Showing posts with label paintings. Show all posts
Showing posts with label paintings. Show all posts

Wednesday, February 23, 2011

Artist portrays childhood dream

Beautiful dreamer: Artist Ton That Bang. – VNA/VNS Photo Sunny Rose.

Beautiful dreamer: Artist Ton That Bang. – VNA/VNS Photo Sunny Rose.

HCM CITY — A solo exhibition titled Ky uc, La va Hoa (Memories, Leaves and Flowers) displaying 30 oil on canvas paintings by Viet-namese artist Ton That Bang has opened in HCM City.

Bang's world of art is highly symbolic in its suggestions about the mysteries of the universe. His paintings are usually dominated by child-like figures, each wearing a pair of dice at the neck like a seal or mark.

A good example of this is the work Yellow Autumn in which the dice not only dangle from the main character's neck but also swing in the air.

This suggests that destiny is tantamount to a game in which each person is moved each time the dice are cast.

The female figure in the painting lacks a neck or arms, indicating imperfection in man's comprehension of the world.

The presence of the yellow leaf, a motif seen in most of his works, reminds us of the passage of time and the ephemerality of life.

"Childhood is made of the initial years of our lives," Bang says.

"In fact, it is everlasting in memory, sub-conscious and dreams.

"The early years are a long dream and drawing the childhood is to tell a dream in a dream. It has a large range of artwork related with the childhood."

But there are almost no more reflections of society. The early days are focused on wooden horses and little girls in various postures whose dresses are sewn of leaves and skirts woven of reeds.

Bang, 48, was born in Quang Tri Province, and studied Music and Arts at the Hue College of Arts in 1986-89.

He is not a prolific painter but has held several solo and group exhibitions in Viet Nam as well as places like Hong Kong, Singapore and the US.

According to friend Dang Tien, Bang learnt drawing by himself and so does not follow any rules or style.

His paintings too do not follow common rules and are, instead, like folk paintings though with original colours and compositions, flexible and modern, with personal traits and rich decorations.

The exhibition at Phuong Mai Gallery, 129B Le Thanh Ton Street, will run until February 28.

The exhibits can also be seen online at www.vietnam-art.com.vn. — VNS

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Wednesday, December 29, 2010

‘Sharp' exhibition hits the right notes

Taking a breather: Nghi ngoi (Resting), an oil painting by Luong Luu Bien, is one of 26 works by seven artists on display at the Dau Thang exhibition at HCM City Fine Arts University's Applied Arts Centre.

Taking a breather: Nghi ngoi (Resting), an oil painting by Luong Luu Bien, is one of 26 works by seven artists on display at the Dau Thang exhibition at HCM City Fine Arts University's Applied Arts Centre.

HCM CITY — Seven HCM City artists born in the 1970s display their artistic evolution in a group show of paintings and installation works at the Dau Thang (Sharp) exhibition at the HCM City Fine Arts University Applied Arts Centre.

The name of the show, which contains 26 paintings and a sculpture, refers to a music notation that indicates a note is higher in pitch by a semitone (half step).

"It is an example of a difference in creation, meaning differences to yourself, and differences between you and others," say artists.

Artist Bui Tien Tuan said he was affected by the beauty of women, which offered him "unlimited sources of inspiration".

The 39-year-old artist's five paintings depict women in poses of innocence, sexiness and assertion.

His paintings contain traditional Vietnamese material, including silk, which is often used to express the beauty of landscapes and inner feelings.

But Tuan uses the material to highlight his ideas about the arts and women.

Tuan, a graduate of the HCM City Fine Arts University, won the silver prize at the National Fine Arts Exhibition in Ha Noi last month.

He has had several solo and group exhibitions in Ha Noi, HCM City and Seoul.

Another artist, Luong Luu Bien, has five oil paintings that depict the inner life of people.

The exhibition also highlights acrylic and oil paintings by Nguyen Son, Vo Duy Don and Phuong Quoc Tri.

Their colleague, Mac Hoang Thuong, displays seven portrait sketches, while La Huy uses wax and newspaper to create his installation work.

All seven artists have held successful exhibitions in Viet Nam this year.

The exhibition at the university's Applied Arts Centre is at No 5 Phan Dang Luu Street and runs until December 31. — VNS

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Thursday, November 11, 2010

Culture Vulture

Artist Pham Tuan Tu is one of eight artists recently selected by the Denmark Cultural Development Exchange Fund for its Talent Prize 2010. Born in 1981, Tu is a graduate of the Ha Noi University of Industrial Fine Arts and is a member of the Viet Nam Fine Arts Association's Young Artist Club. Tu spoke to Culture Vulture about his first solo exhibition and about the theme of sexual ambiguity that appears in his work.

Why do you think your work was chosen?

I get feedback from viewers, and I think that they have strange feelings when they look at my paintings. They are curious to see something which rarely appears in painting.

Of the eight painters who won, I like the most the paintings by Nguyen Xuan Hoang. His ideas and forms of expression are very particular. He puts a prosaic object (a chair) in his works but shows its particular aesthetics.

Do you usually paint on the theme of homosexuality?

I paint homosexual subjects because it attracts me. It is one of many themes I want to touch upon. Contradiction between social preconception and instinct makes for a miserable fate, especially for homosexual people.

I think that sex cannot exist as an independent entity. It is a dependent factor and is governed not only by chromosomes but by many other factors like psychology, living environment, habit and nature.

When I began to know about homosexual people, I thought unconsciously about them and their lives. I don't know what urged me try to understand them.

I'm interested in many human interest subjects. In my latest painting, In Life, which will be displayed at the coming National Fine Arts Exhibition, I looked at enjoyment. In another painting, A Memorial Afternoon, which was exhibited by the Young Painters Club last June, I depicted death, or the different ways people die. Not a bodily death, but a mental death.

I have focused on many other subjects in my exhibition.

Do you know how the lesbian and gay community responds to your work?

I have received a lot of feedback from people who have seen the paintings. I think that they should not been seen negatively, but I don't mind. My works are my individual viewpoint. I don't impose my thoughts on theirs.

This is your first solo exhibition. How do you feel about it?

I usually participate in annual exhibitions by the Viet Nam Fine Arts Association, or in groups of independent artists. So this will be the first solo exhibition in my career. It will be a good chance for me to improve myself.

I have had to think a lot about it. I didn't have a specific theme. I want to present the contradictions in modern society. I want to comprehend my individual thoughts with a view to creating new works. I will try to fully express my ideas in various forms.

How long does it take you to complete a painting? Will you sell them?

I paint very quickly. The three paintings Gay, Uni-sex and Mud were made in 2008. The painting In Front of the Mirror, I painted this year. All are acrylic on canvas. Right after finishing them, I was very satisfied with them. But that was at that time.

All the paintings are for sale. — VNS

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Friday, October 1, 2010

Painter Rung celebrates 50 years of artistic discovery

Passion for painting: Lotus Nude, oil on canvas.

Passion for painting: Lotus Nude, oil on canvas.

HCM CITY — The name of Rung is not unknown to art lovers. A graduate of the Hue College of Fine Arts in the sixties, he held his first solo exhibition organised in the former Sai Gon, now HCM City, in 1960.

Since then he has taken part in many others, sometimes solo and sometimes with friends organised in Viet Nam and the US. His works have found their way to many art collections, both at home and abroad.

Patiently following the difficult path of art, the 69-year-old has created more than 2,000 oils, watercolours, acrylics and lacquer paintings and many ceramic works over the decades.

Rung's 17 paintings in the current exhibition at Gallery Tu Do typify the different periods of his life.

"The exhibition is to celebrate my 50 years in painting," said Rung, whose real name is Nguyen Tuan Khanh.

"I continue to paint. My passion for art never fades," he added.

Rung's paintings have attracted the public with their meditative world, their alien ambience and their controversial colours and compositions.

His passions and feelings are seen through an abstract medium.

The boldness of his creations can be seen in several paintings at the exhibition.

He paints men with strong muscles and wild eyes in Nguoi Cua Bien (Men of the Sea) and describes the hard struggle of a group of people trying to free themselves from darkness to enter a bright region in Su Chien Thang Cua Tri Tue (Victory of Wisdom).

Rung praises the beauty of women and nature in several works including Khoa Than Hoa Sen (Lotus Nude) and Me Vuon Xuan (Mother of Spring Garden).

The exhibition continues at Tu Do Gallery, 53 Ho Tung Mau Street, District 1, HCM City, until next Monday. — VNS

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Sunday, September 19, 2010

Army painter receives paintings lost during war

US Ambassador to Vietnam Michael Michalak on Friday handed over three paintings, which were lost in a battle in the Central Highlands province of Kon Tum in 1968, to army painter Le Duc Tuan.

The paintings are parts of a series of 112 sketches Tuan drew when he was in the army.

Michalak spoke highly of the exchange of war objects, saying that it is a vivid manifestation of reconciliation between the two nations.

He said he hoped that the two governments would step up activities to promote the friendship between US and Vietnamese war veterans and people on the basis of mutual respect and development.

Tuan expressed his thanks to the US ambassador and former US soldier Robert B. Simpson who prevented the burning of and then preserved the sketches.

The painter presented the three paintings to the organizers of a campaign designed to collect and introduce objects and belongings related to the war.

At the ceremony, the Thanh Nien Publishing House introduced the “Painting diary returned from the other side” comprising 109 paintings Tuan got back from American war veterans in 2009.

The diary described the real, lively and romantic lives of soldiers during the resistance war against US aggressors. It also includes articles written by US reporters and specialists about the paintings as well as their journey since they were lost and then returned.

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Friday, September 17, 2010

Kids paint for a happy Mid Autumn at Hotel Equatorial

A girl admires her friends’ paintings at the exhibition that opened at the Equatorial Hotel HCMC on Tuesday - Photo: Kieu Giang
A painting exhibition with a difference named Young Painter 2010 organized by the Hotel Equatorial HCMC features artistic expressions by disabled and street children.

“We firmly believe that such an event only helps to bring out best artistic abilities of children who have gone through un-imaginable difficulties in their lives,” James Montenegro, the hotel’s general manager said.

“As this is the 13th year that the hotel has hosted this event it has already become a tradition for us,” Montenego added.

The exhibition introduces 100 colorful paintings depicting joyful moments of children in the Mid-Autumn festival and paintings of landscapes and still-lifes.

They were created by street children from the HCMC Center for Education and Vocational Training for Street Children and disabled children from Anh Minh and Hy Vong 1 School for Deaf Children, Gia Dinh Disabled Children and Thai Binh High School.

Visitors at the exhibition on Tuesaday morning said they were amazed to see how beautiful some of the paintings were.

Montenegro said all the money raised from the sale of the paintings would go to help disadvantaged children in HCMC.

All of the paintings are priced from US$40 to US$50.

To share with disabled and street children a happy Mid-Autumn festival, the Hotel Equatorial HCMC together with celebrities including actor Chi Bao, singer Hien Thuc and model Trung Cuong handed over 100 gifts of candy, moon cakes and lanterns to the schools that had contributed the paintings.

The exhibition is on display at the hotel lobby at 242 Tran Binh Trong Street, HCMC’s District 5 until September 30.

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Thursday, September 16, 2010

Kids paint for a happy Mid Autumn at Hotel Equatorial

A girl admires her friends’ paintings at the exhibition that opened at the Equatorial Hotel HCMC on Tuesday - Photo: Kieu Giang
A painting exhibition with a difference named Young Painter 2010 organized by the Hotel Equatorial HCMC features artistic expressions by disabled and street children.

“We firmly believe that such an event only helps to bring out best artistic abilities of children who have gone through un-imaginable difficulties in their lives,” James Montenegro, the hotel’s general manager said.

“As this is the 13th year that the hotel has hosted this event it has already become a tradition for us,” Montenego added.

The exhibition introduces 100 colorful paintings depicting joyful moments of children in the Mid-Autumn festival and paintings of landscapes and still-lifes.

They were created by street children from the HCMC Center for Education and Vocational Training for Street Children and disabled children from Anh Minh and Hy Vong 1 School for Deaf Children, Gia Dinh Disabled Children and Thai Binh High School.

Visitors at the exhibition on Tuesaday morning said they were amazed to see how beautiful some of the paintings were.

Montenegro said all the money raised from the sale of the paintings would go to help disadvantaged children in HCMC.

All of the paintings are priced from US$40 to US$50.

To share with disabled and street children a happy Mid-Autumn festival, the Hotel Equatorial HCMC together with celebrities including actor Chi Bao, singer Hien Thuc and model Trung Cuong handed over 100 gifts of candy, moon cakes and lanterns to the schools that had contributed the paintings.

The exhibition is on display at the hotel lobby at 242 Tran Binh Trong Street, HCMC’s District 5 until September 30.

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Tuesday, August 31, 2010

Old paintings touch a heart

Tezuka Katsuyoshi and his black cat in the Cat gallery - Photo: Thanh Hang
Tezuka Katsuyoshi was once famous for his Japanese-styled pho (beef noodle soup) on Dong Khoi Street in HCMC. But when his restaurant closed down and he opened an art gallery, the people around Katsuyoshi discovered he had another side.

Tezuka has spent 15 years living in Vietnam collecting Vietnamese works of art by the old painters, like Luong Xuan Nhi, Nguyen Sang or Nguyen Gia Tri. His four storey private gallery called Cat houses thousands of paintings and he attests to a strong affinity with them. “I must look at the paintings before I can go to bed. I must look at the paintings before I can go to sleep. I must look at the paintings before I can get drunk.”

What the gallery on Dong Khoi Street lacks in glitz it makes up for with the calm atmosphere of the East. The old paintings depict the slow pace of life of bygone days in Vietnam. They seem to communicate with us in a language lost to the rush of modern life. Asked why he feels such a deep affection with these old paintings, Tezuka answered that he was simply taken by their beauty. Love doesn’t need an explanation, he said.

Tezuka started his collection with no business aspirations – he kept his whole collection in a private storehouse and never showed it to anyone. He was satisfied to enjoy the paintings all alone, but that changed when he decided to open the gallery to the public in early 2010, as he was starting to feel old. None of the paintings in Cat gallery carries a price tag. Any customer who wants to buy one must agree on a price with Tezuka.

Sitting on a Vietnamese traditional bed, stroking a black cat and listening to the tropical storm outside, the old Japanese man rarely more than half-opened his eyes. Though he didn’t say a lot, he didn’t need to, to express the devotion he has to the paintings of Vietnam’s modern masters.

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