Monday, November 29, 2010

Stockholm honours Viet Nam film

HA NOI – Bi, Dung So! (Bi, Don't Be Afraid), director Phan Dang Di's first movie, has won Best First Feature at the 21st Stockholm International Film Festival.

His senior cameraman, Pham Quang Minh, won the award for best cinematography.

Bi, Dung So! also won best screenplay during the Cannes film festival's critics week, as well as the new talent award at the Asia-Hong Kong Film Festival.

The film is scheduled to open at box offices in Viet Nam this month. It will be broadcast on TV network Arte Channel in France and Germany.

The film narrates the story of a young boy called Bi who lives with his mother, father and aunt in a house in Ha Noi. When Bi's grandfather, who has been absent for many years, suddenly reappears, the family are once again reunited. However, his return turns out to be far from auspicious. Bi's father begins to stay out late, to the point where he stops coming home at all in what appears to be a way of coming to turns with his own loneliness when his own father was absent. Meanwhile, Bi's aunt falls in love with a young boy whom she meets on a bus, his father falls in love with a masseuse and his mother behaves as if nothing has changed.

The feature is much more than just a family drama. Di represents the lost because he has no way to express complex emotions. The photography borders on poetry and the interesting camera angles and the fascinating film locations, combined with realistic dialogue, turn this film into something extraordinary.

Ordinary people become remarkable. The life of the child is nothing short of enchanting, and viewers become intimate witnesses of a family struggling to escape loneliness.

Holly Hunter, who starred in Piano, headed the jury panel, said she was amazed by power of the scenes and thought the film compelling.

Meanwhile, Minh's photography was described as poetic and dignified in its simplicity and subtle technical perfection.

The 12-day Stockholm Festival, which ended on Sunday, was launched in 1990. It has become one of the leading film events in Europe. The festival takes place every November and typically features about 180 films from more than 50 countries. – VNS

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Youth dance for HIV cause

Enthusiasm reigns: Young people attend the dance4life programme at the American Club on Saturday. — VNS Photos Doan Tung

Enthusiasm reigns: Young people attend the dance4life programme at the American Club on Saturday. — VNS Photos Doan Tung

Winner: Pham Quynh Anh from Ha Noi's Le Quy Don High School receives first prize for her painting There's No Difference Between You and Me.

Winner: Pham Quynh Anh from Ha Noi's Le Quy Don High School receives first prize for her painting There's No Difference Between You and Me.

HA NOI — Up to 1,000 young people gathered here on Saturday night to dance as part of a worldwide event aimed at drawing the attention of world leaders to the issue of HIV/AIDS.

Local participants in the dance4life programme gathered at the American Club on Ha Noi's Hai Ba Trung Street, and were linked by satellite to similar parties around the world, as young people used their voices and their feet to raise awareness of HIV/AIDS and challenge the stigma and discrimination against people living with HIV.

Pop singers My Dung and Minh Quan, comedians Xuan Bac and Tu Long, and the Big Toe Dance Crew, together with model and UNICEF goodwill ambassador Vu Nguyen Ha Anh appeared at the event.

Xuan Bac, a well-known television celebrity, has been a supporter of the annual dance4life programme since 2006.

"HIV and AIDS don't discriminate," he said. "Anyone – me, you, everyone – can suffer from it. So I realise that I myself need to live a healthy lifestyle and so do you.... We will dance for better health, better moves, and a better life without HIV and AIDS."

Dance4life Viet Nam is a project of the World Population Foundation (WPF) with an estimated 9,000 students now involved.

"Without a doubt, this is the greatest HIV prevention event that I have ever taken part in," said student Hoai Anh, a member of a dance team performing at the event. "It's exciting and very innovative. I always feel so happy when I join the team to perform somewhere."

A dance4life art contest, with the theme this year of Living Together, also concluded on Saturday, with first prize going to the painting There's No Difference Between You and Me by Pham Quynh Anh from Ha Noi's Le Quy Don High School. Anh beat out over 600 entrants from schools around the country.

Saturday's event received support from the US Agency for International Development (USAID), Durex and Akzo Nobel Paints Viet Nam, in addition to the WPF. The international programme was founded in the Netherlands in 2003. — VNS

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Families to host regional youth in cultural exchange

HCM CITY — More than 320 youngsters from Southeast Asia and Japan will arrive in HCM City early next month for an annual cultural exchange.

The Southeast Asian Youth Programme 2010 (SSEAYP) delegation, which includes 29 from Viet Nam, left Yokohama in Japan by ship on a 52-day journey through six countries that will see the youths return to Tokyo on December 15.

The city unit of the HCM City Youth Union is preparing to receive the delegates and host the annual programme that will include music, home stay, and other events as well as charitable activities. It has chosen 60 volunteers for the purpose.

Some 170 families in the city have volunteered to house the guests during their three-day stay which will expose them to Vietnamese culture.

Le Van Minh, a Youth Union official, said several families have done this on more than one occasion, explaining the ship will be on its 11th visit to HCM City.

The visitors will discuss participation by youth in social activities, including culture, environment, international relations, education, health, food, and community development.

They have been to Malaysia and Thailand and are now in Indonesia. They will next leave for Singapore before arriving in Viet Nam on December 5.

SSEAYP, started in 1974, is a joint initiative by Japan and five founding members of the Association of Southeast Asian Nations (ASEAN) – Indonesia, Malaysia, the Philippines, Singapore, and Thailand.

It seeks to strengthen friendship, co-operation, and understanding between Japanese and Southeast Asian youths to help build a peaceful, stable, and developed region.

Viet Nam joined the programme in 1996 VNS

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Urbanisation increases need for preservation

HCM CITY — Preserving HCM City's architectural heritage is critically important during fast-paced urbanisation as the spirit of the city could be lost, speakers at a seminar said last week.

Nguyen Thi Hau, deputy chairwoman of the HCM City Research and Development Institute, said that the city should compile detailed information about historic structures and important archaeological sites.

Creating plans to excavate historic sites and preserve the area's buildings is urgent, she said.

Professionals are concerned about preserving many of the city's relics, including two important ones, the Giong Ca Vo relic in Can Gio District and Hung Loi Pottery in District 8.

Architect Nguyen Huu Thai told the seminar that a modern city should preserve its past.

The city has 124 national and city architectural heritage sites and archaeological relics, many of which have been damaged or are deteriorating.

Vu Kim Anh, deputy director of the HCM City Culture, Sports and Tourism Department, said rapid urban development threatens the city's historic structures and sites.

But even more importantly, urban managers were not consistent in their ideas about heritage preservation, she said. — VNS

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Sunday, November 28, 2010

Three-part exhibit features multiple shades of Ha Noi

Multiple personalities: A painting by Bui Xuan Phai.

Multiple personalities: A painting by Bui Xuan Phai.

HA NOI — An exhibition entitled Ha Noi – City Mirrored in Art displaying works by more than 20 artists who have featured the capital city in their creations opened on Thursday.

The exhibition, curated by Natasha Kraevskaia and Lisa Drummond, both of whom designed their exhibits based on their passion and scientific expertise, will be held in three separate parts.

The first part, to run until December 3, with theme Nostalgic, Utopian, Romantic and Idealised, shows Ha Noi as more of a dreamy than melancholy place, bright and airy rather than dark and muggy. Part one features works by artists such as Bui Xuan Phai, Nguyen Bao Toan, Vuong Thao, Brian Ring, Do Phan and Tran Nguyen Hieu, who have all portrayed Ha Noi as a romantic and nostalgic place.

A jazz concert by Thaerichens Tentett accompanied the opening ceremony in the courtyard of the Goethe Institute.

Ha Noi – Dystopian, Realistic, and Change will be the theme of the second part of the exhibition which will open on December 7. The six-day exhibition will focus on Ha Noi as an urban structure which is undergoing rapid change and upheaval.

Long considered romantic, Ha Noi is becoming a contradictory city which can be viewed critically through the works by Do Minh Tam, Vu Bich Thuy, Nguyen The Son, Vu Dan Tan, Nguyen Nhu Y and others.

The final part of Ha Noi – City Mirrored in Art will display the artistic research conducted by Hamburg photographer Andre Lutzen along the blurred border between private and public life in the Vietnamese capital.

In his series Public/Private Ha Noi, the artist plays with the contradictions and paradoxical harmonies of these two poles.

Opening on December 16, the final part of the exhibition will run until December 30.

Enjoy the exhibit at the Goethe Institute, 56-58 Nguyen Thai Hoc Street. — VNS

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Buddhist Sangha publishes block calendar for holiday

HCM CITY — A special block calendar featuring Buddhist pagodas across Viet Nam is proving popular amongs monks, nuns and Buddhists countrywide, even though The Year of the Cat is still two months away.

The block calendar is the first to be published by the Viet Nam Buddhist Sangha Central Dharma Executive Council in cooperation with the Loc Tai System Joint-Stock Company and Thoi Dai Publishing House.

It contains 365 tear-off pages featuring quotes from the Buddha and 365 photos of Viet Nam's popular and historic Buddhist pagodas in HCM City and throughout the country, all taken by photographer Vo Van Tuong.

Tuong said he chose the best photos among tens of thousands of photos of pagodas in Viet Nam that he had taken over a 30-year period.

"Apart from old photos, I also spent a month travelling across the country to take new photos for the calendar."

The calendar publishers have issued 30,000 copies of the 4.5 by 20.5-cm calendars and 10,000 20 by 30-cm calendars, priced at VND80,000 (US$4) and VND180,000 ($9), respectively.

"We hope the calendar will be a New Year gift that the Viet Nam Buddha Sangha will give to monks as well as Buddhists across the country," said the Most Venerable Thich Thuong Toan, deputy director of the Buddhist Sangha Central Dharma Executive Council's Economics and Finance Department.

The calendar blocks can be purchased at bookstores at pagodas in HCM City and across the country.

Calendar market

Apart from the block calendar from the Viet Nam Buddhist Sangha, this year's calendars include a wide range of subjects from traditional pictures to well landscapes.

According to calendar sellers in HCM City, local publishers have released block calendars featuring Ha Noi landscapes and historical sites in 3D to celebrate the 1,000 anniversary of the capital.

Tran Thi Hoai, owner of a calendar shop in District 5, said the most prominent calendar for 2011 was Lich su Viet Nam (History of Viet Nam), featuring 365 paintings about Viet Nam's history from the beginning to the reunification day in 1975.

Large and extra-large block calendars sized 25 by 45 and 40 by 60 are also popular this year. They are usually bought for gifts for relatives and friends.

The price of small – and medium-sized block calendars currently ranges from VND6,000 ($0.2) to VND20,000 ($0.5) while larger ones are VND260,000-600,000 ($13-30).

According to the Ministry of Information and Communications, local publishers are registered to produce 16.4 million copies of block calendars this year. — VNS

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Hue centre fails in bid to buy royal painting

Artist in exile: Chieu Ta (Sunset), an oil on canvas by former King Ham Nghi (1802–1945), went to an unnamed bidder at auction in Paris. — VNS Photo/Courtesy Hue Monuments Conservation Centre.

Artist in exile: Chieu Ta (Sunset), an oil on canvas by former King Ham Nghi (1802–1945), went to an unnamed bidder at auction in Paris. — VNS Photo/Courtesy Hue Monuments Conservation Centre.

THUA THIEN – HUE — The Hue Monuments Conservation Centre outbid at an auction in Paris on an artwork painted by former King Ham Nghi of Viet Nam.

A diplomat at the Vietnamese Embassy in France who represented the centre at the auction at Millon&Associes submitted a bid of 8,000 euros (US$11,784) for the Chieu Ta or Decline dur Jour (Sunset), an oil on canvas by King Ham Nghi.

But the highest bid was 8,800 euros ($12,962), said Nguyen Van Phuc, head of the Centre's External Relations Division.

The reserve price was between $1,100 and $1,700.

Phuc said the centre decided to join the auction because it had recognised the historical value of the painting, an art work related to the Nguyen dynasty (1802 – 1945).

A number of Viet kieu (overseas Vietnamese) in France, who wanted to donate the painting to the centre, were unhappy that they could not purchase the painting.

King Ham Nghi, the eighth ruler of the Nguyen dynasty, ascended to the throne in 1884 and ruled for one year, during which he led the Can Vuong resistance movement against the French.

In 1888 he was arrested and exiled in Algeria, where he died in 1943. He was buried in 1965 in Aquitaine, France.

He painted Chieu Ta in 1915 while in exile. It is thought to be influenced by the works of Paul Gauguin, a leading French post-impressionist artist who lived in the 19th century.

Phuc said through the Vietnamese Embassy in France and the Association of Overseas Vietnamese in the country that the centre would contact King Ham Nghi's daughter, Princess Nhu Ly, the owner of many paintings by her father, to ask for transfer of ownership of these art works, to the city of Hue. — VNS

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