Thursday, February 17, 2011

Dien Bien Phu book published in France

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Pham Thanh Tam's new book on Dien Bien Phu . - VNS File Photo

PARIS - The French newspaper Le Point ran an article on Tuesday about a book on Viet Nam's 1954 victory in Dien Bien Phu by Vietnamese author Pham Thanh Tam.

War Notebook of a Young Viet Minh Soldier at Dieân Bien Phu (in French: Carnet de Guerre d'une Jeune Viet-Minh a Dien Bien Phu) was published by the France-based Armand Colin Publishing House this month.

The article said that Tam was once a student at the Hanoi University of Fine Arts who fought for the Viet Minh (League for the Independence of Viet Nam). Tam wrote the book after seven years at war, when he was just 22 years old, never imagining that his work would ever be published.

Tam tells readers why and how the Viet Nam People's Army defeated the French colonialists at the Dien Bien Phu stronghold.

According to the article, thousands of books have been written about the Indochina war, which ended in defeat for the French colonialists at Dien Bien Phu. Most of them were written by French war veterans, who expressed their sorrow about the defeat in their writing.

Tam's book gives readers a chance to understand the war and the French colonialists' loss through the eyes of a solider on the opposing front line. - VNS

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Filipinos in Vietnam sing their ‘hearts out’

It was late night at a popular night club in Vung Tau.

Gaile, the club’s Filipino singer, was charming clubbers with her nifty dance steps and melodious voice as usual.

She was singing English songs before suddenly switching to popular Vietnamese ballads to the pleasant surprise of the audience.

At weekends Gaile makes the one-hour hydrofoil trip to Ho Chi Minh City to perform at its myriad clubs so that she can earn some extra money to send home, she says.

Paid US$30-40 per night, Filipino singers like Gaile can be seen performing at many upscale bars, clubs, and restaurants in Vietnam’s urban centers and popular vacation spots.

They please a wide range of audience by singing Latin rhythms, catchy romantic ballads, jazzy melodies, and many more.

With their well-known gift for music and English, Filipino singers like Gaile travel and perform virtually around the world, says Hoang Thuan, manager of the Filipino-Latino band Gipsy Nation.

Gaile, after living in Thailand, Cambodia, and Indonesia, has decided to settle down in Vietnam.

She explains: “Competition in the Philippines is fierce and chances are limited. So we singers travel to wherever we can make a better living. We look just like Vietnamese and it is easy to adjust to the food, weather, and people here.”

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Singer Mariedel

Life is not easy

However, there are downsides too.

Not all of them can secure long-term contracts with bands or clubs; most have to make do with unstable incomes, waiting for offers and calls from managers.

Tet, the biggest holiday in Vietnam, is the busiest and probably most awaited time of the year for the Filipino singers.

The massive demand means they can easily earn then what they otherwise earn in three months of work hard, a manager says.

Short-term deals see these singers wander from place to place.

One 40-year-old, who preferred to be known as just R., has moved more than a dozen of times during her 10 years in Vietnam with her husband and three-year-old daughter.

To manage in expensive HCMC, Cyndy and Alex, a couple who have moved several times, share a US$200 apartment with others.

Since they send money to their families back home, the singers are not extravagant in their shopping either.

“We usually shop for clothes and accessories in markets like An Dong or Tan Binh for they sell a cheap and wide range of goods,” a singer who calls herself Red on stage said.

Now, after a full schedule during Tet in HCMC, Gaile has returned to Vung Tau to continue her nightly shows at the club.

She is one of the fortunate ones. Joan and Kay, her friends, have no plans and are waiting for contracts with bands in HCMC.

However, one said: “we are born to sing and we are proud of it. Filipino singers are everywhere in the world, from first class restaurants to some street corners. No matter where we are, when we sing, we sing our hearts out.”

Nothing can apparently douse their passion for music.

 mariedel 1

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Clutch of new movies on the way

Thrilling times: A poster for Lenh Xoa So (Death Sentence) which will open nationwide in April.

Thrilling times: A poster for Lenh Xoa So (Death Sentence) which will open nationwide in April.

HCM CITY — Film studios are working on a raft of new projects, including comedy, action, and horror films, that are slated for release this year.

Things are all set for Thien Ngan (Galaxy), Viet Nam Studio (BHD), and Early Riser Media Group to begin shooting an action-comedy movie about a switch between a rural man and the leader of a crime gang at the end of this month.

Long Ruoi (Fly Long), the eponymous title named for the gang boss, will be directed by Vietnamese-American Charlie Nguyen.

A poor cook from the countryside, Teo, looks so much like the Sai Gon gang boss that the latter's men force him to act as their leader who is in hospital after a fight with rivals.

Teo has to constantly ward off conspiracies to assassinate him.

Nguyen said he and his crew are working to create a "new style" for the film since many films have been made earlier in this genre.

The film features Thai Hoa, who plays Teo and Long Ruoi. Hoa came to prominence last year after playing a gay man in another Galaxy Studio film De Mai Tinh (It's Up to Mai).

Long Ruoi is expected to be released on National Day, September 2, a Galaxy spokesperson said.

Hoang Tran Film is making an action flick about gangsters, Lenh Xoa So (Death Sentence). It will have plenty of thrilling fight sequences featuring traditional Vietnamese martial arts, its director Do Quang Minh said.

It features overseas Vietnamese martial arts star Tran Minh Hoang, who won many European taekwondo and Thai boxing championships, who is also the producer and martial arts director.

A former member of a criminal gang, Hoang, turns a new leaf and quits his old ways but has to contend with the "death sentence" passed by the gang's leader.

Filming finished at the end of January and BHD will release it in April.

Galaxy Studio is making a supernatural thriller Rh108 which is being directed by Bui Thac Chuyen, who is also one of its scriptwriters along with Bui Kim Quy, winner of the top prize at the 2004 National Short Film Festival.

The film is about Chieu Duong, a 16-year-old girl who has the mental make-up of a six-year-old following a traumatic incident during her childhood.

However, the incident has given her strange powers – she has the ability to read people's minds and foretell terrible disasters.

Nguyen Thuy Duong, daughter of veteran actress Mai Phuong – famous for her role in the 1983 film Son Ca Trong Thanh Pho (Nightingale in the City) – will play the role of her namesake.

"Duong's face and body language match the character's, while she also passed the screen test," the director said.

Duong said though it was difficult to fit in the filming with her school schedule, Chieu Duong's role was worth the challenge.

She earlier acted in two TV series, May Rau Lam Vo (A Man-Wife) and Con Duong Phia Truoc (The Road Ahead).

Galaxy expects to release the film for Halloween in October. — VNS

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ASEAN journalists honoured for green technology coverage

SINGAPORE — Ten journalists from six ASEAN countries won prizes at Siemens' inaugural Green Technology Journalism Awards gala in Singapore yesterday.

The winners were recognised for their exemplary reporting on issues relating to energy efficiency, industrial productivity and sustainability.

The winner of the "energy efficiency" category, Thean Lee Cheng of The Star in Malaysia, discussed the challenges faced by companies that wished to go green but remain profitable in her article Going Green. The piece underscored the importance of adopting a long-term approach when it came to sustainability.

The merit winner in this category, Myrna M Velasco of The Manila Bulletin, on the other hand, criticised her country's Renewable Energy Act in her column, The country's grand renewable energy ambition: fact or fiction?.

The award-winning articles in the "industrial productivity" category explored policy and technology issues in two important alternative energy sectors – green cars and biofuels.

The winning entry published in The Jakarta Globe: Green wheels: Why are cleaner cars still elusive in Jakarta, by Dewi Kurniawati discussed Indonesians' reluctance to buy hybrid or compressed natural gas powered cars, while the second-placed article in Media Indonesia entitled Electricity from oil palm waste, by Aris Munandar, highlighted the challenges of generating renewable energy from plant waste in Indonesia.

Deforestation was the hot topic in the "sustainability" category. Jessica Cheam of The Straits Times in Singapore won the top prize for her article Give Our Trees a Chance, in which she sounded alarm bells over the rapid rate at which rainforests in Southeast Asia are being depleted.

Purple S Romero of Newsbreak in the Philippines received the merit award for her report on the dangers of wood consumption for tobacco curing in Harming Ilocos forests?.

The judges from various industrial sectors, also gave special mention to two other submissions. Nguyen Thanh Tung from the Viet Nam Investment Review was credited for his piece on his country's efforts to build a low-carbon economy in the face of rapid industrialisation (Economy's green-coloured vision). Sawitree Rangabpit from Engineering Today in Thailand was also singled out for special mention for her article, Hospitals getting through a crisis with energy-saving measures.

Judges looked at more than 190 entries published last year in Indonesia, Malaysia, Philippines, Singapore, Thailand and Viet Nam.

"We were very impressed with the quality of journalism displayed by the media in this region. The enthusiasm shown by journalists and editors towards our awards proves that sustainability is no longer just a buzz word in this part of the world – it has grown to become a real and pressing issue in both growing and developed economies," said Lothar Herrmann, CEO of Siemens Pte, Singapore, and CEO of Siemens ASEAN. — VNS

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Culture Vulture

Actress Minh Chau is a familiar face on the big and small screens. Vietnamese cinema lovers may recognise her as the woman with a double identity in Song Nu (The Two Women) or Ms Nhan in the Berlin Film Festival award-winning Ben Khong Chong (Wharf of Widows).

She spoke to Culture Vulture about the importance of a work ethic in acting and her latest role in the television series Bi Thu Tinh Uy (The Provincial Party Committee Secretary).

Tell us about your role in Bi Thu Tinh Uy ?

My character is named Thuong, and she's got a lot of personality. As soon as I accepted the role from director Quoc Trong, I studied her life, from her childhood through her last days. The character is based on a real person named Dong. She was born in Bac Ninh and later moved to Vinh Phuc. Before 1954, Dong was a revolutionary activist in Viet Bac base with Kim Ngoc. They were very young and their lives were intertwined. When Kim Ngoc moved back to Vinh Phuc to become the provincial Party committee secretary, Dong went with him. He appointed her a position as head of the Vinh Phuc Party inspection board. The further I went into the script, the more I liked Thuong for her straightforwardness, hot-headedness yet she is knowledgeable and decisive.

How did you land this role?

When it comes to casting, the crew was really worried about the role of Thuong. Trong then revealed that he already had someone in mind who would be perfect for the role. As soon as my name came up, screenwriter Thuy Linh instantly agreed. For a while, Trong had been telling me that he had a very interesting role for me.

Is it true that you first rejected the part?

No. The story is that, when I accepted this role, my hair was curly and died strawberry blonde, while my character was a peasant living in the country in the 1960s. I expressed my concerns to Trong, and he promised me a hairdresser who could help me get into character. But when I arrived at the location, there was no hairdresser. Trong had misunderstood that I didn't want to have my hair straightened, but, in truth, it couldn't have been done. I had asked a number of professional hairdressers and was told that if I had it straightened, I would look like a girl in a shampoo ad, which wouldn't be consistent with the character at all. I threw a diva-scale fit and said that I would no longer play this part.

After I returned to Ha Noi and finally calmed down, a sense of responsibility took over. Then I asked a make-up artist friend of mine to make a custom wig for me. It's funny that a little thing could cause such a conflagration, but things happen. As soon as I tried on the wig, I found the peace of mind to play the role and everything was fine. When I play a role, everything must be perfect. You must ask for perfection, first of all in yourself, in order to really get into a role.

Can you share some of your memories of shooting the film?

Thuong is addicted to black tobacco, she walks around with a bamboo hubble-bubble pipe with her all the time. The pipe is her security blanket, with which she shares all her ups and downs. At first, everyone in my family told me horrible stories about pipe tobacco.

One even told the tale of a man who was high on tobacco and dove head first into a burning stove and burned his face off. I was a bit intimidated but knew that I had to make the sacrifice as it was my character's thing. So I got creative because I had no idea how to smoke a pipe.

First, I took a puff of cigarette and held the smoke in my mouth. Then, I placed my mouth on the pipe and we started shooting. But then I thought it wouldn't look real, so I knew I have to practice smoking a pipe. It was definitely no piece-of-cake. Practice makes perfect, and on one lovely day, everyone saw me smoking the pipe like an addict.

You once said you wanted to play a rebel. Have you gotten your dream role?

The national film and television industry hasn't been able yet to produce such a role for an actress my age. I would love to someday play that type of character, someone who is ambitious but with a bit of a dark side. — VNS

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Young pianist to celebrate homecoming at Opera House

Home sweet home: Pianist Trinh Mai Trang is returning after eight years abroad and will perform at the Ha Noi Opera House. — File Photo

Home sweet home: Pianist Trinh Mai Trang is returning after eight years abroad and will perform at the Ha Noi Opera House. — File Photo

HA NOI — Young pianist Trinh Mai Trang has returned after eight years abroad and will celebrate the occasion with a concert at Ha Noi Opera House next Wednesday.

"When I came back, I was told that my music might be difficult for audiences to understand," said Trang. "The thought of that scared me. So, I wanted to put together a concert to show people that piano and classical music are not alien."

The programme she selected will include pieces by Mendelssohn, Chopin, Mozart, Beethoven, Schumann and Debussy, each chosen to express the emotions of different stages in a man's life.

For an artist, Trang said, the most painful thing was not finding the sympathy of her audience, so she thought of new ways to make her music accessible. There, her concert will be accompanied by elements from other media, including film and photographs that Trang hopes would help bring her music closer to the audience.

"I will perform with my heart and I expect that the audience will open their minds and hearts," she said.

Trang is also celebrating her recovery from an injury in 2009 that temporarily prevented her from playing piano. She wasn't allowed to touch the piano keys and felt a door had closed in front of her eyes. But, with an unstoppable passion for music, she placed a mirror beside her piano and played on the imaginary keys reflected in the mirror.

As her hands recovered, she had to resume practicing as if she were a beginner.

Trang was born in 1986 and began her musical training at the age of four. She received a scholarship to study at the prestigious Royal Academy of Music in London in 2004. As a soloist, Trang has won many awards, including the top prize at the Paganini Festival, second prize in the Beethoven Competition in London, and the Jacque Samuel Competition's Mozart Prize. She has also performed in festivals in Austria, Italy, the UK, Hungary and Spain. — VNS

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Scholarships for female scientists

The “L’Oréal – UNESCO – For women in science in 2011” to discover young talented scientists and honor the contributions of women to the development of the science is open for entries.

L’Oreal Vietnam organized the fellowship in conjunction with the National Committee for UNESCO in Vietnam and Vietnam Academy of Science and Technology.

Since its launch in Vietnam in 2008, the national fellowship has granted scholarships worth VND750 million for the projects of six young Vietnamese.

The program welcomes entries until April 30. Candidates under 40 years old with a minimum PhD qualification who are doing projects on life science and material science could win a scholarship worth VND150 million. The award ceremony will be in October in Hanoi.

Additionally, female scientists who wish to do research at laboratories overseas can apply for the international fellowships. Candidates must be under 35 and to be a major in biology, biochemistry, biological technology, pharmacy, agriculture or physiology. Each scholarship is worth a maximum US$40,000. The scholarship committee of UNESCO-L’Oréal in Paris will choose the successful entries. Deadline for applications and projects is May 31.

For further information about the scholarship program, access the website www.phunutrongkhoahoc.com or contact L’Oreal Vietnam at 54- 56 Nguyen Trai St., Zen Plaza Building, Unit 603, Dist. 1, HCMC, tel: 3925 5834.

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