Its biggest competitor is Viet Nam Television's VCTV, which launched in 1996 and offers 65 channels, including 21 international channels like Arirang, CNN, HBO and Star Movies.

Both have invested a lot of money to produce quality entertainment programmes.

In HCM City, the two leading providers, HTVC and SCTV, offer their own cultural programmes for both children and youngsters on channels like SaoTV, Yan TV, Yeah 1 TV, and HTVC Shopping.

Yan TV and Yeah 1 TV have Americans and Koreans producing reality shows like Style and Star, Yan Special-Yan Live, and Sao 24/7, which have become popular.

Le Dinh Cuong, a senior official at HCATV, says: "To attract more customers, we have to improve the quality of our programmes to meet the increasing demand of audiences, especially youngsters."

However, subscribers remain unsated with the quality of programmes, signal, and after-sales service.

Vu Thuy Ha, a subscriber in Ha Noi, says: "My provider, HCATV, offers a dozen entertainment programmes but most of them are old and poor.

"It rehashes film programmes, music, and dance in Vietnamese and foreign languages that were produced two decades ago."

SCTV subscribers have an even bigger complaint – that channels are arbitrarily taken off without notifying them about the reason.

Nguyen Le Son, who lives in HCM City's District 3, says: "For example, my favourite channel was Travel and Living but it was removed earlier this year.

"This causes customers to lose trust in the provider."

VCTV general director Nguyen Quoc Viet says: "We will soon produce a series of cultural and educational programmes offering latest information and reports and live shows."

VCTV sent some of its young producers and technicians to Singapore and Korea to improve their skills, he says.

The cable TV market, with 2 million subscribers, has been doubling every year for the last several years but the competition remains fierce, he adds. — VNS

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Thursday, November 11, 2010

Restored 17th century dinh opens

Prize winner: Restoration of the wooden-pillar Chu Quyen (Chang) Communal House won top prize at the International Union of Architects in Xi'an, China, last month. — File Photo

Prize winner: Restoration of the wooden-pillar Chu Quyen (Chang) Communal House won top prize at the International Union of Architects in Xi'an, China, last month. — File Photo

HA NOI — A 17th century communal house (dinh) on the outskirts of Ha Noi that won the highest prize in the heritage preservation category at the International Union of Architects in Xi'an, China, last month, has officially reopened after months of restoration.

"The model restoration project aimed to duplicate as best as possible the original design," said Tran Lam Ben from the Cultural Heritage Department. "However, there has been some improper restoration work, which we will ask the workers to fix later."

According to architect Le Thanh Vinh, who headed the restoration team, the work was extremely intricate.

"We first had to conduct very careful research on all the relics to gauge what sort of condition they were in," he said.

Ultra-sound equipment was used to check the condition of the house's wooden pillars, he said.

Chu Quyen Communal House's 48 wooden pillars were damaged by weathering. However, only two had to be replaced, Vinh said.

The original house roof was made up of 51 different kinds of tiles. Restorers said 48,000 of the original tiles were saved. Those that needed to be replaced were produced using traditional methods of baking clay over straw.

Because of efforts to duplicate the original design, the work took twice as long as normal, Vinh said.

The restoration beat 33 entries from 14 countries in the Asia Pacific region to win the architects' award – the first Viet Nam has won.

The communal house, more commonly referred to as the Chang Communal House, is in Ha Noi's Ba Vi District. It consists of a room, largely constructed of wood, for worship.

The house was recognised as a historical site in 1962. Restoration on the house began in 2007.

Tran Chien Thang, deputy minister of culture, said the project would serve as the standard for other restoration work. — VNS

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Indian contestant wins Miss Earth Talent quest

Graceful: Miss India performs a belly dance that combines Oriental and Middle Eastern styles. — VNA/VNS Photo Quang Nhut

Graceful: Miss India performs a belly dance that combines Oriental and Middle Eastern styles. — VNA/VNS Photo Quang Nhut

HA NOI — Nicole Faria, a 20-year-old woman from India, has been crowned Miss Earth Talent 2010 after defeating 17 other candidates at the Miss Earth 2010 talent competition.

The competition took place in HCM City on Tuesday. Candidates from the following 18 countries and regions participated: Japan, Jamaica, Italy, Guatemala, Singapore, Brazil, England, Ireland, Guyana, India, Thailand, Botswana, Bosnia & Herzegovina, Guam, South Africa, Tonga, Crimea and the host, Viet Nam.

After a series of performances, Miss India, Crimea, Japan, Singapore and Viet Nam were chosen to be in the Top 5.

Miss India performed a graceful belly dance that combined Oriental and Middle Eastern styles.

Viet Nam's representative, Miss World Viet Nam Luu Thi Diem Huong, wowed the judges with her folk dances inspired by traditional dances in the northern, central and southern regions of the country. She also won the Miss Viet Nam Airlines title.

The event raised VND100 million (US$4,700) for the HCM City Red Cross to support flood victims in the central region.

The quest for Miss Earth 2010 will continue in the central city of Phan Thiet. The pageant winner will be revealed on the final night of the competition set to take place in the central coastal city of Nha Trang on December 4. — VNS

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Young dancers move to hip hop

Jazzercise: Thuy Linh (left) instructs her students in a complex move. — VNS Photo

Jazzercise: Thuy Linh (left) instructs her students in a complex move. — VNS Photo

HA NOI — One of the top 10 finalists in Miss Viet Nam 2010, Phi Thi Thuy Linh, has brought a fresh dance trend to the capital – hip hop. Linh has started classes that are attracting young adults to the Ha Noi Youth Culture and Sports Palace every Friday and Sunday night.

The unique jazz style, originating in the black American inner city areas of the United States, is starting to become popular in Viet Nam.

As a descendant of a wealthy family, Linh was not allowed to study hip-hop jazz. However, she eventually wore her mother down.

"When I asked my mum for permission, she refused. Her attitude only changed after watching me dance. She also asked me to teach her to dance," said Linh.

Linh's class of 11 students is always busy practicising.

"Hip hop jazz was brought to Viet Nam four years ago by Japanese professional dancer Hitomi Nguyen Thi Bau, who studied in the Teatoru University of Art. My two friends and I were her first students," said Linh.

In a ground floor space 20-30sq.m wide, Linh begins each practice session with a 45 minute warm-up to relax mind and body.

"There is a combination of acrobatics, ballet and a little bit of yoga at the beginning, so some people may think it's quite hard. On the contrary, it is suitable for anyone of any age," said Linh.

According to Linh, the most difficult, but most important part, of the technique is learning how to divide the whole body into parts—head, neck, shoulder, chest and waist—so that they can move independently from each other. Many of Linh's trainees were not patient enough to do this.

"This is quite a challenge because you have to learn how to keep your head moving while the rest of your body remains still," said Linh.

One of her students, a seventh grader and youngest member of the class Luu Ngoc Uyen, has been learning hip hop for one month and has already mastered every move. She is one of the best dancers Linh has taught.

"Dividing the body is not as hard as some people think. As for me, I am excited to learn this new kind of art because it makes my body stronger and feel more pleasant. It also helps reduce stress after school," said Uyen.

For those wondering why hip hop is involved with jazz, Linh said the dance combines the strength and wildness of hip hop and the flexibility and sexiness of jazz.

"This dance can promote creativity within each individual and bring freshness to the whole mind and body. You will feel like another person once you master it," said Linh.

Two other dancers teach different styles on the other days of the week.

"People can choose the class that they like. Whether you are male or female, you can attend a class, as long as you have real passion," said Linh.

One of Linh's close friends, Nguyen Huyen Chau, who works at the State Capital Investment Corporation (SCIC) and is also a hip hop jazz dancer, said her body became more slender after four years of dancing.

"I lost 2.5kg after studying hip-hop jazz. My job requires me to sit all day, so I suffer from a lot of pain. Thanks to this dance, I can work more easily," said Chau.

She is also no longer uncomfortable with her body. She now wears short skirts and leggings when she goes out with her boyfriend.

For Linh, compliments from her Japanese teacher and friends and establishing her own class motivate her.

"I used to be shy and afraid of revealing myself in front of others. Thanks to hip hop jazz, I had enough confidence to compete in the Miss Viet Nam 2010 contest," she said. Although she is busy working at the Asia-Europe Service Joint Stock Company, she still teaches in the evenings.

She's always attracting new students and has 50 at present.

"I believe this new trend will become more and more popular with Vietnamese youth. My teacher always told me not to wait for opportunities to come; you have to make your own! Thus, you should learn as much as you can when you are still young," said Linh. — VNS

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Culture Vulture

Artist Pham Tuan Tu is one of eight artists recently selected by the Denmark Cultural Development Exchange Fund for its Talent Prize 2010. Born in 1981, Tu is a graduate of the Ha Noi University of Industrial Fine Arts and is a member of the Viet Nam Fine Arts Association's Young Artist Club. Tu spoke to Culture Vulture about his first solo exhibition and about the theme of sexual ambiguity that appears in his work.

Why do you think your work was chosen?

I get feedback from viewers, and I think that they have strange feelings when they look at my paintings. They are curious to see something which rarely appears in painting.

Of the eight painters who won, I like the most the paintings by Nguyen Xuan Hoang. His ideas and forms of expression are very particular. He puts a prosaic object (a chair) in his works but shows its particular aesthetics.

Do you usually paint on the theme of homosexuality?

I paint homosexual subjects because it attracts me. It is one of many themes I want to touch upon. Contradiction between social preconception and instinct makes for a miserable fate, especially for homosexual people.

I think that sex cannot exist as an independent entity. It is a dependent factor and is governed not only by chromosomes but by many other factors like psychology, living environment, habit and nature.

When I began to know about homosexual people, I thought unconsciously about them and their lives. I don't know what urged me try to understand them.

I'm interested in many human interest subjects. In my latest painting, In Life, which will be displayed at the coming National Fine Arts Exhibition, I looked at enjoyment. In another painting, A Memorial Afternoon, which was exhibited by the Young Painters Club last June, I depicted death, or the different ways people die. Not a bodily death, but a mental death.

I have focused on many other subjects in my exhibition.

Do you know how the lesbian and gay community responds to your work?

I have received a lot of feedback from people who have seen the paintings. I think that they should not been seen negatively, but I don't mind. My works are my individual viewpoint. I don't impose my thoughts on theirs.

This is your first solo exhibition. How do you feel about it?

I usually participate in annual exhibitions by the Viet Nam Fine Arts Association, or in groups of independent artists. So this will be the first solo exhibition in my career. It will be a good chance for me to improve myself.

I have had to think a lot about it. I didn't have a specific theme. I want to present the contradictions in modern society. I want to comprehend my individual thoughts with a view to creating new works. I will try to fully express my ideas in various forms.

How long does it take you to complete a painting? Will you sell them?

I paint very quickly. The three paintings Gay, Uni-sex and Mud were made in 2008. The painting In Front of the Mirror, I painted this year. All are acrylic on canvas. Right after finishing them, I was very satisfied with them. But that was at that time.

All the paintings are for sale. — VNS

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Hoang Gia Ngoc selected for Manhunt

Hoang Gia Ngoc flies to Taiwan on Thursday to represent Vietnam - Photo: Courtesy of Elite Vietnam Entertainment Group
Supermodel Hoang Gia Ngoc will represent Vietnam at the world-wide search for best male model, Manhunt International 2010, in Taizhong, Taiwan, November 10-22.

The Department of Performing Arts under the Ministry of Culture, Sports and Tourism approved the 24-year-old, 1.84m tall, Ngoc, who just won the silver prize at the Vietnam Supermodel contest in October.

Elite Vietnam Entertainment Group and Venus Model Agency will prepare costumes, necessary items and training for Ngoc to compete. He will depart for Taiwan on Thursday.

This year the contestant who has the highest vote at the website of the contest http://www.manhunt.com.sg/vote/vote.php will go straight to the final round.

The crowning night of Manhunt International 2010 will take place at Chiang Kai-Shek Memorial Hall of Tung Hai University in Taizhong, Taiwan.

Vietnam has taken part in the contest since 2002 with the participation of supermodel Binh Minh. Ngo Tien Doan who competed at the contest in 2007 brought home the title for the model with best body, while model Nguyen Van Thinh came second in the online vote in 2008.

The Manhunt Contest started off in 1987, when Alex Liu, pageant director of Metromedia Singapore, decided to stage the first male model contest in Singapore.

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Wednesday, November 10, 2010

Hoang Gia Ngoc selected for Manhunt

Hoang Gia Ngoc flies to Taiwan on Thursday to represent Vietnam - Photo: Courtesy of Elite Vietnam Entertainment Group
Supermodel Hoang Gia Ngoc will represent Vietnam at the world-wide search for best male model, Manhunt International 2010, in Taizhong, Taiwan, November 10-22.

The Department of Performing Arts under the Ministry of Culture, Sports and Tourism approved the 24-year-old, 1.84m tall, Ngoc, who just won the silver prize at the Vietnam Supermodel contest in October.

Elite Vietnam Entertainment Group and Venus Model Agency will prepare costumes, necessary items and training for Ngoc to compete. He will depart for Taiwan on Thursday.

This year the contestant who has the highest vote at the website of the contest http://www.manhunt.com.sg/vote/vote.php will go straight to the final round.

The crowning night of Manhunt International 2010 will take place at Chiang Kai-Shek Memorial Hall of Tung Hai University in Taizhong, Taiwan.

Vietnam has taken part in the contest since 2002 with the participation of supermodel Binh Minh. Ngo Tien Doan who competed at the contest in 2007 brought home the title for the model with best body, while model Nguyen Van Thinh came second in the online vote in 2008.

The Manhunt Contest started off in 1987, when Alex Liu, pageant director of Metromedia Singapore, decided to stage the first male model contest in Singapore.

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AusCham flood appeal for Central

AusCham in conjunction with Commonwealth Bank of Australia and Crown Relocations have started a collection appeal to help rebuild the lives of flood victims in the central region.

Commonwealth Bank of Australia has offered to process the transmission of all funds donated, free of charge, to the Red Cross in order to distribute the funds to those in need in the affected areas.

The AusCham appeal also invites people to donate food (rice, instant noodles, canned food and drinking water etc) and non-food (household items, toys, firstaid kits etc) by putting them in collection bins provided at seven specified locations – The Australian International School, ACG International School, British International School, Commonwealth Bank of Australia HCMC branch, ERC Institute Vietnam and The International School.

Crown Relocations distributed all the collection bins on Tuesday. They will also be responsible for shipping all the collected goods to the devastated areas.

For more information about donations contact AusCham at (08) 3911 0212 or visit www.auschamvn.org.

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AusCham flood appeal for Central

AusCham in conjunction with Commonwealth Bank of Australia and Crown Relocations have started a collection appeal to help rebuild the lives of flood victims in the central region.

Commonwealth Bank of Australia has offered to process the transmission of all funds donated, free of charge, to the Red Cross in order to distribute the funds to those in need in the affected areas.

The AusCham appeal also invites people to donate food (rice, instant noodles, canned food and drinking water etc) and non-food (household items, toys, firstaid kits etc) by putting them in collection bins provided at seven specified locations – The Australian International School, ACG International School, British International School, Commonwealth Bank of Australia HCMC branch, ERC Institute Vietnam and The International School.

Crown Relocations distributed all the collection bins on Tuesday. They will also be responsible for shipping all the collected goods to the devastated areas.

For more information about donations contact AusCham at (08) 3911 0212 or visit www.auschamvn.org.

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ACCA launches contest for finance students

The UK-based Association of Chartered Certified Accountants (ACCA) has launched the ACCA Futurist 2010 Contest at the Banking University HCMC in Thu Duc District.

The annual contest targets students from all universities in HCMC, especially those in accounting, auditing and finance such University of Economics HCMC and HCMC Open University, Foreign Trade University, RMIT University, Faculty of Economics - Vietnam National University and Ton Duc Thang  University.

“Skills to solve practical cases of new graduates have so far been very weak. With the ACCA Futurist contest, we hope they will improve those skills, not only in their expertise in economics, management, banking or finance but also in society as well as soft skills” said Le Thi Hong Len, chief representative of ACCA in Vietnam. 

The contest that is in its fourth year will include individual and team demonstrations from November 7 to December 18. To attract more entrants the value of prizes was increased to VND150 million – including VND70 million in cash and VND85 million in scholarships. Two thousand students have entered this years contest so far.

This is also a good time for enterprises to look for talent, Len said.

ACCA is the global body for professional accountants, offering business-relevant, first-choice qualifications. ACCA has 140,000 members and 404,000 students throughout their careers, providing services through a network of 83 offices and active centers in 170 nations.

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Sophie Paris inaugurates fashion center in city

Models show fashion products of Sophie Paris on the opening of this foreign company in HCMC on Tuesday - Photo: Mong Binh
HCMC - Sophie Paris as one of Asia’s leading direct selling fashion companies on Tuesday opened its fashion center in HCMC’s District 3 to showcase the products the company will distribute in Vietnam through multi-level marketing from next month.

Nick Jonsson, general director of Sophie Paris Vietnam, told reporters at the launch function for the company in Vietnam that 650 members had pre-registered to sell fashion products for children, women and children in Vietnam. But, he expected the number would reach 2,000 before the company started to distribute its items in Vietnam on December 1.

Sophie Paris products have been imported into Vietnam in preparation for the market launch, Jonsson told the Daily.

Interested members and customers can view the full catalogue at www.sophieparis.vn or visit the Sophie Paris showroom at 84B Tran Quoc Toan Street from 9 a.m. to 7 p.m. Mondays to Fridays. Jonsson said Sophie Paris Vietnam would be running regularly fashion shows at the in-house fashion center for members and fashion lovers.

Bruno Hasson, founder and president of Sophie Paris, described the prices of his company’s fashion products for Vietnam as reasonable, but the quality was guaranteed in terms of materials and designs. These products, including bags, wallets, watches and accessories, are designed by the Indonesia-headquartered company’s French design team.

With trendy products and competitive prices, Jonsson believed Sophie Paris Vietnam targeted 10,000 members and US$2 million of business in the first year of operations. “We enter Vietnam with high hopes and lofty ambitions.”

Hasson pinned high hopes that business of Sophie Paris would fare well in this market of more than 86 million people. “Vietnam offers tremendous opportunities for us as a company.”

Hasson said Sophie Paris had been expanding fast in Indonesia since its inception in 1996, at about 20-30% annually in recent years for the market and the Philippines but stronger in Morocco. He painted a bright future for Sophie Paris Vietnam.

“I’m confident that in Vietnam we will grow very fast and very big,” Hasson said, crediting the company’s entry and expansion were backed by tax reductions and tax breaks as a result of the ASEAN Free Trade Agreement.

Hasson said most of Sophie Paris products were made in Indonesia and the company would consider adding made-in-Vietnam fashion items to its product line-up when the opportunity came.

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Ha Noi theatres fail to attract sponsors

Hats off: A scene from the drama Changing Feelings by the Tuoi Tre (Youth) Theatre, one of only a handful of successful theatres in the north. — VNA/VNS Photo Tran Thanh Giang

Hats off: A scene from the drama Changing Feelings by the Tuoi Tre (Youth) Theatre, one of only a handful of successful theatres in the north. — VNA/VNS Photo Tran Thanh Giang

HA NOI — Theatres in Ha Noi have been finding it difficult to get sponsorship or support themselves through ticket sales without funding from the State – unlike their southern counterparts.

The Culture, Sports and Tourism Ministry has said theatres in the north would no longer be part-subsidised by the State from the end of this year, but few have succeeded in finding alternative funding.

Theatres have been criticised for failing to attract large audiences because of poor-quality scripts and in adequate facilities.

According to Le Tien Tho, deputy minister of culture, sports and tourism, theatre owners were inexperienced at attracting audiences or promoting themselves – which is another reason for their failure to find private funding.

Theatres have found it harder than cinemas to co-operate with private or other sectors to do business," he said.

Tho added that even successful private theatres in HCM City, such as IDECAF and Phu Nhuan Drama Theatre, had succeeded in only finding short-term investment – from the artistes themselves.

"They will need long-term investment to stay open," he said.

Tho also said that even though the majority of Viet Nam's most popular theatrical artists lived in Ha Noi, their shows still struggled to attract local audiences.

Some theatres in the capital have succeeded to some extent in going private, such as the Kim Ma Cheo Theatre, Ha Noi Cheo Theatre and Thang Long Puppetry Theatre.

The Ha Noi Cheo Theatre, on Nguyen Dinh Chieu Street, one of the first small stages to open in Ha Noi, is popular with both local residents and foreign tourists.

Tuoi Tre Theatre, which stages performances at Thanh Nien Cinema, almost always succeeds in attracting an audience of 150 for each show.

The Thang Long Puppetry Theatre and the Central Puppetry Theatre also manage to attract decent-sized audiences.

Meanwhile, the Ha Noi Cai Luong (Reformed Opera) Theatre has attracted enough sponsorship to stage free performances. Before each show, company representatives are urged to sponsor the theatre.

The Central Pop Music Theatre used a 3,800sq.m plot close to Hoan Kiem Lake to set up a so called "Space for Vietnamese Culture". It hosts musical events and exhibitions. It is also home to the Luc Thuy Restaurant and a souvenir shop.

Artistes can rent out space to put on shows, said Tran Binh, director of the theatre.

The Ministry has hailed the work of the Youth and the Central Pop Music theatre as models in finding alternative fundings.

Meanwhile, in HCM City, successful venues include the Small Stage 5B, on Vo Van Tan Street, which is run by the local artists' association; Sai Gon Drama, which is run by Phuoc Sang Entertainment; IDECAF, run by Anh Duong Company; and Phu Nhuan Drama Stage, owned by Van Tuan Company. — VNS

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Teens learn finance at UKAV seminar

The U.K Alumni Association Vietnam (UKAV) will host a seminar called “Financial Literacy 14 (For Teens)” at the Multimedia Room of Tran Dai Nghia High School, 20 Ly Tu Trong Street, HCMC’s District 1 from 2 p.m. to 5 p.m. on November 13.

Finance has always been a popular student career choice, while the rapid development of credit and investment products creates endless opportunities and financial risks. To keep young people at pace with the financial environment, the seminar will teach personal financial management skills including personal investments, savings, and budgeting using a clear-structured, easy-to-understand approach. UKAV will present the first seminar in a series that will introduce basic finance definitions and aspects of finance.

Speakers from UKAV Education Fund and top professionals in Vietnamese finance and banking will share their entrepreneurial experience. They include Nguyen Hoai Anh, vice chairman of Amigo Investment Holdings and CEO of INB Financials, and Vo Sang Xuan Vinh-CFA, CEO of Saigon Capital, former Country Manager of Aureos Capital.

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Tuesday, November 9, 2010

Teens learn finance at UKAV seminar

The U.K Alumni Association Vietnam (UKAV) will host a seminar called “Financial Literacy 14 (For Teens)” at the Multimedia Room of Tran Dai Nghia High School, 20 Ly Tu Trong Street, HCMC’s District 1 from 2 p.m. to 5 p.m. on November 13.

Finance has always been a popular student career choice, while the rapid development of credit and investment products creates endless opportunities and financial risks. To keep young people at pace with the financial environment, the seminar will teach personal financial management skills including personal investments, savings, and budgeting using a clear-structured, easy-to-understand approach. UKAV will present the first seminar in a series that will introduce basic finance definitions and aspects of finance.

Speakers from UKAV Education Fund and top professionals in Vietnamese finance and banking will share their entrepreneurial experience. They include Nguyen Hoai Anh, vice chairman of Amigo Investment Holdings and CEO of INB Financials, and Vo Sang Xuan Vinh-CFA, CEO of Saigon Capital, former Country Manager of Aureos Capital.

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Cinemas expect end of year movie madness

Movie theaters are expecting good crowds for November and December when they screen new Vietnamese and American releases.

The success of Floating Lives raised cinema’s expectations for the Christmas period. The movie, filmed in Dong Thap Province, had a VND10 billion box office in the first 12 days of screening

“When a Vietnamese film with a good screenplay comes out, it shows that local audiences haven’t turned their back on homegrown movies,” Tran Nhut Anh Loan, operations manager of Saigon Movies Media, said.

Although Floating Lives wasn’t released for the holiday or Tet  crowds and had some poor reviews, the film became a phenomenon at the ticket booth. “The success of this film erased the attitude that Vietnamese movies only survive thanks to Tet holiday,” said Ho Hoang Khanh Vy, representative of BHD Star Cinema Co. Ltd. 

Another Vietnamese movie which excelled this year was Fool for Love produced by Early Riser and Wonder Boy Entertainment and directed by Charlie Nguyen. It earned VND3 billion after three days screening.

A new Vietnamese history movie called Aspiration of Thang Long will be released at the end of this year. The movie is about the great founder Ly Cong Uan, who moved the capital from the ancient Hoa Lu citadel to Thang Long (Hanoi). This film will show at Megastar cinemas nationwide from November 12. 

The success of the blockbuster Avatar that earned US$1.5 million in Vietnam started a new era in 3D movies. Megastar Media Co. Ltd. recently added three more 3D cinemas to its lineup making a total of eight. Galaxy Studio JSC also has three 3D screens in HCMC. Saigon Movies Media, BHD Star Cinema have also opened screens.

Megastar brought eleven 3D movies to its cinemas in the last year with two more to come before the Christmas: Narnia: The Voyage of the Dawn Treader and Tron Legacy. BHD Star Cinema will show the 3D movie Street Dance at cinemas nationwide.  

Other Hollywood titles to come this year are: Skyline, The Next Three Days, Paranormal Activity 2, Detective D, Harry Potter and the Deathly Hallows, and Unstoppable.

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German youth choir sing for Hanoi

Koreans bring memory of love to Vietnam

The youth choir from Germany’s Wernigerode Radio will perform two nights of November 10-11 at the Hanoi Youth Theater at 11 Ngo Thi Nham Street as part of German Year in Vietnam 2010.

In the first part of the program, the choir will perform two German folk songs, three modern works and two classics. In the second half they will choir will play folk and spiritual songs of five countries including France, Germany, Russia, the U.S. and Japan and North America

The choir has 35 members from 15 to 18. Since its establishment in 1951, the Wernigerode Radio Choir has recorded over 30 CDs and performed in many television programs and films. They were awarded best German choir.

Tickets are available at the Goethe Institute at 56-58 Nguyen Thai Hoc Street, Hanoi. For further information, contact the institute at 04 3734 2251/52/53 ext. 9.

*The Korean Cultural Center in Vietnam will host an opera called “Memory of love – Orpheo” at the Au Co Performing Arts Center, 8 Huynh Thuc Khang Street in Hanoi at 7:30 p.m. on November 11.

“Memory of love – Orpheo” will be performed by artists from Seoul Performing Arts Center (SPAC). It’s a love story of two dancers, Dong Wook and Uri. They almost lose their relationship but memories and promises make them fall in love again.

The opera combines touching memories with melodies. The fusion of Korean traditional dance with contemporary jazz dance creates emotion and gives an insight into Korean arts and culture.

The opera has been organized to mark the success of ASEAN+3 Summit in Hanoi Free tickets are available at Korean Cultural Center at 49 Nguyen Du Street in Hanoi from November 9.

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German youth choir sing for Hanoi

Koreans bring memory of love to Vietnam

The youth choir from Germany’s Wernigerode Radio will perform two nights of November 10-11 at the Hanoi Youth Theater at 11 Ngo Thi Nham Street as part of German Year in Vietnam 2010.

In the first part of the program, the choir will perform two German folk songs, three modern works and two classics. In the second half they will choir will play folk and spiritual songs of five countries including France, Germany, Russia, the U.S. and Japan and North America

The choir has 35 members from 15 to 18. Since its establishment in 1951, the Wernigerode Radio Choir has recorded over 30 CDs and performed in many television programs and films. They were awarded best German choir.

Tickets are available at the Goethe Institute at 56-58 Nguyen Thai Hoc Street, Hanoi. For further information, contact the institute at 04 3734 2251/52/53 ext. 9.

*The Korean Cultural Center in Vietnam will host an opera called “Memory of love – Orpheo” at the Au Co Performing Arts Center, 8 Huynh Thuc Khang Street in Hanoi at 7:30 p.m. on November 11.

“Memory of love – Orpheo” will be performed by artists from Seoul Performing Arts Center (SPAC). It’s a love story of two dancers, Dong Wook and Uri. They almost lose their relationship but memories and promises make them fall in love again.

The opera combines touching memories with melodies. The fusion of Korean traditional dance with contemporary jazz dance creates emotion and gives an insight into Korean arts and culture.

The opera has been organized to mark the success of ASEAN+3 Summit in Hanoi Free tickets are available at Korean Cultural Center at 49 Nguyen Du Street in Hanoi from November 9.

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BHD Star Cinema sponsors online film contest

The online competition website for Vietnamese independent short-film makers, www.yxineff.com, announced BHD Co. Ltd as its official partner.

BHD Star Cinema will sponsor five individual awards for the yxineff film festival. In November, YxineFF will screen films at 9 p.m. on Sunday, Tuesday, and Friday. 

Yxine Film Fest started taking short film submissions in May with judging to be decided by the end of the year. The online film festival and forum aims to create a community for independent movie makers to meet and share experience with each other to develop Vietnam cinema. YxineFF‘s creators expect to extend the film festival to Vietnamese around the world and open more categories for the international movies. 

BHD has been a supporter of Vietnamese cinema since it opened in August. The cinema has a special area for Vietnamese film memorabilia and has cooperated with YxineFF to host discussions with cinematographers and introduce movies by young filmmakers.   

YxineFF’s partners Saigon Movies Media, Galaxy Studio and BHD Star Cinema sponsor the Golden Heart award, the Red Heart award and five other individual awards for best director, best screenplay writer, best cinematographer, best editor and best actor. 

YxineFF was created by Marcus Manh Cuong Vu. Vu is a teaching assistant and researcher at Hamburg University in Germany. In December, he won first runner-up of the British Council International Young Screen Entrepreneur award.

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Local movie director to be honored in Hollywood

Director Dang Nhat Minh (L) delivers a speech after receiving Best director for 2009’s Don’t Burn (Dung dot) - Photo: TTXVN
A ceremony to honor People’s Artist/director Dang Nhat Minh and a Vietnam Film Week featuring movies by  young Vietnamese directors will be held on Wednesday in Hollywood, reports Sai Gon Giai Phong newspaper.

“Mua oi” (Guava season) will be screened after the ceremony and the director will have a roundtable with audiences and people in the movie industry, the organizers, Academy of Motion Picture Arts and Sciences (AMPAS), said.

AMPAS will also introduce all the movies directed by Dang Nhat Minh to American audiences to honor the talented director.

People’s Artist Dang Nhat Minh is one the leading directors in Vietnam. His works including Co gai tren song (A girl on a river), Ha Noi mua dong nam 46 (Hanoi - Winter of 1946), Thuong nho dong que (Nostalgia for Countryside) and Dung dot (Don’t Burn) have left a deep impression on local and international audiences and awarded at national and international film festivals. Among them, the 2009 movie “Don’t Burn” received audience choice award at Fukuoka International Film Festival in Japan and took three Golden Lotus awards for best movie, best script-writer and journalists’ choice at the 16th Vietnam Film Festival in 2009 and six Golden Kite awards in 2010.

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German artists in VN collaboration

HA NOI — A series of cultural events will be held in an Open Academy project to encourage Vietnamese and German artists to work in collaboration in different activities.

The project aims to hold workshops, screenings, performances, concerts, actions, lectures and discussions in Ha Noi, Hue and HCM City.

Ten artists and musicians from Berlin will co-operate with Vietnamese artists, musicians and students in research and communication in various locations.

The German artists are interested in Viet Nam and are ready to share and exchange knowledge with Vietnamese artists, said artist Veronika Radulovic, project co-ordinator.

All these artists have created new concepts in modern art showing form, she said.

Radulovic studied visual communication in Bielefeld city, Germany. She worked in Ha Noi from 1993-2005, studying Vietnamese lacquer painting techniques and working as the first German Academic Exchange Service guest lecturer at the Fine Arts universities in Ha Noi, Hue and HCM City.

She curated several exhibitions of Vietnamese arts in Germany in 1996-98 and 2009-10. She wrote a book about Vietnamese art in 2005.

She will hold a two-day workshop about privacy in art, to be held in Ha Noi, Hue and HCM City on November 12, 17 and 29.

Artist Michael Vorfeld, who used to work in Viet Nam, is a visual artist and musician, playing percussion and creating electro-acoustic works. He came to work with Vietnamese artists in 1989. His four-day workshop on experimental music and light installation was held yesterday in Ha Noi and will be held in HCM City's Zero Station, 91A Dinh Tien Hoang Street, Binh Thanh District next Monday.

His concert and light installation will take place on Sunday at 7pm at the Goethe Institute, 56 Nguyen Thai Hoc Street, and in HCM City's Zero Station on November 19

Veronika Witte and Berthold Schneider will give a lecture on scenic sculpture and artists between theatre and art. They work in the fields of sculpture and video.

Many others, including Nezaket Ekici, Juliane Heise, Fuasi Abdul-Khaliq, Stephan Kurr, Andreas Schmid, Maria Vedder, and Danh Vo will be involved in the Open Academy.

The project was kicked off yesterday in Hue and Ha Noi with several workshops on performance art, tourism and travel, community art, experimental music and light installation, video art and scenic sculptures.

Open Academy 2010, held by the Goethe Insitute, is held to encourage a dialogue and exchange between the artists of Viet Nam and Berlin.

All events will be opened for public in Ha Noi's Goethe Institute; Viet Nam University of Fine Arts, 42 Yet Kieu Street; Hue University of Fine Arts, 10 To Ngoc Van Street; University of Fine Arts in HCM City, 5 Phan Dang Luu Street, Binh Thanh District. — VNS

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Experience Delftware Blue Now In The City

Mr. Martinus van den Berg
Martinus van den Berg, an artist of Holland delftware blue, and some other artists in the Netherlands’ traditional industries will come to HCM City to show their talent at the Holland Village Festival slated for October 22-31 at September 23 Park near Ben Thanh Market in District 1, HCM City. On this occasion, the Weekly had an interview with Martinus van den Berg. Excerpts:

Q: Delftware blue was born when Dutch potters started to imitate the technique of Chinese porcelain. Yet after the long history of development, are there any typical characteristics of delftware blue?

A: The story began in China hundreds of years ago. In the 1600s the beautiful porcelain came to Europe and the Netherlands, with the Dutch East India Company. It soon gained popularity and Dutch potters started to imitate the technique. At that time porcelain was an unknown material in the Netherlands. The potters aimed to copy the products with local clay, and they were successful. In the first half of the 17th century, there were several factories in the Netherlands, especially in Rotterdam and Delft.

The earliest tiles were used for flooring, often in churches, wealthy homes or institutional buildings. When some floor tiles turned out to be too delicate for heavy usage, the tiles moved to the walls. Religious pictures and floral motifs were common in this time. There are also different styles of painting, so you can also have polychrome, Gouds Platelet and Jugendsteel.

In order to make delft blue, for each model in a collection, a master mold is made first. This master mold is a precise reproduction of how the piece of pottery should look later. It can be from anything, from a vase or a dog to a more complicated construction such as a pottery violin. A number of negative working molds of these are poured in plaster. These negatives are poured full of clay. This clay cakes onto the edges of the negatives. The rest of the clay is poured out and the molds are opened. The product is polished and sponges off, after which the clay is baked for the first time. This creates the so-called biscuit dried, give this a white porous pottery. This biscuit is ready for further treatment.

What makes it different?

That makes it different from the Chinese porcelain are paintings of the typical Dutch flowers and windmills.

Where can the real delftware blue be found?

Most of real delft blue you can find in Delft. Gouda is an old town in the surrounding of Delft and already acquainted with the manufacture of pottery and clay pipes toot over the decoration of the so called “delftware” adapted it to a Dutch style.

That’s why you could find more pottery in Gouda than in Delft in those days. Still a lot of production of delft blue takes place in Gouda, but the town of Delft gave its name to the world famous delft blue.

But most importantly, you will receive a certificate of authenticity with your piece of delftware, warranted by the factory and sometimes even by the painter. Mass-produced pieces never have a signature, most of the time they only have a stamp with a factory mark.

How can you learnand preserve the technique of delftware bluewhen mass-produced articles are flooding the market?

I took up the art of delft at the age of 14 in my hometown Woerden. In the Netherlands, it takes about five to seven years to become a skilled delft craftsman. I worked at the Regina delftware factory for about 10 years before striking out on my own (Regina was a leading company in the field of delftware in Gouda. It stopped production around 1966). Since then I worked with several companies. Most of my works are special pieces, and no mass production. Each piece is made by hand.

There is no special school for delft blue painters, so you must learn it from the older people in a factory. Hand painted delftware is due to the enormous amount of work and time that goes into one piece, much more expensive than the printed counterpart. This makes it at the same time very valuable and unique, whereas printed delftware is mass-produced and has only entertainment value.

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Monday, November 8, 2010

Experience Delftware Blue Now In The City

Mr. Martinus van den Berg
Martinus van den Berg, an artist of Holland delftware blue, and some other artists in the Netherlands’ traditional industries will come to HCM City to show their talent at the Holland Village Festival slated for October 22-31 at September 23 Park near Ben Thanh Market in District 1, HCM City. On this occasion, the Weekly had an interview with Martinus van den Berg. Excerpts:

Q: Delftware blue was born when Dutch potters started to imitate the technique of Chinese porcelain. Yet after the long history of development, are there any typical characteristics of delftware blue?

A: The story began in China hundreds of years ago. In the 1600s the beautiful porcelain came to Europe and the Netherlands, with the Dutch East India Company. It soon gained popularity and Dutch potters started to imitate the technique. At that time porcelain was an unknown material in the Netherlands. The potters aimed to copy the products with local clay, and they were successful. In the first half of the 17th century, there were several factories in the Netherlands, especially in Rotterdam and Delft.

The earliest tiles were used for flooring, often in churches, wealthy homes or institutional buildings. When some floor tiles turned out to be too delicate for heavy usage, the tiles moved to the walls. Religious pictures and floral motifs were common in this time. There are also different styles of painting, so you can also have polychrome, Gouds Platelet and Jugendsteel.

In order to make delft blue, for each model in a collection, a master mold is made first. This master mold is a precise reproduction of how the piece of pottery should look later. It can be from anything, from a vase or a dog to a more complicated construction such as a pottery violin. A number of negative working molds of these are poured in plaster. These negatives are poured full of clay. This clay cakes onto the edges of the negatives. The rest of the clay is poured out and the molds are opened. The product is polished and sponges off, after which the clay is baked for the first time. This creates the so-called biscuit dried, give this a white porous pottery. This biscuit is ready for further treatment.

What makes it different?

That makes it different from the Chinese porcelain are paintings of the typical Dutch flowers and windmills.

Where can the real delftware blue be found?

Most of real delft blue you can find in Delft. Gouda is an old town in the surrounding of Delft and already acquainted with the manufacture of pottery and clay pipes toot over the decoration of the so called “delftware” adapted it to a Dutch style.

That’s why you could find more pottery in Gouda than in Delft in those days. Still a lot of production of delft blue takes place in Gouda, but the town of Delft gave its name to the world famous delft blue.

But most importantly, you will receive a certificate of authenticity with your piece of delftware, warranted by the factory and sometimes even by the painter. Mass-produced pieces never have a signature, most of the time they only have a stamp with a factory mark.

How can you learnand preserve the technique of delftware bluewhen mass-produced articles are flooding the market?

I took up the art of delft at the age of 14 in my hometown Woerden. In the Netherlands, it takes about five to seven years to become a skilled delft craftsman. I worked at the Regina delftware factory for about 10 years before striking out on my own (Regina was a leading company in the field of delftware in Gouda. It stopped production around 1966). Since then I worked with several companies. Most of my works are special pieces, and no mass production. Each piece is made by hand.

There is no special school for delft blue painters, so you must learn it from the older people in a factory. Hand painted delftware is due to the enormous amount of work and time that goes into one piece, much more expensive than the printed counterpart. This makes it at the same time very valuable and unique, whereas printed delftware is mass-produced and has only entertainment value.

Related Articles

Experience Delftware Blue Now In The City

Mr. Martinus van den Berg
Martinus van den Berg, an artist of Holland delftware blue, and some other artists in the Netherlands’ traditional industries will come to HCM City to show their talent at the Holland Village Festival slated for October 22-31 at September 23 Park near Ben Thanh Market in District 1, HCM City. On this occasion, the Weekly had an interview with Martinus van den Berg. Excerpts:

Q: Delftware blue was born when Dutch potters started to imitate the technique of Chinese porcelain. Yet after the long history of development, are there any typical characteristics of delftware blue?

A: The story began in China hundreds of years ago. In the 1600s the beautiful porcelain came to Europe and the Netherlands, with the Dutch East India Company. It soon gained popularity and Dutch potters started to imitate the technique. At that time porcelain was an unknown material in the Netherlands. The potters aimed to copy the products with local clay, and they were successful. In the first half of the 17th century, there were several factories in the Netherlands, especially in Rotterdam and Delft.

The earliest tiles were used for flooring, often in churches, wealthy homes or institutional buildings. When some floor tiles turned out to be too delicate for heavy usage, the tiles moved to the walls. Religious pictures and floral motifs were common in this time. There are also different styles of painting, so you can also have polychrome, Gouds Platelet and Jugendsteel.

In order to make delft blue, for each model in a collection, a master mold is made first. This master mold is a precise reproduction of how the piece of pottery should look later. It can be from anything, from a vase or a dog to a more complicated construction such as a pottery violin. A number of negative working molds of these are poured in plaster. These negatives are poured full of clay. This clay cakes onto the edges of the negatives. The rest of the clay is poured out and the molds are opened. The product is polished and sponges off, after which the clay is baked for the first time. This creates the so-called biscuit dried, give this a white porous pottery. This biscuit is ready for further treatment.

What makes it different?

That makes it different from the Chinese porcelain are paintings of the typical Dutch flowers and windmills.

Where can the real delftware blue be found?

Most of real delft blue you can find in Delft. Gouda is an old town in the surrounding of Delft and already acquainted with the manufacture of pottery and clay pipes toot over the decoration of the so called “delftware” adapted it to a Dutch style.

That’s why you could find more pottery in Gouda than in Delft in those days. Still a lot of production of delft blue takes place in Gouda, but the town of Delft gave its name to the world famous delft blue.

But most importantly, you will receive a certificate of authenticity with your piece of delftware, warranted by the factory and sometimes even by the painter. Mass-produced pieces never have a signature, most of the time they only have a stamp with a factory mark.

How can you learnand preserve the technique of delftware bluewhen mass-produced articles are flooding the market?

I took up the art of delft at the age of 14 in my hometown Woerden. In the Netherlands, it takes about five to seven years to become a skilled delft craftsman. I worked at the Regina delftware factory for about 10 years before striking out on my own (Regina was a leading company in the field of delftware in Gouda. It stopped production around 1966). Since then I worked with several companies. Most of my works are special pieces, and no mass production. Each piece is made by hand.

There is no special school for delft blue painters, so you must learn it from the older people in a factory. Hand painted delftware is due to the enormous amount of work and time that goes into one piece, much more expensive than the printed counterpart. This makes it at the same time very valuable and unique, whereas printed delftware is mass-produced and has only entertainment value.

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Renovation project sparks debate over gate

 

History matters: O Quan Chuong before (left) and after (right) renovation.— VNA/VNS Photo Hoang Ha

History matters: O Quan Chuong before and after  renovation.— VNA/VNS Photo Hoang Ha

HA NOI — Public outrage stirred when O Quan Chuong, one of Ha Noi's five oldest gates and the former eastern entrance to the capital citadel, was renovated. Agencies in charge of the project were asked to restore the gate to its former shape and colour.

O Quan Chuong stands tall in Ha Noi's Old Quarter with its official name written in ancient Han Chinese characters just below the bell tower.

Once you pass through the gate, the street becomes Hang Chieu. It runs close to the busy Dong Xuan Market before turning into Hang Ma Street in perhaps the most atmospheric part of the capital's Old Quarter.

Many Hanoians have childhood memories of shopping trips along the busy market street and the thrill of passing through the venerable arched gateway.

O Quan Chuong was built in 1749 when the Le dynasty rebuilt the Thang Long Citadel on a war-torn fort destroyed by northern invaders.

The gate breathed life into several trades that later formed the famous streets and alleys surrounding it.

Restoration

Nguyen Doan Tuan, head of the project's management board, said officials from the Ministry of Culture, Sports and Tourism have visited the site and ordered workers to use the correct bricks to restore the gate.

Le Thanh Vinh, head of the Institute for Research and Preservation of Relics, said the new paint for O Quan Chuong is not right yet.

"Experts are trying to find the proper paint colours for the gate. It is very difficult," said Vinh.

Architect and former director of the Ha Noi Department for Architecture and Planning Dao Ngoc Nghiem said it's not easy to determine the original materials used to build the gate because it has been renovated many times.

"The gate's ancient and mossy image has been used in poems, and embedded in every Hanoian's memory so we should respect its former image while restoring it," Nghiem said.

He said before upgrading the gate again, relevant parties should establish a plan and use that to get an appropriate investment so that there will be more money than just the amount provided by a few organisations.

"We should immediately restore the original surrounding landscape and the original colour of the site," Nghiem said.

Architect and deputy chairman of the Viet Nam Architecture Association Nguyen Thuc Hoang agreed with Nghiem: "We should respect the site for its special place in the public's heart by taking immediate measures to bring it back to its former shape and colours." — VNS

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Three-centuries-old Hue tree gets heritage status

THUA THIEN-HUE — A 312-year-old persimmon tree in Hue has been conferred the status of a heritage tree by the Viet Nam Association of Natural Resources and Environment Protection (VANREP).

VANREP also placed a sign saying "Heritage Tree" on the tree in Duong Xuan Ha village in Thuy Xuan Ward at a ceremony on Friday.

The tree, which is 25m tall and has a trunk 1.4m across, was planted in 1698 to mark the border of the Than Van family's house of worship.

It was healthy for centuries until being damaged by a bomb in 1968.

VANREP chairman Nguyen Ngoc Sinh said the association is responsible for protecting all heritage trees in the country.

Earlier last month the association had conferred the status on nine 700-year-old mango trees in Ha Noi's Voi Phuc Temple.

HCM City to launch Sai Gon River tour to promote tourism

HCM CITY — HCM City tourism authorities hope to launch a new tour on the Sai Gon River this year to promote river tourism.

Nguyen Thi Hong, vice chairwoman of the People's Committee, said it will take tourists through Bach Dang Wharf, the Nha Be crossroads, and the Painters' Village in District 2.

The city will co-operate with neighbouring provinces like Dong Nai and Binh Duong to develop tours to those provinces, she added.

Hong, city tourism authorities and their counterparts from the two provinces, and 20 tour operators surveyed routes along the Sai Gon on Friday.

A conference is planned to gather opinions from the industry and tourism experts about promoting river tourism.

The city tourism authorities have been keen for years to develop river tourism but were handicapped by the lack of wharves and other services.

Diamond Place to host Miss Earth's Beauty and Talent Night

HCM CITY — The Beauty and Talent Night, an exclusive event for the Miss Earth competition in Viet Nam, will be held at Diamond Place conference hall in HCM City's Binh Thanh District tomorrow.

This year's Miss Earth contest will take place in Viet Nam, marking the first time that it has been held outside the Philippines.

With the motto Beauty for a Cause, the competition's organisers aim to improve awareness on the environment and eco- sustainability.

The winner will be spokesperson for the Miss Earth Foundation and the UN Environment Programme.

The contest include 90 participants, 20 of whom will be selected to attend the grand finale.

Celebrities Jennifer Pham and Binh Minh will be the presenters and star singers My Tam and Dam Vinh Hung, among others, will perform.

Starting from 5.30pm, the event also features classical concerts and opportunities for guests to socialise with the contestants. After dinner, there will be a talent contest among the selected final 20 participants. — VNS

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