Showing posts with label Dong. Show all posts
Showing posts with label Dong. Show all posts

Tuesday, February 8, 2011

Festival for farmer king

Kickin' it: During the festival a number of games were played to celebrate the martial spirit. — VNA/VNS Photo Phuong Hoa

Kickin' it: During the festival a number of games were played to celebrate the martial spirit. — VNA/VNS Photo Phuong Hoa: During the festival a number of games were played to celebrate the martial spirit. — VNA/VNS Photo Phuong Hoa

HA NOI — Thousands of visitors flocked to Dong Da Hill in Ha Noi yesterday to celebrate the 222nd anniversary of the Ngoc Hoi – Dong Da Victory.

The Dong Da festival takes place annually on the 5th day of the lunar first month. It is a festival organised in memory of King Quang Trung's great military victory.

Many new activities were included in this year's festivities. "The traditions of placing offerings, dragon dance and palanquin procession have been brushed up and given a new face," said Nguyen Thi Kim Anh, director of Dong Da Culture Park.

Performers from the Ha Noi traditional opera recreated the heroic story of King Quang Trung and his troops defeating invaders on the hill in 1789.

Quang Trung, a Tay Son farmer who later became a national hero, defeated more than 200,000 soldiers of the invading Qing army. Dong Da Hill became known as one of the nation's most glorious historical sites.

In the early morning of the festival, a procession for the historical event's celebration commenced at Khuong Thuong and ended at Dong Da Hill. The procession included flags, a processional parasol, palanquins in a variety of colours, and the sounds of gongs and drums.

During the festival a number of games were played to represent the martial spirit. Among them, the procession of Thang Long dragon was considered by many as the most original.

"The festival has become an essential part of the capital's culture. It's a way for people to remind themselves of the historical event and open the eyes of young people," said Tran Duc Hoc, chairman of Dong Da District People's Committee.

Authorities in the central province of Binh Dinh's Tay Son District – King Quang Trung's (Nguyen Hue) homeland – also attended the ceremony and gave speeches recalling the historic battle. — VNS

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Thousands gather for Dong Da fest

Thousands flocked to the Dong Da festival in Hanoi, aimed at marking the 222nd anniversary of the Ngoc Hoi-Dong Da victory.

This year’s fest will feature thurification and palanquin rituals with the participation of delegations from the capital’s districts of Thanh Tri and Thuong Tin and from Binh Dinh province.

The event is to commemorate the glorious feat of arms led by King Quang Trung (Nguyen Hue) against 29,000 Qing invaders in 1789.

The highlight of the program will see artists from Hanoi Traditional Opera Theatre performing an extract from the “Ngoc Han Cong Chua” play from which audience will have a chance to learn about the love between national hero Quang Trung and princess Ngoc Han.

Plays and dances re-enacting the victory will also be performed at the festival.

A series of art performances and traditional games such as dragon and gong dances, martial arts and human chess will also take place at the festival.

The victory of Ngoc Hoi-Dong Da went down in the nation’s history as an immortal epic of the struggle for national construction and defence.

The Dong Da Festival takes place annually on the 5th day of the Lunar New Year (Tet).

dong da

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Saturday, February 5, 2011

When fashion and culture mix

Ho Tran Da Thao is a fan of her own collections. She wears her own models at international exhibitions she is invited to, to her fashion shows or simply for a night out with friends.

Thao is now used to being stopped on the streets by fashion lovers, especially foreign ones who would ask her many prying questions about her clothes.

She would return a smile, a proud one, pointing at the distinctive image printed on her clothes and starts her mini presentation to the curious stranger.

“You know, this is an image of traditional Vietnamese folk woodcut painting called Dong Ho..,”

Born in 1979, Da Thao did not start off as a fashion designer. An English graduate from Ho Chi Minh Social Studies and Humanities University, she was then later trained as a designer at Australian TAFE Institution and went through several foreign- sponsored fashion design competitions in Vietnam to build up experience.

At the 2008 International Young Fashion Entrepreneur conference organized by the British Council, she was crowned winner in Vietnam, an event which won her a chance to identify the path she would later follow with much enthusiasm.

Representing the country in the final round of the competition held in the United Kingdom, Thao seized the opportunity to visit all European fashion capitals in a three month backpacker trip afterwards. She lost at the competition, but went home with a new found inspiration.

“Ethnic fashion is on the rise at fashion capitals like Paris or Madrid. Stores presenting Indian or Nepalese tradition inspired clothes to flourish there,” Thao said.

“They can do that, why can’t I with our rich cultural heritage? I then decided it was time to go back, and do something about this”.

And the Northern Vietnam’s folk art painting, Dong Ho was what she chose to start with.
In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam; this tradition has gradually declined under the influence of modern types of painting and fake Dong Ho products.

Thao went to Dong Ho village in the northern province of Bac Ninh, where paintings have been manually produced for hundreds of years and studied the folk art with an old master.

With hundreds of old paintings and a profound knowledge of the age-old art accompanying her on her way back, Thao knew then she had just begun a difficult journey.

To recreate Dong Ho paintings on clothes, Thao worked up combining all crafting techniques to preserve the paintings’ original spirit in modern fabrics.

Not all paintings’ details can be used, some paintings can only be kept with a few sketches and strokes. Their colors originate from nature such as leaves or trees, which reflect different lights and shades on different fabrics and materials, posing another challenge to the designer.

For months, digital painting, embroidery, beading, hand drawing or a combination of all had been tried by Thao to best transfer the paintings onto her designed clothes.

fashion

Only 20 out of hundreds of Dong Ho paintings were used to make her collections.
In 2009, Thao with her collection were invited to Bangkok to join the Asian Creative Industry’s Conference and Exhibition organized by British Council and won considerable notice and praises.

Thanks to Thao, a near lost cultural tradition is given life in another form which can touch a wider audience. It is not just another fashion story.

 

Dong Ho folk woodcut painting is a genre of Vietnamese woodcut paintings originated from Dong Ho village in Bac Ninh Province, Vietnam.
Using the traditional điệp paper and colors derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories.
In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam; this tradition has gradually declined under the influence of modern types of painting and fake Dong Ho products.
However, the art of making Dong Ho pictures is always considered a symbol of traditional culture and aesthetic value of Vietnam.

 

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Friday, January 28, 2011

Dong Thap's ‘house of love' proves a popular attraction

by Thanh Ha

Warm-hearted home: The Huynh Thuy Le House is one of the most popular locations for foreign tourists when they visit the southern province of Dong Thap.

Warm-hearted home: The Huynh Thuy Le House is one of the most popular locations for foreign tourists when they visit the southern province of Dong Thap.

Style: Vietnamese aspects combine with Western features creating a unique decor which attracts thousands of people per month. — File Photos

Style: Vietnamese aspects combine with Western features creating a unique decor which attracts thousands of people per month. — File Photos

DONG THAP — Do you know what is the most famous house in Viet Nam? Maybe you'd answer "No" because even I only discovered it by accident.

The southern province of Dong Thap is wellknown not only for its populous and fertile land, known as the "rice bowl" of the nation, but is also home to the house made famous by Marguerite Duras in her novel The Lover.

Located in Sa Dec, the oldest town of the Cuu Long (Mekong) Delta, the house first became a tourist site in 2007 and has since welcomed thousands of visitors.

The house was the home of the lover Duras took when she was just 15.

Her story tells of a couple who fell in love at first site on a ferry-boat running along the Tien River from Dong Thap to Sai Gon (now HCM City). They failed to have the support of their families who were from different classes and nationalities.

Huynh Thuy Le was a local inheritor of the province's richest family while French Duras was a daughter of Marie Donnadieu, a poor principle at the L'Ecole Primaire de Jeunes Filles de Sadec (Sa Dec Primary Girl School) the oldest school in the province, now renamed the Trung Vuong Primary School.

They fell deeply in love with each other although they could not tell to anyone, especially Le's family whose father had arranged a marriage between Le and a beauty from Tien Giang Province, whom later became his wife.

They knew about the obstacles but could not stop their love from developing for over a year and a half before his family became aware of the affair.

Le had to marry the arranged bride, while Duras and her relatives returned to France.

Years after the war, Le came to Paris and made a phone call to Duras to say his love for her would continue until his death.

Fifty years after their separation, the call relived the memories of the affair for Duras as though it was yesterday; and from those recollections the novel L'Amant (The Lover) was published in 1984.

The novel became a best-seller, with more than 2.4 million copies printed. In its first year of publication The Lover grabbed the Goncourt prize, a prestigious French award. The semi-autobiographical novel was then translated into 43 languages including Vietnamese and dramatised into a movie of the same name by director Jean-Jacques Annaud in 1992 starring Jane March, Lisa Faulkner and Tony Leung Ka Fai.

Apart from the love story, the house also attracts many people because of its beautiful combination of Eastern and Western architectural styles.

The 250sq.m old house at 225A Nguyen Hue Street, was constructed mainly of wood in 1895 by Huynh Cam Thuan – a wealthy local man. The Vietnamese three-roomed house was then upgraded into a French-styled villa which is what visitors can see today.

The floor was paved with patterned tiles imported from Ardeche, France. The 30-40cm-thick wall is constructed by solid bricks covering the wooden structure.

The roof consists of double tiles with two curved gables making it look like a boat, a typical symbol of the Southern waterways region.

The Western architecture is displayed by the house's front, ceiling, windows and balconies. All of them are decorated with Renaissance-styled reliefs. Meanwhile the Eastern aspects, mainly in Chinese style, are the furniture such as wardrobes, beds and altars which are carved and lacquered skilfully with flowers, animals and trees, displaying the original landlord's wealth.

When Le died in 1972, his family moved to live in France and the house was nearly abandoned. The Dong Thap Tourism Company was assigned to manage the house in 2006 and the house welcomed its first visitors a year later.

"The house is almost identical to how they left it, as Le's daughter on a visit to Viet Nam provided us with decorative details that we could copy," said Huynh Thi Kieu Xuan, a company tour guide.

The interior of the house has photos of the French writer and movie scenes on display.

The house which is also known as the Green House because it was previously painted in green [it is white now] while the rooms were decorated with wood and green glass.

The entrance fee is VND10,000 (US$0.5) per person. The fee includes a guide who can speak English or French, while tea and sugar-coated ginger are served for free. But interested tourists can also book a homestay here at a cost of $30 per room per night which covers a breakfast and lunch or they can enjoy lunch or dinner with Vietnamese and European dishes readily available.

"The house is on the list of must-visit places among foreigners, especially the French, who have read the book or watched the movie," said Tong Duy Minh, director of the Dong Thap Tourism Company.

"Many of them love to stay in the house and act as what the house owner did in the past although the conditions here are not comfortable for them. There isn't any air conditioning, nor fridge or bathroom inside the house," Minh said.

The house which was recognised as a national relic in 2009 has received an average of 1,000 visitors per month, double the figure of 2009.

"They want to be here also because of the house is next to the river and a market. Visitors can make a walk through and witness local residents living and working. We have already received some students who have booked the room for a week to discover life here," Minh said.

Minh said that the house would be much more beautiful in the future as the provincial museum is collecting more of the house's lost objects from Le's relatives. — VNS

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Tuesday, January 25, 2011

Photos a unique documentary of Giong festival

Traditional celebration: This photo of a flag dance on Gia Ngu Hill at a Giong Festival held in Phu Dong Village in 1970 was the first image of the festival taken by photographer Van Tho.

Traditional celebration: This photo of a flag dance on Gia Ngu Hill at a Giong Festival held in Phu Dong Village in 1970 was the first image of the festival taken by photographer Van Tho.

HA NOI — A unique exhibition displaying veteran photographer Van Tho's collection of 100 photos of the Giong Festival has opened at the Phu Dong Temple, in Gia Lam District on the outskirts of Ha Noi.

The photos document the dances and worshipping ceremonies as well as the domestic and foreign officials that attend the festival and even the festival preparations.

All of the photos are in colour except for the artist's first image taken in 1970.

"I cannot count the number of photographs I've taken of the annual festival," Tho said since 1970, "I have selected the 100 best as my gift to celebrate the recognition of the festival as an intangible cultural heritage by UNESCO."

The artist was born in 1943 in Phu Dong Village himself. At the age of seven, he played a soldier in Saint Giong's 90-soldier team in the festival. He recalled falling into the pond in front of the temple and racing home to dry his clothes so that he could finish his role in the event.

"Taking part in the festival is a great honour," he said, "That's why the villagers have happily made contributions."

After the exhibition, Tho plans to build a house in which to store his works and memories of the festival.

"If the project is approved [by local authorities], I will select quintessential photos of the festival by many photographers for display," Tho said.

"The exhibits may also include small models of objects used at the festival so that visitors to the temple can learn how the festival is organised, what it symbolises and what activities take place. They can also practise the traditional dances if they want."

A ceremony was held at the temple on Saturday by the Ministry of Culture, Sports and Tourism, the Ha Noi Municipal People's Committee and the Viet Nam National Commission for UNESCO to bestow the UNESCO Certification recognising the Saint Giong Festival as a world intangible heritage.

The festival was the third element of Ha Noi's heritage recognised by UNESCO in last year, joining the 82 doctoral stone steles in the Temple of Literature and relics of the Thang Long Royal Citadel.

The festival is dedicated to Saint Giong, born in Phu Dong Village in the reign of King Hung VI. According to legend, he was a man of great strength who fought the northern invaders. After his victory, he flew back to heaven on his iron horse over Soc Mountain, which locates in today's Soc Son District.

There are many festivals held in the northern region to honour Saint Giong. The most popular are the ones in Phu Dong Village in Gia Lam District and Soc Village in Soc Son District.

The event in Phu Dong is annually held on the ninth day of the fourth lunar month and in Soc Son, on the sixth day of the first lunar month. — VNS

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Sunday, January 16, 2011

Traders making a killing on small banknotes

The unofficial market of money exchange is currently enjoying a brisk trade because banks cannot meet the seasonal demand for newly minted small-denomination banknotes for use during Vietnamese Tet holidays, or the Lunar New Year, that falls in early February this year.

During the Tet period, Vietnamese usually put small-denomination notes in red envelopes and present them as lì xì (lucky money) to relatives, especially children, together with all their best wishes.

Despite their claims of adequate supply of small-denomination notes, most of the banks just give them to their loyal, corporate, and VIP clients. The underground market is therefore cashing in on this once-upon-a-year opportunity to charge exorbitant fees for the service.

For the 5,000 dong, 10,000 dong, and 20,000 dong notes, they charge a 20 percent commission. The smaller the note is, the higher the commission will be.

Online money exchanging also springs up this year. Service charges vary and can be as high as 45 percent.

One website quotes their fees as follows: 45 percent for the 200 dong note, 25 percent for the 500 dong note, 12 percent for the 1,000 dong and 2,000 dong notes, and 1-9 percent for notes of 5,000 to 100,000 dong denominational value.

Traders are also selling one-dollar and two-dollar bills at the moment. Depending on the uniqueness and serial numbers of the notes, those can be exchanged at various prices. For example, one trader sells a 1 dollar bill at VND25,000 and a 2 dollar bill at VND49,000 or 50,000.

The official exchange rate at present is VND19,500 to the dollar.

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Thursday, December 23, 2010

Ancient tomb found in Ha Noi

Unearthed: Artefacts belonging to the Dong Son culture (2,000BC-AD200) excavated at a site on the outskirts of Ha Noi. — VNS Photo Hai Kim

Unearthed: Artefacts belonging to the Dong Son culture (2,000BC-AD200) excavated at a site on the outskirts of Ha Noi. — VNS Photo Hai Kim

HA NOI — A tomb estimated to be about 2,000 years old has been excavated at an archaeological site on the outskirts of Ha Noi.

And other objects found at the site indicate that there was an earlier settlement dating back as far as 4,000BC – to the beginnings of Viet Nam's history as a trading nation.

So far, scientists have found an earthenware jar and cooking pan – plus, most significantly, a bronze axe, all of which are thought to belong to the renowned Dong Son culture (2,000BC-AD200).

But they have also uncovered various working tools, weapons and daily wares made from stone, bronze and pottery from the preceding Dong Dau culture, which existed from 4,000 to 2,500BC.

Human bones were found inside the tomb, but they were said to have been almost destroyed by time. They could provide evidence of the physique and type of the people of the time.

The excavation site, named Go Den Ran, covers a total area of 3,000sq.m. The discoveries have been brought to light by archaeologists from the University of Social Sciences and Humanities who have been working for more than a year.

The site is within the allocated border for an urban development area named Kim Chung – Di Trach Urban Zone. Scientists have asked concerned agencies to stop construction so that further study can be carried out. — VNS

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Wednesday, November 17, 2010

Festival to celebrate Delta's ‘Plain of Reeds'

Blossoming future: A farmer works in the Sa Dec Flower Village, one of the sites for the upcoming festival to celebrate the Plain of Reeds. — VNA/VNS Photo Duy Khuong

Blossoming future: A farmer works in the Sa Dec Flower Village, one of the sites for the upcoming festival to celebrate the Plain of Reeds. — VNA/VNS Photo Duy Khuong

HCM CITY — Dong Thap Province plans to organise the biggest ever festival in the Mekong Delta region to mark the 30th anniversary of the Dong Thap Muoi (Plain of Reeds) sub-region.

As many as 500 booths in the ornamental plant and trade festival will feature various products and activities. They will review the achievements of the region during the past 30 years and promote tourism in the area.

Besides showcasing beautiful trees, flowers and bonsai creations, several conferences will be held on developing the Dong Thap Muoi region and promoting investment in the Mekong Delta. Several contests will also be part of the December 1-5 festival in Cao Lanh city.

Le Minh Hoan, deputy secretary of the province's Party Committee, said the festival will honour the economic social, cultural achievements of the region that has great potential for tourism.

The province expects to attract more domestic and foreign tourists to the area, especially through eco-friendly tours. Hoan said one of the important events during the festival would be the opening ceremony of the Nguyen Sinh Sac historical site.

The site comprises the village and tomb of the late President Ho Chi Minh's father, Nguyen Sinh Sac.

According to organisers, ecological tours to the Sa Dec Flower Village and other beautiful destinations in the province will promoted during the festival.

Thirty years ago, when the Dong Thap Muoi region spanned the three provinces of Long An, Tien Giang and Dong Thap, it was a fallow marsh famous for its lotus blooms.

Agriculture was even then the region's mainstay, with the three provinces that comprise it being top exporters of rice in the country, according to local officials.

Of late, however, tourism, industry and trade are being developed in the region. — VNS

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Tuesday, October 5, 2010

Dong Van Stone Plateau recognized as a geological park

Dong Van Stone Plateau in the northern mountainous province of Ha Giang has been recognized as a member of the Global Network of National Geoparks (GGN).

The news was announced last Saturday by the Vietnamese delegation attending the European Geoparks Conference in Lesvos, Greece.

The plateau has now become the first geological park in Vietnam and the second geological park in Southeast Asia after Langkawi Geological Park in Malaysia.

The GGN proposed Vietnam strategizes a master development plan to encourage people to preserve cultural and geological heritage values together with local sustainable development.

The park is expected to eliminate poverty through sustainable economic development in Ha Giang province.

The Dong Van Stone Plateau’s dossier was one of six approved at the conference.

Dong Van, which has remained untouched for hundreds of millions of years, has mammoth rocks spread over four districts – Quan Ba, Yen Minh, Meo Vac, and Dong Van – and is 1,000m above sea level.

The plateau is made up of at least 80 percent limestone and has fossils of thousands of species of ancient creatures from 400-600 million years ago.

It is also home to several cultures that sprung up over the centuries. Currently 250,000 people belonging to 17 ethnic groups live on the 574-square-kilometer plateau.

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Stone plateau listed as geopark

To be conserved: Dong Van Stone Plateau Geopark has evidence of the Earth's evolution, rocks, caves, valleys and other features. — File Photo

To be conserved: Dong Van Stone Plateau Geopark has evidence of the Earth's evolution, rocks, caves, valleys and other features. — File Photo

HA NOI — The Dong Van stone plateau in Viet Nam has officially been recognised as a member of the Global Network of National Geoparks (GGN) at a conference in Lesvos, Greece.

Dong Van Stone Plateau Geopark is one of six areas which was approved at the conference on Sunday.

It became the first geopark in Viet Nam and the second in Southeast Asia, after Langkawi Geopark in Malaysia.

Dong Van Stone Plateau Geopark is about 150km from the northern mountain province town of Ha Giang. It is well known for various shapes of karst stone with different characteristics, especially karst pyramids.

The area has been surveyed by Vietnamese scientists and specialists from Russia, Poland, Japan, Belgium, and Germany. Around 40 areas have been discovered there with valuable evidence about the Earth's evolution, rocks, caves, valleys and other features. The plateau is made up of at least 80 per cent limestone and has fossils of thousands of species of ancient creatures from 400-600 million years ago.

It is also home to several cultures that have sprung up over the centuries. The 574sq.km plateau is home to about 250,000 people belonging to 22 different ethnic groups.

The GGN's Advisory Council asked Viet Nam to develop a master plan for Dong Van stone plateau which will include the community in geographic and cultural heritage conservation. — VNS

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Friday, October 1, 2010

Culture Vulture

The Ministry of Culture, Sports and Tourism recently enacted Decision 103/2009/ND-CP that prohibits certain aspects of spiritual worship known as hau dong considered harmful or open to fraud.

In the practice of hau dong, a spirit medium communes with deities.

Folk culture researcher Bui Trong Hien talks about the circular.

What exactly is hau dong?

Hau dong, len dong, hau bong or dong bong are different words to describe a form of shamanism unique to Viet Nam. It originated in Viet Nam. It was not imported from other countries as is the case with Taoism, Buddhism or Christianity.

The ritual involves a spirit medium who communes with deities.

A hau dong ceremony involves chanting and the singing of folk songs called hat van.

The practice has been in existence for many generations and is very much part of Vietnamese culture. It helps people balance their life and make sense of existence – despite its apparent lack of logic.

How do you think the new regulation will be received?

Well, this is a fairly sensitive matter. People may ask why imported beliefs and rituals are permitted while aspects of hau dong, which is wholly Vietnamese, are proscribed.

Many folk artists who earn a living from the practice will be unhappy. Fortunately, the circular only applies to formal festivals.

It is claimed the ritual plays upon people's fears and is open to abuse. What is your view on this?

Yes, that's true. But I think we should clearly define what is meant by the notion "commercial belief". When someone wishes for something through the practice of hau dong, he or she is putting his or her trust in something supernatural.

From the earliest time, belief systems helped people make sense of their life and surroundings. It is not simply about satisfying personal desire. When I ask for something from the god I trust, I make an offering.

However, expensive offerings or the burning of excessive quantities of votive money and goods should be avoided.

What is the best way of curbing these unhealthy and wasteful practices?

The challenging task here is to differentiate between belief and superstition – and that is no easy matter.

How can we set out precisely what is an acceptable or unacceptable practice?

I think the media has a part to play in better informing the public about what is a healthy or unhealthy practice.

For example, the media could fairly and justifiably report that the practice of burning votive money and other offerings originated from Taoism and has nothing to do with local belief. People should not burn votive money in the hope of bringing good luck or wealth. Logically, if favour is a reflection of fortune, the gods are corrupt officials who can be bought at a price. They would not deserve any respect.

I believe that when people understand the nature of the matter, they will by themselves curb unhealthy practices.

A civilised society should curb actions that are detrimental to members of the community or the environment, such as violence or disorder. — VNS

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Thursday, September 9, 2010

Dong Tam Group helps veterans’ kids study

 

Vo Quoc Thang, CEO of Dong Tam Group, grants scholarships and gifts to veterans’ children- Photo: Le Minh Khue
Scholarships worth VND500 million were granted to 384 children from poor veteran families in HCMC and Long An Province last week.

Dong Tam Group in collaboration with the Veteran Fund under the management of the HCMC Veteran Association granted the scholarships to kids with good school results at Dam Sen Park.

One hundred of the scholarships were awarded to students in Can Giuoc District in Long An Province. Apart from cash, the organizing committee also donated bags and stationeries to the children. This is the first time Dong Tam Group has joined hands with the Veteran Fund to carry out the scholarship program.

The Veteran Fund which was established in December 2009 aims to support poor veterans and people who had contributed to the liberation of the country. The fund also sponsors the veterans’ children who are doing well in their studies in HCMC. It has so far donated 45 houses of gratitude to poor veterans and 2,200 wheel-chairs for the disabled and Agent Orange victims.

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