Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Thursday, February 24, 2011

Composer's family seeks copyright protection

Contemplation: Music by late composer Trinh Cong Son, above, has been highly popular with students and young people. His younger sister has asked the Ministry of Culture, Sports and Tourism for help to stop unauthorised use of his music. — File Photo

Contemplation: Music by late composer Trinh Cong Son, above, has been highly popular with students and young people. His younger sister has asked the Ministry of Culture, Sports and Tourism for help to stop unauthorised use of his music. — File Photo

HCM CITY — A younger sister of late composer Trinh Cong Son has sent a letter to the Ministry of Culture, Sports and Tourism, asking that it help put an end to the unauthorised use of Son's music.

Trinh Vinh Trinh said she had been entrusted by the family to protect the intellectual property rights of the celebrated composer who died 10 years ago.

Son's music, most of which he wrote in the 1960s and 1970s, is highly popular with students and young people.

Three years ago, Trinh, on behalf of Son's family, asked music concerts, bars and music clubs that used Son's music to pay copyright fees.

However, most concerts have not paid fees to Son's family.

"The unauthorised use of Son's music has been going on for a long time, which has prompted us to raise our voice," she said.

"We want to collect copyright fees for Son's music to have money to set up Trinh Cong Son Fund to assist young talented artists at Son's will."

Many music concerts have been organised in Ha Noi and HCM City to mark Son's 10th death anniversary this year.

"Of these, only Ru Tinh (Lullaby to Love) concert bought the rights to perform Son's songs," Trinh said.

"Son's music copyright fees may reach VND1 billion (US$50,000) a year, the highest for any composers in Viet Nam," said Pho Duc Phuong, director of the Viet Nam Centre for Protection of Music Copyright.

"As a composer, I understand the difficult problems faced by Son's family as his music copyright has been violated publicly and more often," Phuong said.

According to Phuong, Son's family has not signed a contract with the centre, which has been entrusted by more than 1,000 songwriters and composers to collect royalty fees from those who use their materials.

"Son's family has called music concert organisers about the copyright violations, but few of them are ready to buy a copyright for the use of his music," Phuong said. — VNS

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Sunday, February 20, 2011

Bob Dylan’s show to tribute legendary Trinh Cong Son

There will be an hour tribute to the legendary song-writer Trinh Cong Son in Bob Dylan’s show scheduled to take place in Ho Chi Minh City-based Royal Melbourne Institute of Technology University (RMIT) on April 10.

Trinh Cong Son has been dubbed the “Vietnamese Bob Dylan” for his anti-war songs.

He is widely considered one of the most salient figures of modern Vietnamese music with more than 600 compositions. April 1 this year will commemorate the 10th anniversary of his death.

Bob Dylan’s show organizers have contacted Son’s family to prepare for the tribute. However, the famous American singer-songwriter will likely not perform any of Trinh Cong Son’s songs or music, according to newswire Dat Viet.

“Currently we cannot say anything for certain as everything is still under preparation and we’re in the process of trying to obtain the permit,” said Nguyen Trung Truc, Son’s brother in law.

This is no confirmation from RMIT yet. However, Bob Dylan’s show promises to be a spectacular performance set up by his own crew.

The Minnesota-originated Bob Dylan dropped out of school and went to New York to pursue his dream of becoming a music professional. At age 20, he was signed to Columbia Records and his career started to take off.

Dylan has both amplified and personalized musical genres, exploring numerous distinct traditions in American music—from folk, blues and country to gospel, rock and roll, and rockabilly, to English, Scottish, and Irish folk music, embracing even jazz and swing.

He was listed among 100 most influential people of the 20th century by the Time Magazine in 1999.

“Clean Cut Kid” and “Masters of War” are two songs he wrote about the Vietnam War.

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Thursday, February 17, 2011

Young pianist to celebrate homecoming at Opera House

Home sweet home: Pianist Trinh Mai Trang is returning after eight years abroad and will perform at the Ha Noi Opera House. — File Photo

Home sweet home: Pianist Trinh Mai Trang is returning after eight years abroad and will perform at the Ha Noi Opera House. — File Photo

HA NOI — Young pianist Trinh Mai Trang has returned after eight years abroad and will celebrate the occasion with a concert at Ha Noi Opera House next Wednesday.

"When I came back, I was told that my music might be difficult for audiences to understand," said Trang. "The thought of that scared me. So, I wanted to put together a concert to show people that piano and classical music are not alien."

The programme she selected will include pieces by Mendelssohn, Chopin, Mozart, Beethoven, Schumann and Debussy, each chosen to express the emotions of different stages in a man's life.

For an artist, Trang said, the most painful thing was not finding the sympathy of her audience, so she thought of new ways to make her music accessible. There, her concert will be accompanied by elements from other media, including film and photographs that Trang hopes would help bring her music closer to the audience.

"I will perform with my heart and I expect that the audience will open their minds and hearts," she said.

Trang is also celebrating her recovery from an injury in 2009 that temporarily prevented her from playing piano. She wasn't allowed to touch the piano keys and felt a door had closed in front of her eyes. But, with an unstoppable passion for music, she placed a mirror beside her piano and played on the imaginary keys reflected in the mirror.

As her hands recovered, she had to resume practicing as if she were a beginner.

Trang was born in 1986 and began her musical training at the age of four. She received a scholarship to study at the prestigious Royal Academy of Music in London in 2004. As a soloist, Trang has won many awards, including the top prize at the Paganini Festival, second prize in the Beethoven Competition in London, and the Jacque Samuel Competition's Mozart Prize. She has also performed in festivals in Austria, Italy, the UK, Hungary and Spain. — VNS

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Wednesday, February 16, 2011

Opera House to host pianist's homecoming concert

HA NOI – Young pianist Trinh Mai Trang has returned after eight years abroad and will celebrate the occasion with a concert at Ha Noi Opera House on February 23.

"When I came back, I was told that my music might be difficult for audiences to understand," said Trang. "The thought of that scared me. So, I wanted to put together a concert to show people that piano and classical music are not alien."

The programme she selected will include pieces by Mendelssohn, Chopin, Mozart, Beethoven, Schumann and Debussy, each chosen to express the emotions of different stages in a man's life.

For an artist, Trang said, the most painful thing was not finding the sympathy of her audience, so she thought of new ways to make her music accessible. There, her concert will be accompanied by elements from other media, including film and photographs that Trang hopes would help bring her music closer to the audience.

"I will perform with my heart and I expect that the audience will open their minds and hearts," she said.

Trang is also celebrating her recovery from an injury in 2009 that temporarily prevented her from playing piano. She wasn't allowed to touch the piano keys and felt a door had closed in front of her eyes. But, with an unstoppable passion for music, she placed a mirror beside her piano and played on the imaginary keys reflected in the mirror.

As her hands recovered, she had to resume practicing as if she were a beginner.

Trang was born in 1986 and began her musical training at the age of four. She received a scholarship to study at the prestigious Royal Academy of Music in London in 2004. As a soloist, Trang has won many awards, including the top prize at the Paganini Festival, second prize in the Beethoven Competition in London, and the Jacque Samuel Competition's Mozart Prize. She has also performed in festivals in Austria, Italy, the UK, Hungary and Spain. – VNS

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Sunday, February 13, 2011

Legendary Bob Dylan to perform in Vietnam

World-famous American singer-songwriter Bob Dylan is scheduled to perform in Vietnam in April to mark the 10th death anniversary of the legendary Vietnamese composer Trinh Cong Son.

According to initial source, the 70-year-old Bob Dylan will perform at HCMC-based Royal Melbourne Institute of Technology University (RMIT) on April 10 in front of around 10,000 music lovers in the show “Bob Dylan tribute to Trinh Cong Son”.

Son is renowned internationally for his romantic music and is widely considered one of the three most salient figures of modern (non-classical) Vietnamese music along with Pham Duy and Van Cao.

Son is also known as a talented painter.

In related news, Backstreet Boys is set to perform in HCMC-based Military Zone 7's stadium on March 24 and grace Hanoi's My Dinh national stadium two days later.

Bob Dylan, who was born Robert Allen Zimmerman in 1941, has been a major figure in music for five decades. His early lyrics incorporated a variety of political, social and philosophical, as well as literary influences.

Bob Dylan

Dylan onstage at the Azkena Rock Festival. June 26, 2010

As cited by Wikipedia, much of his most celebrated work dates from the 1960s when he was an informal chronicler, and an apparently reluctant figurehead, of social unrest.

Dylan has both amplified and personalized musical genres, exploring numerous distinct traditions in American song—from folk, blues and country to gospel, rock and roll, and rockabilly, to English, Scottish, and Irish folk music, embracing even jazz and swing.

He was named among the 100 most influential people of the 20th century by the Time Magazine in 1999.

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Legendary Bob Dylan to perform in Vietnam

World-famous American singer-songwriter Bob Dylan is scheduled to perform in Vietnam in April to mark the 10th death anniversary of the legendary Vietnamese composer Trinh Cong Son.

According to initial source, the 70-year-old Bob Dylan will perform at HCMC-based Royal Melbourne Institute of Technology University (RMIT) on April 10 in front of around 10,000 music lovers in the show “Bob Dylan tribute to Trinh Cong Son”.

Son is renowned internationally for his romantic music and is widely considered one of the three most salient figures of modern (non-classical) Vietnamese music along with Pham Duy and Van Cao.

Son is also known as a talented painter.

In related news, Backstreet Boys is set to perform in HCMC-based Military Zone 7's stadium on March 24 and grace Hanoi's My Dinh national stadium two days later.

Bob Dylan, who was born Robert Allen Zimmerman in 1941, has been a major figure in music for five decades. His early lyrics incorporated a variety of political, social and philosophical, as well as literary influences.

Bob Dylan

Dylan onstage at the Azkena Rock Festival. June 26, 2010

As cited by Wikipedia, much of his most celebrated work dates from the 1960s when he was an informal chronicler, and an apparently reluctant figurehead, of social unrest.

Dylan has both amplified and personalized musical genres, exploring numerous distinct traditions in American song—from folk, blues and country to gospel, rock and roll, and rockabilly, to English, Scottish, and Irish folk music, embracing even jazz and swing.

He was named among the 100 most influential people of the 20th century by the Time Magazine in 1999.

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Tuesday, February 8, 2011

Grannies of the gong perform highland tunes

Jamming: A group of women from Trap Village play mountain rhythms from the heart. — File Photo

Jamming: A group of women from Trap Village play mountain rhythms from the heart. — File Photo

DAC LAC — In the autmn of their lives, a group of E De Bih women have discovered the freshness and vigor of spring.

At Trap Village in Dac Lac Province's Krong Ana District, six women in their mid-seventies have taken to playing gongs – cong and chieng, folk instruments of the Tay Nguyen (Central Highlands) region – as a way overcome their problems and enjoy life.

They are also hoping their band will be able to bring passion and joy to their villagers. The deep sounds of the gongs are the very soul of the highlands. These instruments are played to celebrate good harvests, religious festivals as well as occasions like child-birth.

The band, Jho - Buon Trap, plays original folk songs of the E De Bih people in a unique style.

"While male artists show off their talents with their hands, our women perform with their inner emotions," said Vu Lan, former deputy chairman of the Dac Lac Literature and Arts Association.

While strong minds and hands are typically needed to play the gong, the septugenarian women are able to hold their own, he said.

"Although the women's music is softer than their male counterparts, they are giving villagers a new taste in playing cong and chieng and their way has been received with warm enthusiasm by music researchers," Lan said.

He explained that Jho - Buon Trap stands for "a sweet music and more".

"We love playing gongs because it represents our love and passion for life and people. We want to bring fans the wonderful world of Tay Nguyen – where they can enjoy music that is creative and emotional," said H' Riu, head of the band.

H' Riu first fell in love with the melodies of cong and chieng when she was a little girl. She later gathered her five friends and formed Jho - Buon Trap.

Thanks to their performances after work, many songs of E De Bih people, including Drok tue (Welcome Guests) and Wak wei (Happy and New Harvest) have now become familiar among the youth.

"Our band prefers to play songs in praise of the country, family, women and children because their melodies are suitable to our performance style," said 70-year-old H' San, a member of the band.

"Winning the hearts of villagers is the most influential part of our life. It has encouraged us to continue with our music," she said.

H' San also said that it feels "weird and happy to be playing gongs the way we want to".

"Not only are all of the Jho - Buon Trap members talented, but through performing a different style of playing, they have become important personalities in the village," said Lan.

"The work of these artists is not simple. They are the only female band in the area to play gongs. They have to practice their skills and dance for several hours each week. They also have to learn how to keep their instrument's sounds strong, sweet and clear."

Youth support

H' Rut Y Ban, a 16-year-old Jho - Buon Trap fan, said: "Jho - Buon Trap's members are like our grandmothers who have introduced us to a fresh style of playing gongs. They are different from many professional bands and artists and we want to support them."

"I like the way women – who work hard everyday in their fields – express their emotions through their music," she added.

H' Rut is one of the band's young female students who believes the music of the Tay Nguyen people reflects more than their myths, legends and stories.

"Each ethnic group has its own way of playing gongs. I learned how my E De Bih people can represent their thinking through their music." — VNS

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Ca Tru folk music sees revival

The millennium-old northern folk music genre of Ca tru is making a comeback after decades of neglect, with more and more young girls training to become dao nuong, or professional singers.

The music is said to have originated in Hanoi during the Ly Dynasty era around 1,000 years ago, mainly to entertain the royal court just like many other Vietnamese arts.

With the unwritten rule that only young, beautiful girls could become dao nuong, things took a nasty turn in the 20th century when mandarins and high-profile officials began to prey on them.

A stigma soon set in and “good” young girls were no longer taking up Ca tru.

The feudal system may have ended in Vietnam in 1945 but the shame persisted until recently.

It took UNESCO’s conferring of the status of an intangible cultural heritage in need of urgent safeguarding in 2009 for the stigma to be shed and a revival to begin.

It takes years for a young girl to master control over rhythms and tones and become a Ca tru vocalist. It is usually performed as an ensemble with at least two more performers on a ceremonial drum and a dan day, the three-stringed lute.

The most illustrious dao nuong of the 20th century and renowned to this day despite her death 10 years ago was Quach Thi Ho.

Ho is cherished not only for talent but also her great love for and her sacrifice for Ca tru.

During the difficult period in the 20th century, Ho remained steadfast and continued to sing despite being scorned by neighbors.

One of her closest friends is Prof Dr Tran Van Khe, who recorded some of her music in 1976 to take Vietnamese folk music to the outside world.

Two years later, UNESCO and the International Institute for Comparative Music Studies and Documentation awarded Ho an honorary credential for her contribution to preserving traditional music.

In 1988 the recordings won the top prize at an international traditional music festival in North Korea attended by 29 nations. The same year the Vietnamese government conferred on her the title of People’s Artist, the only Ca tru artist to be thus honored.

Despite fearing the possible extinction of the art form, Ho was hesitant to teach it due to the social prejudices.

Once when writer Luu Trong Van asked her why she refused to teach it, she replied: “Who is willing to learn it? And learn for what?

“A high-profile cultural official told me bluntly that my Ca tru mainly served feudalists and colonialists.

“Let a tree dying out die out,” she quoted him as telling her.

“You just wait to see its flowers blossom,” she replied.

One family

The ancient folk music has been well preserved by at least a family of Nguyen of Hanoi’s Thai Ha, a place with a rich Ca tru tradition.

The family, known commonly as Nguyen Thai Ha, produced many famous singers and three-stringed lute players who performed in royal courts - such as Nguyen Duc Y, Nguyen Van Xuan, and Nguyen Thi Tuyet.

 dao nuong 2

Nguyen Thi Tuyet - one of the Ca tru masters of the Nguyen - Thai Ha family

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Thursday, January 27, 2011

Unique hybrid music to daze HCMC tonight

A music show entitled “The ever-green desert” by composer Le Van Tuan will take place at the Ho Chi Minh City Opera Theater today at 20:00 at No. 7 Cong Truong Lam Son Street in District 1.

This will show off a new kind of music called CROR – the combination of four different genres: classic, romantic, opera and rock developed by Tuan.

According to the composer, the four genres: classical, romantic (Renaissance period), opera (17th century), and rock (20th century) come from different eras with hundreds of years’ difference, so the combination is not easy and will create a strange feeling in the audience.

In CROR music, classical is understood as something that brings you back to the original sound of human, romantic as the romance that can only be achieved when there is true freedom in your soul while opera is the expression of operatic emotions in a modern way.

They require performers to indulge themselves in the characters, and rock, unlike the typical understanding of rock as fast rhythms, here will be presented as the beats of our breaths and the speed of blood running through our veins.

CROR was first coined in 2005 and have been patented by Vietnam’s Copyright Office.

So far 9 CROR symphonies have been composed with hundreds of songs.

In 2010, Tuan released his debut album with 8 tracks, and in the CROR concert this January 27, he will introduce his second album with another 8 CROR pieces.

Non-key, non-rhythm, and non-melody

Highly appreciative of Tuan’s work in CROR music, singer Quoc Tru, holder of the honorable title Excellent Artist and former head of the vocal music department of HCMC Conservatory of Music, said, “Tuan’s music is non-key, non-rhythm, and non-melody”.

It’s spontaneous. This type of music requires performers to have a certain musical level, and those who are amateurs will ‘tremble’ dealing with this music. I have listened to and really enjoyed his music, with no difficulty, but I think it requires time for it to be welcomed by the public.”

Talking about his music, Tuan emphasized its ‘for a united world’ purpose, “CROR is an appeal for people to get closer to each other, to sympathize with the miserable, to lend them a hand.”

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Monday, January 24, 2011

Downloads cast gloom over CD market

HCM CITY — Pirated CDs have been an expanding business in Viet Nam for many years now, but they have run into a redoubtable opponent – the Internet.

The Sai Gon Giai Phong (Liberated Sai Gon) newspaper reports that with downloads of music, films, serials or comedy shows freely available for free, both the original and pirated CDs are stuck in a deepening market gloom.

The strong development of internet in recent years has seen more and more people choose to surf the worldwide web for their entertainment needs – listening to music and/or watching films. They can also download the music and films they like to their mobile phones and computers.

A growing number of websites have been set up to meet the demand for "free art" among the public.

These websites upload quickly the latest music and film productions to share with the internet community.

The owner of a big disc shop on Tran Hung Dao Street in District 5, said: "The economic difficulties and new habit of downloading film and music free from the internet has made our business slow. However, we still have new products to sell wholesale and to our regular customers."

Other CD shops in several districts, including the Huynh Thuc Khang market, a well-known hub for the business – are also wearing a deserted look.

The merchandising of pirate discs could have cooled off because the city police have discovered many cases and seized a lot of the copies, but this by itself cannot explain the current market situation, the newspaper said.

Huynh Tiet, director of Ben Thanh Audio, said: "We have launched some records of singers Cam Ly, Quoc Dai, Xuan Phu and Nhat Kim Anh in recent years. But it is a way to keep the trade name going, no more no less."

It is a reality that no record company would dare spend money on producing because it would only hasten their "death", Tiet explained.

"Authorities should have more effective means of preventing piracy of CDs for us to continue producing records," Tiet said.

A CD-VCD-DVD product with around 10 tracks takes between VND110 million and 300 million to produce, which means that at current retail market prices of VND40,000 each, between 3,000 and 7,000 copies have to be sold just to break even.

Since the margin is so thin, piracy makes losses inevitable, he said.

A director of the Trung Duong Audio company who wanted to remain unnamed, said: "Most record companies seem to be paralysed now due to piracy and the internet. Also, the music market is approaching saturation point. Moreover, well-known singers are establishing their own labels.

When a record company wants to produce, they dare not invite these famous singers because they know very well they have to spend a lot but recoup their money in dribs and drabs."

In this tough situation, record companies are not only trying to bring out new CDs to maintain their trade name, but are also finding new ways to develop.

The Phuong Nam Film company, which has a nationwide distribution network, has stepped up business focusing on entertainment films for children.

A company representative, Minh Duc, said: "While music is losing its position, films are attracting the interest of people."

The two main production lines for Phuong Nam in recent times are imported and Vietnamese films, Duc said.

With imported films, the company plans to launch high quality DVDs very quickly, within a month after their release in the US, at reasonable prices, even cheaper than some original CDs of Vietnamese singers.

The company has launched in the market a collection of 50 Vietnamese films for around VND40,000-100,000 each that have attracted a huge number of customers.

However, just one firm, Phuong Nam Film, is not enough for the original CD market to flourish, the newspaper wrote.

It is the reluctance of producers to invest that is making the market gloomier every day.

With a more or less entrenched piracy industry, and the internet joining the fray, however, there is no easy way to remove this reluctance, the report said. — VNS

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Saturday, January 22, 2011

Culture Vulture

At the recent international conference on don ca tai tu (music of the talented) in HCM City, discussions centred on the measures needed for the art form to be recognised by UNESCO as an intangible cultural heritage of the world. Viet Nam News spoke with ethnomusicologist Prof Tran Van Khe about the possibility of achieving this goal.

Could you share some ideas about the conference?

The conference was one of many important activities established to create documents to submit to UNESCO that would help us win recognition of the music as an intangible cultural heritage of the world. The conference was an opportunity for Vietnamese musicians to compare their thoughts about traditional music.

The conference showed that both Vietnamese and foreigners pay interest to don ca tai tu. Attending the conference, I felt very happy listening to many foreign experts talk about traditional Vietnamese music.

Many of the foreigners had spent a lot of time studying the music. Their knowledge was even more extensive than some Vietnamese people. Their opinions will help find the way to preserve the music, so I think the conference was successful.

What do you know about don ca tai tu?

Tai tu music is not music used during ceremonies. It is the kind of music for the poor performed by a small number of musicians and for small groups of listeners. Many people don't understand tai tu music. They think it is non-professional, or something amateur.

Tai means talent and tai tu means talented person, but the players and singers don't perform the music to earn a living. They perform for their own pleasure and for audiences without thinking of money.

The people who play tai tu music are people with noble characteristics. They use the music to replace their speech to talk with each other. People who attend the music performances are very close friends.

The audiences also contribute to the performance. In modern performances, audiences often clap their hands or present flowers to the performers, but they don't participate in the same way as they do in tai tu music. Audiences can help inspire tai tu music performers.

Are there similar kinds of music in other countries?

Yes, there are several kinds of impromptu music like don ca tai tu in the world, especially in India. Indian performers often have an improvisational style. Gagok in South Korea is another example. But not many of them have community values like don ca tai tu.

What do you think about the current situation of don ca tai tu in Viet Nam?

In the past, people performed don ca tai tu for amusement, not for money. But now everyone does it differently. It has been performed on the stage, so it no longer has the same feeling and sense that was followed in the past. It has become semi-professional or even professional.

The art of don ca tai tu in its original sense should be preserved and popularised.

Playing the music is difficult but playing it with deep feeling is even more difficult. That requires hard practice. The young generations now love to learn Western music.

What do you think about asking for recognition from UNESCO at a time when the musical performances have not retained the original sense or purpose?

It is OK if the music has the value of an intangible culture and is loved by the community. The documents that we have to submit do not require a fixed value. The culture can change over time. Of course, we should mention the unavoidable development of the music. In the past, Vietnamese did not perform don ca tai tu as a job. It was considered a higher art form than folk music. Folk music can be imitated but tai tu music should be taught well. We should not apply Western music to don ca tai tu.

Do you have any suggestions to help preserve the music for younger generations?

In order to preserve music, we should create favourable conditions for musicians to live, play music and teach it to young generations. We should give scholarships to poor children who love music and explain music to them so that they will love it and study it with all of their hearts. — VNS

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Thursday, January 20, 2011

Musician releases English album

Simple melodies: Musician Nguyen Xinh Xo is also the leading vocalist on his first album Afterlife. — File Photo

Simple melodies: Musician Nguyen Xinh Xo is also the leading vocalist on his first album Afterlife. — File Photo

HA NOI — US-based Vietnamese musician Nguyen Xinh Xo has just released his first album in English in Viet Nam.

Xo, 33, became famous in Viet Nam after composing Dong Ho Treo Tuong (Wall Clock), which won the Song of the Year award at the national Vietnamese Songs music contest in 2009.

Entitled Afterlife, the album includes 50 English pop songs using electronic music, most of which have not been released. Xo is also the leading vocalist on the album, which he produced himself.

"I tell the story by myself with my own feelings through my voice," he said. "[The album] is a gift to my late father."

Xo said he produced the album in his studio at home, which he said is more convenient than outsourcing the work.

Composing in Vietnamese is much harder than composing in English, he said.

"The Vietnamese language contains too many tones, which lead to more fluctuating melodies. That is why English is such a popular language to compose in," he said. "However, it is the musical score itself that is the main message carrier for the songs, not the language."

Xo added that he produced the album not for profit but to promote his music.

Xo was born in Ha Noi in 1978. He began learning the violin at five. His father, Nguyen Xinh, also a musician, was former director of Viet Nam Musicology Institute and deputy rector of the then Viet Nam Academy of Music.

Xinh was killed in a traffic accident when Xo was 18.

Xo's mother also taught the violin and is an accomplished performer, as are many of his family members.

Xo graduated with a bachelor's degree in business management and information technology. Later, in 1999, he went to study in the US, where he now works as a music teacher. He is also taking a master's degree in electronic music. — VNS

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Talented young violists to perform in HCMC

International award-wining violinist Bui Cong Duy and other young musicians from the Vietnam National Music Academy will perform in Ho Chi Minh City Wednesday.

Violinists Ha Thanh Vinh, Bui Cam Ly, Nguyen Linh Uyen, Nguyen Thien Minh, Chi Linh, and Do Hoang will join Duy to perform pieces by Joseph Haydn, Edward Elgar, Pyotr Tchaikovsky, and Pablo de Sarasate.

The concert will be conducted by Nguyen Anh Son and Tran Nhat Minh.

Tickets to the event organized by the HCMC Ballet Symphony Orchestra and Opera are available at the Ho Chi Minh City Opera House, District 1, for VND150,000 and VND250,000.

Duy, born in 1981, is the eldest son of musical parents who introduced him to the violin at the age of five. At the tender age of 10 he joined Russia's Novosibirk Music Conservatory.

He has won a clutch of international competitions, including the 1997 Tchaikovsky International Music Competition for violinists aged under 18.

He has performed in many countries including Russia, Poland, Switzerland, Italy, and France.
 

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Monday, January 17, 2011

A Whole New World

The Saigon Times Concert, which took place last Saturday night on the occasion of Thoi bao Kinh te Sai Gon’s 20th anniversary, is a joyous melody of liberty and love

It was indeed a pleasure to immerse oneself in the mellifluous melody of Passacalia & Burleske by Dmitry Dmitrievich Shostakovich, performed by a soulful Ukrainian artist and a mesmerizing Vietnamese string orchestra under the guidance of American conductor Dean Khomik Anderson.

Amidst an intriguing and enigmatic veil of mist, the sound of Mira Khomik’s violin, which soared, tumbled and then poured into emotional waves in harmony with the artists’ deepest feelings, led the audience into Shostakovich’s tragic world. As the string orchestra’s artistic floodgates burst, the gloomy atmosphere evaporated and the boundless universe beckoned, filling everyone with the warmth of dawn. Passacalia & Burleske encapsulated Shostakovich’s journey as an artist, depicting his feelings about the vicissitudes of history. As the Government’s and his fellow composers’ vehement objections to his view of humanity pushed him into a corner, Shostakovich could turn his predicament into an overwhelming piece of music that touches the depth of human suffering and wrath in the face of devastating wars in this modern age. By virtue of her sensitivity, Mira Khomik successfully translated the agonizing, piercing and occasionally raucous sounds that once reverberated within a hapless soul, marginalized in his very country, into a hymn on life, a snapshot of history, and a work of art laden with passion for mankind and liberty. In her scarlet red, the golden-haired violinist instilled within the audience such beautiful emotions.

Antonin Dvorak’s From the New World was also a masterpiece on love for life. Composed in 1893, when African and American music started to mingle and new social trends started to emerge, the piece was the first to be heard on the moon. Conductor Dean Khomik Anderson and over 50 musicians, brimming with concentration and emotions, managed to capture the slightest sounds of the soul. Tribal drum beats and melodies from the string orchestra intertwined, reminding the more discerned members of the audience of the sound of rain falling and wind blowing. For a brief moment, petty concerns of daily life seemed to fade away, the audience’s soul turned mellow, memories of childhood and maternal embrace flashed back and beauty pervaded the auditorium. As everyone burst into applause after 40 minutes of quiet, attentive listening, an atmosphere rarely experienced at classical concerts in town pervaded the hall. Dean Khomik Anderson was clearly aware of everyone’s needs and could find the most wonderful way to touch the audience’s most profound emotions.

Whereas Dean Khomik Anderson and Mira Khomik enthralled everyone with a Western approach to music, tempered by multicultural influence, Tu Shan Xiang, a pipa maestro who has captivated many music lovers around the world, was emblematic of the charming, mysterious East, where diverse musical cultures thrive and blend into each other. Vietnam Sketch, one of his pieces, was replete with musical layers unique to Vietnam — heart-rending, simple and poetic. Through Tu Shan Xiang’s dazzling music, Vietnam emerged in all its dreamy resplendence and abounded in rustic, colorful sounds. Unlike in his debut in Vietnam, in the Saigon Times Group’s Harmony of Trust 1 Concert, Tu Shan Xiang calmly straddled across different musical realms this time around, weaving together visceral and soothing tunes that culminated in unbridled joy. In his traditional white outfit, he infused the piece with his tranquil soul, utter pleasure and an indescribably festive mood.

A highlight of the concert was Mira Khomik’s and Tu Shan Xiang’s partnership in Czardas by V. Monti, a light-hearted piece of Hungarian folk music. Originally prepared for the violin and the piano, this work of art was livened up with a new twist courtesy of the two gifted artists. Filled with happiness, Tu Shan Xiang decided to show his appreciation to the audience by means of a pipa solo performance that soaked the concert hall in a serene atmosphere.

The vision of a borderless world where love flourishes and music soars was precisely what the Saigon Times Group hoped to convey. The concert’s message revolved around trust, love and other cherished values of humanity. By endeavoring to preserve and popularize classical music, the media group wished to express its gratitude and ideals on the occasion of its 20th anniversary.

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Friday, January 14, 2011

8th century coins discovered in Vinh Phuc

VINH PHUC — A local man recently found a pot containing 8kg of coins dating from the 8th to the 12th century while building a house in Van Hoi Commune in the northern province of Vinh Phuc's Tam Duong District, according to experts from the provincial museum asked to identify the discovery.

Each coin was 2.4cm in diameter, had a square central hole and Chinese characters on each side.

Zing Music Awards honour pop singers

HCM CITY — Singer Dam Vinh Hung bagged two major awards at the Zing Music Awards 2010 ceremony in HCM City on Wednesday, including nods for Impressive Performing Style and Artist of the Year. In addition, his songs Qua Con Me (After Dream) and Khoang Cach (Distance) were listed in the awards' Top 10. Singer and model Ho Ngoc Ha shared the Impressive Performing Style award with Hung.

The band V.Music received the award for Favourite Band, while the Most Promising Singer awards were given to Duong Trieu Vu and Vinh Thuyen Kim. Veterans Dan Truong and Thanh Thao were honoured as Favourite Male and Female Singer, respectively.

The awards were organised by the music-sharing website mp3.zing.vn.

Museums eye preservation methods

HCM CITY — A discussion on how to better preserve items on display in HCM City museums was co-hosted here on Wednesday by the City's departments of heritage and culture.

The discussion aimed at building budget estimates to improve humidity and dust control systems, storage, and the overall quality of the museums in the city.

Firefighter portrait wins national contest

HA NOI — The photo of a fire-fighter at work, Silence, taken by Diep Duc Minh won a gold medal at the national artistic photo contest.

Launched in September, the contest, Portraits of Today's Vietnamese People, received 4,112 photos from 767 professional and amateur photographers nationwide.

The organising board, the Viet Nam Photographic Artists' Association, selected the 119 best photos for an exhibition, of which, 12 have received awards.

The awards ceremony and opening of the exhibition will take place on January 24 at Gallery 45 on Trang Tien Street in Ha Noi.

Artist shows love for Mong people

HA NOI — Nguyen Quang Huy's exhibition Love opens today at the Art Viet Nam Gallery, Nguyen Khac Nhu Street, Ha Noi.

He showcases 25 portraits, landscapes, video and light sculptures of the Mong people in the mountainous province of Ha Giang, the result of his trips over the last 15 years.

"For me their life is with love, a special way of loving," Huy says. "The emotion is very direct, very unlike my ideas and what I know about love. Their love is more basic, natural, and difficult to quantify".

The exhibition will run until February 12.

Show pays tribute to late songstress

HA NOI — A concert of ca tru (ceremonial singing) to commemorate the 10th anniversary of the death of People's Artist Quach Thi Ho will be organised this Sunday at Viet Nam Museum of Ethnology, Nguyen Van Huyen Street, Ha Noi.

Artists from the UNESCO Ca Tru Centre will perform at the concert.

Ho (1913-2000) was one of the few Vietnamese traditional artists recognised internationally. In 1978, she was awarded an honourary diploma by UNESCO's International Music Council and the International Institute for Comparative Music Studies for her contribution in preserving "traditional music of great artistic and cultural value."

She was the first and only ca tru artist to have been granted the highest artistic title of People's Artist. — VNS

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Thursday, January 13, 2011

Windy Days and Land of Asylum at Idecaf

The artists performing tonight at Idecaf - Photo: The organizers
A concert called “Windy Days and Land of Asylum” will be at Idecaf, 8 p.m. tonight, at the Idecaf, 31 Thai Van Lung Street in HCMC’s District 1.

Pierre Diaz (saxophone), the string trio Zephyr, Huong Thanh (vocals), Alex Tran (percussions) and Nguyen Thu Thuy (Vietnamese violin) will perform.

The artists will play a subtle fusion of jazz, Eastern and Mediterranean rhythms and traditional Vietnamese music through song, words and improvisation.

Pierre Diaz began music in Languedoc-Roussillon (France) at age 12 and soon joined a band, touring around the region. His first CD (Duo), released in early 2000, was noticed by “hot jazz” critics. He toured in Vietnam in 2002, 2004, 2005 and 2006.

 Zephyr has members - cellist and soprano singer, Claire Menguy, violinist and mezzo-soprano singer Marion Diaques, violinist and alto singer Delphine Chomel.

Huong Thanh began learning cai luong (traditional southern opera) at age 10 and moved to France in 1988. In 1995, she met the jazzman Nguyen Le and found a whole new world of music. The result of this combination between cai luong and jazz was a CD titled Ile – Tales from Vietnam (2006), that became a hit and won prizes.

Born in France in 1975, Alex Tran began learning percussion and piano at the Academy of Metz at age seven. At 20, he taught for four years in a percussion school in Metz. Then he found his inspiration on stage. Meanwhile, Nguyen Thu Thuy often travels abroad for traditional music training and performances. She leads a group of traditional musicians and they tour all around Vietnam.

Ticket are VND100,000 and VND50,000 for students and are on sale at Idecaf.

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Wednesday, January 12, 2011

Don Ca Tai Tu is not dying: German expert

German professor Gisa Jaehnichen is confident Vietnam’s “don ca tai tu” - a folk music genre distinctive to the South - is not dying as the country is seeking its recognition as a world heritage from UNESCO.

Jaehnichen who once did a long term researches on the genre is welcoming Vietnam file a national dossier on Don Ca Tai Tu to be submitted to UNESCO as an intangible cultural heritage in March this year.

Tuoitrenews had an interview with her during her trip to Vietnam to attend a three-day conference on the topic concluding Tuesday in Ho Chi Minh City.

How did you get to know Don Ca Tai Tu in Vietnam?

I was in Vietnam studying the language in the early 80’s and I learned everything I could about the culture, including Vietnamese music, of which Don Ca Tai Tu is a part.

What about Don Ca Tai Tu that interests you?

I think all kinds of music have their own interesting characteristics. So is Don Ca Tai Tu.
People say that it’s amateur music but I think it’s very professional.

Amateurism doesn’t mean that you are lacking professional qualities. I would translate it as music of the talented. People need to have a big talent to play but they don’t need to make their income out of their music.

What important to me is that, you can create your own versions. You don’t have a fixed composition that you have to follow. You can input your emotions into the music, according to certain rules.

If you understand the rules you can play very attractively and each performance can be different.

Don Ca Tai Tu is unique to southern Vietnam. There’s also Don Ca Tai Tu Hue, but it’s completely different from the South, which has a more a mixed social background: you have traders, you have craftsmen, you have intelligentsia, you have rich people, you have more poor people, you have farmers altogether playing.

It does not matter where you are from and what your background is.

In Don ca Tai Tu, the music is written first and the lyrics come after and get fitted in. That’s how it’s differentiated from other music genres in Vietnam.

Compared to the other Vietnamese traditional music that you researched on, what is the biggest difference in methodology when you approached Don Ca Tai Tu?

It’s not so much different.

If there is a new instrument that can create different sounds better than the old one, I do not hesitate to try out.

For example with the guitar phim lom (guitar with modified frets) or the Vietnamese violin that has another tuning, I can play pieces of music - for two instruments on one instrument. So that’s a creative fact and the approach to Don Ca Tai Tu is not much different from others.

The methodology is always the same but the outcome is different.

How is Don Ca Tai Tu different from Cai Luong?

I have to say that Cai Luong is completely different from Don Ca Tai Tu. Don Ca Tai Tu is only the source of music but its spirit is not as in Cai Luong.

Cai Luong has another social function: it’s to entertain a big number of people on a big stage. But for Don Ca Tai Tu, you never play on a big stage and you shouldn’t do that because it’s for a small group of people sitting around, played without amplifier, just on the waterside or in the garden.

Cai Luong is on the stage to amuse people or to raise social problems in texts and dialogs and Don Ca Tai Tu is only like a tool to be used in Cai Luong. Of course, a few nice pieces from Cai Luong composed in the past went back to Don Ca Tai Tu. And then Don Ca Tai Tu musicians created longer pieces out of it.

Despite interesting exchanges between both, it does not mean that they have the same social functions. So you can hardly compare the two.

We still have people who love Don Ca Tai Tu but this generation may disappear soon. What do you think about that?

People often think: “If I deal with old things I’m backward and if I’m backward I’m not earning what I should earn to get a better living.” The consumerism, which is also reaching Vietnam very fast, leads to the assumption that old things are bad.

But it needs only a certain time, then people will come back to their inside. The traditions are needed to be sustainable as a society. You cannot just eliminate the old things and think you become a modern person. To be a modern person you need the traditions to create new things. If you think you can grow without traditions, then you are already old.

We’re trying to put Don Ca Tai Tu in the representative list which the UNESCO recognizes as well-preserved heritage. Don Ca Tai Tu is not endangered because many people are interested in it and it still has a life, which is the effort of many people in the last 2- 3 decades.

Don Ca Tai Tu is not dying out, I’m sure.

* Professor, Doctor Gisa Jaehnichen is now working in the faculty of Human Ecology, Music Department, Universiti Putra Malaysia. She wrote her dissertation on modern South Vietnamese compositions and her second lecturer’s thesis on instrumental music in Ca Tru (ancient genre of chamber music) and in Don Ca Tai Tu.

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Singers Day to discuss celebrity responsibilities

HA NOI — The fifth Singers Day will be held on January 17-19 in the northern city of Ha Long.

The day is expected to attract around 200 domestic and overseas Vietnamese singers.

The conference will host a discussion on celebrity culture, their artistic responsibility to the community, artists and internet.

The Noi Vong Tay Lon (Joining Arms) charity gala will take place on January 19 to raise funds for local poor fishing people.

The previous Singers Day was held in Quy Nhon last year.

1,000th anniversary book takes music prize

HA NOI — A book on One-Thousand Year Thang Long - Ha Noi has won the highest prize of the year 2010 by the Viet Nam Musicians' Association.

The book consists of five parts covering court music, ca tru (ceremonial singing), traditional music, modern music and music criticism.

The awards ceremony was held last night at the headquarters of Radio Voice of Viet Nam in Ha Noi.

Viet Nam Orchestra charms in New York

NEW YORK — The National Symphony Orchestra of Viet Nam on Saturday performed at a peace concert held at New York City's Carnegie Hall together with artists from Japan, South Korea and the US.

Vietnamese Ambassador to the US Bui The Giang stressed that the event was a symbol of friendship and closer co-operation between peoples. The event also sent a message of peace and friendship to peoples all over the world, he said.

The concert was conducted by Japanese conductor Honna Tetsuji and featured South Korean teenage talented pianist Isadora Kim.

Photos convey kids' views on social safety

HCM CITY — Photographs taken by a group of fourth and fifth grade students to express their views on pedestrian safety are on show at an exhibition at a HCM City primary.

"Photovoice" at the Nguyen Minh Quang Primary School in District 9, which has more than 100 photos taken by eight children, is part of a project to use photographs to promote social change and improve the quality of life in communities.

Express delivery company FedEx and global NGO Safe Kids Worldwide, the sponsors, have already carried out this project in Brazil, Canada, China, India, South Korea, and the Philippines.

In Viet Nam, they launched it together with the Asia Injury Prevention Foundation in October.

They selected students for photography training and pedestrian-safety education who then took the photos.

"The project will help educate children about pedestrian and traffic safety," Mirjam Sidik, executive director of the Foundation, said.

The photos will be sent to several other schools in the city where they will be displayed for three days each. — VNS

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Tuesday, January 11, 2011

Experts praise Vietnamese folk values

Sing it: Don ca tai tu is performed for tourists in Tien Giang Province in the Mekong Delta. — VNS Photo Van Dat

Sing it: Don ca tai tu is performed for tourists in Tien Giang Province in the Mekong Delta. — VNS Photo Van Dat

HCM CITY — Don ca tai tu (music of the talented) should be recognised as an intangible heritage of the country to curb the impact of Western music's influence on indigenous musical forms, according to international scholars at a conference on preservation of the art form.

Speaking at the three-day event in HCM City, Professor Sheen Dae-cheol of South Korea said Don ca tai tu, which began 100 years ago, holds an important position in Viet Nam.

The history of Don ca tai tu is similar to Gagok of South Korea and Nanyin of China, both of which began as amateur music and developed into more sophisticated forms.

Don ca tai tu, however, has retained its original characteristics.

Because it does not require a stage, it quickly became popular in every corner of society and could be performed under a tree, in a house, on a boat, or under the moonlight.

The Korean professor said he was impressed with the musical instruments. Some of them have only one, two or three strings, such as the monochord, two-chord fiddle and the three-string fretless box spike lute.

"The feeling and soul of the Vietnamese people are embedded in tai tu music. The music, which is an invaluable heritage, applies the yin-yang theory of the East," he said.

"The value of gender equality is also mentioned in Don ca tai tu. Since it began, it has always been performed with the participation of both men and women. Everyone considers Don ca tai tu amateur music, but it is not amateur at all. It is noble amateur music. It deserves to be considered as a world cultural heritage," he added.

Dr Joe Peters of Singapore, who noted that Don ca tai tu was important to the Vietnamese people's life, said that video and audio clips on the art form could be found on the internet.

Prof Yamaguti Osamu of Taiwan's Nanhua University said improvisational music like Don ca tai tu appears in other countries, including India and, especially, Africa.

The music is transmitted orally and has no printed musical notation.

More recordings of the music must be done so that documents can be submitted to UNESCO and the art form can be approved and recognised as an intangible cultural heritage of the world.

Gisa Jaehnichen, a professor in the music department at University Putra Malaysia, praised the charm of Don ca tai tu and the instruments used in performance.

The music is traditionally played in informal venues, often in a close friend's home or in a neighbour's garden.

Its standard orchestra includes a dan tranh (16-string zither), a dan kim (two-chord guitar), a dan co (two-chord fiddle), a ty ba (pear-shaped, four-chord guitar), a doc huyen (monochord zither) and a flute.

Professor Tran Van Khe, musician Nguyen Vinh Bao, who are experts in Vietnamese traditional music, and other local artists said they were highly impressed about the knowledge of the foreign experts who spoke about Don ca tai tu at the conference.

Experts said that performing the music on a big stage or during tourism festivals, which has been done in recent years, was not true to its original nature. —VNS

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Monday, January 10, 2011

Musicians seek UNESCO nod

by Van Dat

Sticking with it: A singer performs with an amateur band at a

Sticking with it: A singer performs with an amateur band at a "music of the talented" festival in the southern city of Can Tho. The art is considered a glue that binds the Vietnamese community, especially those in the south. — VNA/VNS Photo Thanh Vu

HCM CITY — The don ca tai tu (music of the talented) is considered a glue that binds the Vietnamese community, especially those in the south where the art has been popular for more than a hundred years. However, the traditional music has not received sufficient public attention to formally preserve it even though it has been taught abroad, according to experts who spoke during the three-day conference to discus ways to revive don ca tai tu that opened yesterday in HCM City.

The event aims to earn the traditional music the status of a world intangible cultural heritage by UNESCO. Proponents of this cause believe that don ca tai tu should have been recognised before some other types of Vietnamese music.

Pham Sanh Chau, general secretary of UNESCO Committee Viet Nam, said the music has astonishing power and should certainly be regconised by UNESCO.

"If the task is not completed, the cultural life of Vietnamese people cannot be shown comprehensively to the world," Chau said.

"Viet Nam has five kinds of music regconised as world intangible heritages, but they are in the north, central and Central Highlands. No traditonal music from the southern region has been regconised so far."

Chau recalled Prime Minister Nguyen Tan Dung saying he felt ashamed that he had not pushed harder for regconition for don ca tai tu when other forms of music had done so well.

Viet Nam has three world intangible cultural heritages in the north and two in the Central Highlands. The shortage in the south does not make sense given their rich cultural history.

Prof Tran Van Khe, a master of Vietnamese traditional music, said, "don ca tai tu is not just for entertainment but is a communal cultural activity."

He said don ca tai tu is not ceremonial music but rather music for the poor by a small number of artists.

"Most do not understand don ca tai tu the same way. Some only see it as amateur. Tu means talented people, so don ca tai tu is performed by talented people. But the talented people don't perform the music to earn money; they perform for their own pleasure or for audiences' pleasure."

In recent years, don ca tai tu has been performed on stage and broadcast on television. Many performances have included electric musical instruments, which, according to Khe, enriched rather than replaced the art—the concern of his son, music professor Tran Quang Hai.

The conference drew more than 120 local and foreign experts, including representatives from 21 provinces and cities in the south.

Researchers, educators, cultural administrators and musicians from seven countries, including Germany, Japan, Malaysia, Singapore and South Korea, discussed the characteristic features of the music and the ways in which it could be developed and preserved.

Five main issues related to don ca tai tu have been raised, including its history, creation and development, value, conceptual aspects, and suggestions for preservation.

There are 2,019 don ca tai tu clubs in the country and more than 22,643 members total. Prof Khe believes that number will increase once an application for UNESCO recognition is drafted.

The southern Vietnamese Music of the talented derives, like other kinds of music, from certain parts of Vietnamese ceremonial music, and is thus related to the development of certain instrumental ensembles and specific playing techniques.

Hue Royal Court Music, Gong culture, Quan Ho (Love duets), Ca Tru (Ceremonial singing) and Viet Nam's Saint Giong Festival have already been regconised as world intangible cultural heritages. —VNS

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