Friday, November 5, 2010

Hoan Hy Chay, the new vegetarian restaurant in town

Diners enjoy fresh vegetarian food at Hoan Hy Chay Restaurant in HCMC’s District 3 - Photo: Kieu Giang
Why eat at the most expensive restaurants when for much less you can dine on the mouthwatering nutritious vegetarian food that is a Vietnamese specialty. A new face amongst the HCMC vegetarian restaurants is Hoan Hy Chay in HCMC’s District 3 with healthy cuisine at cheap prices.

The quiet alley off Nam Ky Khoi Nghia Street, Hoan Hy Chay is an ideal place for diners to escape the noise and find some refreshing quiet in a space of lotus leaf light shades, aloe wood furniture and instrumental music.

The vegetarian restaurant has two floors to serve up to 100 customers. Its menu features 70 vegetarian dishes ranging from the simple to the sophisticated including banh uot cuon (steam thin rice pancake roll), cuon diep (vegetable rolls), dau hu com (fried tofu with green rice), bong bi chien xu, com xu xi (rice with dried seaweed) and lau kho qua (bitter melon hot pot) among others. While waiting for your meal to cooked by the talented vegetarian cooks, diners can try the tea made from fresh tea leaves or nuoc sam made from herbs.

The vegetarian dishes are priced at between VND6,000 and VND150,000.

Cung Hong Kim Thoa, owner of the vegetarian restaurant, said, “A highlight of Hoan Hy Chay is all the food is made from fresh homemade ingredients. None of the ingredients are frozen –everything is fresh for the true flavor. The restaurant doesn’t try to present faux-meat in the shape of shrimps and chickens like other vegetarian restaurants do. To us, eating vegetarian food also means Zen.”

Hoan Hy Chay is home to tens of orphans who serve as cooks and waiters. For its grand opening, Hoan Hy Chay vegetarian restaurant offers 10% discount until November 31.

Hoan Hy Chay, 290/23 Nam Ky Khoi Nghia Street in HCMC’s District 3 opens from 8:30 a.m. to 9 p.m. Tel: 3526 8528.

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Revolution symphony at HCMC Opera House

The famous symphony by composer Vo Dang Tin called “Memories of Dong Khoi Revolution” will be performed at the Author Concert at HCMC Opera House in HCMC’s District 1 at 8p.m. November 9.

The symphony that Tin wrote in 1981 was inspired by his childhood memories of the 1960 revolution in Ben Tre Province.

In the second part of the concert, HCMC Ballet Symphony Orchestra and Opera will perform a ballet suite called “Sun in Our Heart”.

Vo Dang Tin graduated from the faculty of composition of the HCMC Conservatory of Music under the instruction of Professor-Composer Ca Le Thuan. Now director of HCMC Ballet Symphony Orchestra and Opera, he was the former artistic director of Bong Sen Theater of Traditional Music and Dance. In 2001, he was awarded the Gold medal for conducting at the National Arts Festival

Following that, in 2004, Tin received second prize for “Memories of Dong Khoi Revolution” by Vietnam Composers Association.

Tickets are on sale at the Opera House box office for VND200,000; VND150,000 and VND100,000.

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Bridge photos create childhood connection

A photo of Long Bien Bridge in Hanoi by U.S. photographer Douglas Jardine
A photo exhibition named “Long Bien Bridge – The Connection’, by U.S. photographer Douglas Jardine is at Maison des Arts, 31A Van Mieu Street in Hanoi, reports VietnamPlus.

The exhibition has about 50 black-and-white photos taken in the past six months, depicting the beauty of Long Bien Bridge and the lives of residents in the floating houses on the Red River.

Jardine also created panoramas of the bridge by joining smaller photos together.

“When I was eight, I heard about the Long Bien Bridge through an article about the U.S. bombing Hanoi, which included a picture of the bridge taken by the U.S. Air Force, and I was very
interested in this monument”, said Jardine, who is now the Director of Academic Affairs at the Faculty of Foreign Studies of the Hanoi University.

“I also made a scientific study about the bridge but it was too dry… so I
decided to come to Vietnam to see how it is with my own eyes.” He has taken 3,000 photos of the bridge.

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Thursday, November 4, 2010

Lady Borton: I'm an honest American woman

"It could be said that I'm simply an honest American woman." Lady Borton shared her feelings while talking to the "Chuyên đề An ninh thế giới" (World Security Newspaper) about war amongst other things.

Lady Borton is an American writer, journalist and charity activist, who has visited Vietnam many times. Borton has recently translated a number of works by President Ho Chi Minh, including " Vua di duong vua ke chuyen " (Stories told on the trail), into different languages. She is also author of the books " After sorrow: An American among the Vietnamese " and " Sensing the enemy: An American among the Vietnamese Boat people ".

Borton along with journalist and cultural researcher Huu Ngoc, compiled a number of bilingual reference books and also translated the books " Dien Bien Phu: Diem hen lich su " ( Dien Bien Phu: Rendezvous with Destiny ) by General Vo Nguyen Giap and " Tay Nguyen ngay ay " ( The Central Highlands: A North Vietnamese Journal of Life on the Ho Chi Minh Trail ).

Borton first came to Vietnam in 1969 and since then has returned to the country many times. She was present in Vietnam during historical times, right after the country regained its national independence in 1975, in her capacity as a member of a US organisation working for peace and as a member of an US education delegation. Occasionally, Borton visited Vietnam as a writer, a freelance journalist or a translator.

In her memory, during those days, Hanoi was at peace and there were very few cars. Whenever a car appeared in streets, it would belong to a minister or a foreigner. There were just bicycles and pedicabs, even wagons, on Hanoi 's roads which had few traffic lights. The local people had no telephones and led very poor lives. In the eyes of foreigners, Hanoi lacked everything.

Borton said that when she comes back to Hanoi nowadays, she feels surprised at the rapid changes. Hanoi is now much more modern, especially its communications networks. The city lacks nothing compared with other developing nations. In the past, there remained certain gaps in cultural exchanges with foreigners, but communicating with foreigners has now become popular. Hanoians have successfully upheld their age-old cultural traditions, while leading abundant and diverse lives. Whenever Borton came to Vietnam , she visited the Temple of Literature , which has preserved the cradle of Vietnamese first cultures.

When asked why she chose Vietnam as her destination, Borton said that she had worked for the peace movement during Vietnam 's war with America . The project provided medical equipment and medicines for the Vietnamese-German and Bach Mai Hospitals as well as local people, channelled through Cambodia . As a manager, Borton regularly met with Vietnamese people and felt their agonies during the war. She also thoroughly understood American losses during the war.

During her meetings with Vietnamese people, Borton made friends with many people, including journalist and culture researcher Huu Ngoc, the former Director of the World Publishing House, and people from the Vietnam Women's Union Central Committee and the Vietnam-US Society under the Vietnam Union of Friendship Organisations. With her love for Vietnam , the American writer has been teaching herself Vietnamese since 1969.

When talking about women's aspirations for happiness and peace, Borton said she is very fearful of war. In whatever family or country, people have a hatred for war as it brings cruel and terrible destruction. War means wives lose husbands, mothers lose children and people lose family members. In particular, the impact of Agent Orange (AO) on millions of people was terrible and bombs and mines left over from the war are still a big threat to people.

The writer said she used to be a member of non-governmental organisation against war no matter in what country it occurred, because one war always leads to another. For example, the US 's war in Vietnam ended in 1975, but its aftermath still exists. In fact, the US even imposed embargo on Vietnam , and backed the Khmer Rouge in an attempt to invade Vietnam 's southern region.

Borton said that the US government should admit the consequences of AO in Vietnam . Many young Americans were forced to serve and only a few of them voluntarily joined the army. A lot of them never came back, or were injured, or reported missing. "Being an honest American woman, I fell very painful about this. The war in Vietnam ended 35 years ago, but American's pain is still there," she said.

On returning to Vietnam this year, Borton said she was sickened by corruption regardless of what country it occurs in. The trafficking of women and children is also a stinging issue, while sending guest workers abroad needs to be carefully considered. On educational reforms, there remain many pressing matters such as private teaching and tuition and illegally collecting money from students.

While sharing what inspired her to translate President Ho Chi Minh's works into English, Borton said that she has read 12 books about President Ho Chi Minh during her trips to Vietnam and found that he was a politician, a diplomat, a poet and a man of culture.

During the war, the US government had taught Americans to hate communists. However, when Borton first came to Vietnam in 1969, she was very surprised when people who had followed the former regime also cried and were saddened when President Ho Chi Minh passed way. Borton gradually understood that Ho Chi Minh was a father and a great teacher to the Vietnamese people.

No State President in any country worldwide is informally called "Uncle". If Vietnam had not had President Ho Chi Minh, it would have found it hard to have a successful revolution. Ho Chi Minh's thoughts are "Unity, unity, great unity. Success, success, great success"; "Nothing is more precious than independence and freedom!" Ho Chi Minh's thoughts and actions for national independence and liberty are absolutely right. Vietnam was the first colonial nation in Southeast Asia to rise up and struggle for national independence. This posed a profound influence on the world movement for national liberation. Leaders from the US , France , the UK and the Netherlands respected Ho Chi Minh because of his influence.

Ho Chi Minh created a lot of ideological works that Borton would like to introduce to help international friends understand him and the Vietnamese people better. They include "Nhật ký trong tù" (Prison diary), "Bản án chế độ thực dân Pháp" (a Judgement on French colonisation), "Lời kêu gọi ton quốc kháng chiến" (the Appeal for national resistance), "Thư gửi cho đồng bào trong việc hon thành cải cách ruộng đất ở miền Bắc" (Letter to compatriots following land reforms in the North), "Thư chào mừng năm mới gửi nhân dân Mỹ" (New Year greetings to the American people (1966)) "Bản di chúc của Chủ tịch Hồ Chi Minh" (President Ho Chi Minh's testament).

"Whenever and wherever he was, Ho Chi Minh also placed friendship and solidarity amongst peoples first. He once said that the Vietnamese people would wage a protracted war of resistance to defend national independence," Borton concluded. - Vietnamplus

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Culture Vulture

Singer Nhat Kim Anh was granted the Best Actress award at the Viet Nam International Film Festival for her role in Long Thanh Cam Gia Ca (The Fate of a Songstress in Thang Long). She talked with Minh Thu about her award.

How did you feel when the Best Actress prize was announced?

Singer Nhat Kim Anh was granted the Best Actress award at the Viet Nam International Film Festival for her role in Long Thanh Cam Gia Ca (The Fate of a Songstress in Thang Long). She talked with Minh Thu about her award.
I couldn't believe my ears, because I knew the title would only go to one excellent actress, and I assumed it belonged to Fiona Sit from Hong Kong. When the speaker repeated my name and the people surrounding me began to offer their congratulations, only then did I realise I had won the prize.

I was dumbstruck and really nervous on stage. My heart was racing and I couldn't breathe properly.

I'm a singer and have only taken part in a few films. I thought that the film would receive some recognition at the festival, but never dreamed that I'd win a prize.

I'm quite modest about the award though, just because I won it, doesn't mean I'm an excellent actress, I've still got to work at improving my performances.

Can you share some memories about the film shoot?

The film was made over three months in eight provinces. I had a scene bathing in a very cold weather with heavy rain. It was freezing! When the director shouted "cut", people covered me up with piles of blankets as I was shivering due to the cold.

Once in the northern province of Bac Giang, we were shooting in a windy location, and while taking our lunch break, a gust of wind blew our food away.

You're a thoroughly modern beauty, how did you go about portraying Cam, a young songstress from the 18th-century feudal period?

Some people weren't convinced by director Dao Ba Son's choice of me for the role of Cam, but he saw Cam in me. She and I have many things in common. First, we are both singers, and we had to live far from our families from an early age. Even though I speak with a southern accent, my way of speaking still bears some northern features because I was born in the central province of Thanh Hoa.

I read the script many times, and was moved and then totally convinced by Cam. My greatest worry was whether I could bring myself to only cry from one eye as Cam does. I practised many days in front of the mirror with a timer, so as I could concentrate my emotions and cry within the required timeframe.

At first I cried with both eyes, but after three days, I started practising to repress my feelings, and then could push myself to only cry with the right eye because it is more sensitive than the left.

When watching film, the audience will see Cam's tears slowly running from one eye as she explains that she allows "one eye to cry, one eye to see the life". If we had used eye drops, my eyes could not have replicated that effect and would have become red.

What are your views on your role?

Cam was a beautiful and skilful songstress in Thang Long. She met poet Nguyen Du and they empathised and respected each other in terms of their talents for playing instruments and constructing verse. Sadly they didn't have a happy ending.

I think I successfully portrayed her through different periods in her life, when she was 16, 26 and 40 years old, with different appearance and emotions.

I undertook painstaking preparations to portray the role, including learning chau van (spiritual music) and playing the dan nguyet (moon-shaped four-string instrument).

In your opinion, what was the secret to the success of the film?

Well, the film was based on the poetry of Nguyen Du, a great poet, so it's pure Vietnamese, and contains the beauty of traditional culture, literature, customs and the people's lifestyles. The film reflects images representing Viet Nam's countryside.

Have you got any more film roles planned?

Next year I will finish my role in Ve Dat Thang Long (Return to Thang Long). Then I will invest my time in music. My fourth album named Nang La (Strange Sunlight) will be released soon. The prize marks a new era in my life. I hope that I'll have the opportunity to act in other films.

I don't want to divide myself into two parts but will gather my strength in terms of one goal. I won't record an album and take part in a film at the same time. The previous album wasn't successful because I was too focused on acting. I have to learn from that mistake. — VNS

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Sunflower Festival raises money for cancer kids

Mark Van Der Wielen (R), general manager of the Renaissance Riverside Hotel Saigon and Dorris Marchardt, general manager of the New World Hotel Saigon, make paper sunflowers to raise money for child cancer patients - Photo: Uyen Vien
The third Sunflower festival organized by Tuoi Tre newspaper raised VND260 for child cancer patients last week at HCMC Children’s Cultural House in District 1.

At the event, thousands of participants showed their love to the young patients by making more than 10,000 paper sunflowers to sell for VND10,000 each. The money from the sales would go to help kids with cancer.

Dorris Marchardt, general manager of the New World Hotel Saigon and Mark Van Der Wielen, general manager of the Renaissance Riverside Hotel Saigon, said they would buy the flowers to decorate all the hotels’ rooms and ask hotel guests to make donations.

Since it was established in 2008, the Sunflower festival has raised VND4.5 billion to buy study supplies, televisions, household appliances and organize outdoor activities for child cancer patients. They also provide transport for families whose children die of cancer.

Hanoi will hold its first Sunflower festival on Saturday.

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Japan and Vietnam symphony orchestras  Hanoi

Tokyo Metropolitan Symphony Orchestra (TMSO) and Vietnam National Symphony Orchestra will hold a concert under the baton of Japanese conductor Honna Tetsuji at the Hanoi Opera House on November 7, reports VietnamPlus.

The performance will feature famous pieces of both countries, including Toyama Yuzo’s Rhapsody for Orchestra and Rhapsody Vietnam by Do Hong Quan, Chairman of the Vietnam Musicians’ Association. The second part of the show will have a performance of P. I. Tchaikovsky’s Symphony No. 5 in E minor op. 64.

The leading Japanese orchestra then will give two shows in Hanoi on November 9 and HCMC on November12.

Japanese violinist, Tamaki Kawakubo, will join TMSO for these performances. She will play the Violin Concerto in D major op. 77 and the Symphony No. 1 in C minor op. 68 of J. Brahms. Kawakubo began violin studies at the age of five in Los Angeles , California , the U.S. She won the grand prize at the 2001 Pablo de Sarasate International Violin Competition and shared the silver medal, the highest award at the 2002 International Tchaikovsky Competition.

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