Wednesday, October 6, 2010

Vietnam TV all set for 1st travel channel

Vietnam Television will launch its first travel channel on VCTV-TH, its cable network this week in cooperation with the Ministry of Culture, Sports and Tourism.

VCTV-TH, to be broadcast from 6am to midnight, hopes to educate the public about the nation’s history and culture, conservation of nature, and tourism development, and attract investments in these fields.

It will have local and international content.

A 30-minute travel news capsule will initially be broadcast thrice a week before becoming a daily feature.

There will be only seven other shows daily, introducing various tourist destinations in Vietnam.

“Vietnam in Me” (Vietnam trong toi) will focus on the culture, history, geography, and characteristics of various regions.

“Bamboo Sticks” (Dua tre) will feature journeys to discover the cuisines of various lands.

“Weekend Destination” (Diem den cuoi tuan) will take viewers to the country’s most beautiful landscapes.

The channel has plans to broadcast overseas to foreign audiences in future, Nguyen Manh Cuong, deputy director of the General Department of Tourism, said.

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Japanese film week promises exciting fare

Akira Kurosawa’s “Rashomon” will be among eight films to be screened at a Japan film week to be held in Ho Chi Minh City and Nha Trang this month.

The movie, which has become a cult classic since being released in 1951, is about the rape of a woman (Machiko Kyo) and the murder of a man (Masayuki Mori), possibly by a bandit (Toshiro Mifune).

At Kyoto's crumbling Rashomon gate, several people shelter from a storm and discuss the crime which has shocked the region.

It won the Best Foreign Language Film Oscar in 1951 and the won the Golden Lion at the Venice Film Festival in 1952.

The other films to be screened are “Happy Flight”, “Tony Takitani”, “Kamikaze Girls”, “Sansho the Bailiff”, the cartoon “5 Centimeters Per Second”, “Yunagi City, Sakura Country” and “Memories of Tomorrow”.

The program is sponsored by the Japanese consulate in HCMC and the Japan Foundation.

“It will provide an opportunity for people to further understand the Japanese land, people, culture and society, from traditional to modern, through films,” the consulate said in a release.

The films will be shown from October 8 to 14 at BHD Star Cinema in HCMC’s district 10 and from 22nd to 24th at Hoang Hoa Tham cinema in Nha Trang.

Free tickets are available at the consulate in Nguyen Hue Street, HCMC, and the venue in Nha Trang.

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Hanoi’s forward-looking architecture seeks its glorious past

Architects, city planners, researchers and art historians brainstormed and envisioned the city’s new planning and renovation direction at an international architecture seminar themed "1,000 years of Thang Long-Ha Noi: Architecture Hallmarks Overtime" hosted by The Vietnam Architecture Association on October 2 in Hanoi.

The seminar aimed at exploring Hanoi’s rich and diverse architectural heritage and understanding its uniqueness as the city’s thriving and modernizing energy comes to life daily against a backdrop of ancient, colonial, neoclassic and contemporary architecture.

Attendees strived to unearth the key to the city’s current charm amidst all of its contradictions while critically looking at past planning mistakes or shortsightedness both during colonial rule and throughout more recent administrations.

Colonial authorities were particularly insolent and showed extreme disregard to the city’s architectural and cultural history which preceded them. They destroyed old citadels and relics in the center of Thang Long in the 19th century as they set on building a new administrative center.

Just as the city’s colonial administrative center was built on the foundations of Bao An ancient pagoda, Saint Joseph Cathedral was built on the foundations of Bao Thien Tower.

They also filled in the To Lich River and a series of lakes from the city’s north to the south to build a new urban center seriously offsetting the ecological balance and limiting the city’s natural drainage capacity.

More recent administrations, first faced by the tragedy of war then overwhelmed by the task of rebuilding the country, neglected some colonial architectural treasures between 1954s to the middle of 1980s causing them to suffer environmental degradation some of which irreversible.

Some colonial villas gave way to more practical infrastructure as the administration had to meet the needs a ten-fold increase of the urban population following the rural-urban exodus and a redesigned national landscape.

The new government also built a series of new uniformly-designed residential areas such as Kim Lien, Trung Tu, Giang Vo, Thanh Cong, Thanh Xuan, Nghia Do and Dong Xa which ultimately proved inconsistent with effective city planning and were considered esthetically unappealing.

A recent boom of plot-split front houses robbed the capital’s most charming streets of their character.

Skyrocketing real estate values began changing the very identities of communities in once more traditional neighborhoods as homes became financially prohibitory to many of their members.

Moreover, the construction boom the city is experiencing and the sprouting of high-rise apartment buildings is not only raising concerns for infrastructure overload, traffic jams, and increased flooding risks, but also causing Hanoi’s new urban landscape to resemble that of Seoul, Bejing and Singapore.

“In spite of historically detrimental policies and irresponsible decisions due to limited knowledge or unsustainable development practices, Hanoi is still beautiful”, Vietnam-born architect Nguyen Chi Tam, who was raised in Paris, said, as he returned to Vietnam to explore his origins.

He believes that Hanoi should follow an eco-friendly and esthetically conscious urban redevelopment path and architects should be involved in the urban planning process. Xenophilous tendencies which motivated some of Hanoi’s architectural decisions caused it to lose its soul. Tokyo’s architecture deprived of cultural identity should be a lesson learnt.

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Hanoi’s forward-looking architecture seeks its glorious past

Architects, city planners, researchers and art historians brainstormed and envisioned the city’s new planning and renovation direction at an international architecture seminar themed "1,000 years of Thang Long-Ha Noi: Architecture Hallmarks Overtime" hosted by The Vietnam Architecture Association on October 2 in Hanoi.

The seminar aimed at exploring Hanoi’s rich and diverse architectural heritage and understanding its uniqueness as the city’s thriving and modernizing energy comes to life daily against a backdrop of ancient, colonial, neoclassic and contemporary architecture.

Attendees strived to unearth the key to the city’s current charm amidst all of its contradictions while critically looking at past planning mistakes or shortsightedness both during colonial rule and throughout more recent administrations.

Colonial authorities were particularly insolent and showed extreme disregard to the city’s architectural and cultural history which preceded them. They destroyed old citadels and relics in the center of Thang Long in the 19th century as they set on building a new administrative center.

Just as the city’s colonial administrative center was built on the foundations of Bao An ancient pagoda, Saint Joseph Cathedral was built on the foundations of Bao Thien Tower.

They also filled in the To Lich River and a series of lakes from the city’s north to the south to build a new urban center seriously offsetting the ecological balance and limiting the city’s natural drainage capacity.

More recent administrations, first faced by the tragedy of war then overwhelmed by the task of rebuilding the country, neglected some colonial architectural treasures between 1954s to the middle of 1980s causing them to suffer environmental degradation some of which irreversible.

Some colonial villas gave way to more practical infrastructure as the administration had to meet the needs a ten-fold increase of the urban population following the rural-urban exodus and a redesigned national landscape.

The new government also built a series of new uniformly-designed residential areas such as Kim Lien, Trung Tu, Giang Vo, Thanh Cong, Thanh Xuan, Nghia Do and Dong Xa which ultimately proved inconsistent with effective city planning and were considered esthetically unappealing.

A recent boom of plot-split front houses robbed the capital’s most charming streets of their character.

Skyrocketing real estate values began changing the very identities of communities in once more traditional neighborhoods as homes became financially prohibitory to many of their members.

Moreover, the construction boom the city is experiencing and the sprouting of high-rise apartment buildings is not only raising concerns for infrastructure overload, traffic jams, and increased flooding risks, but also causing Hanoi’s new urban landscape to resemble that of Seoul, Bejing and Singapore.

“In spite of historically detrimental policies and irresponsible decisions due to limited knowledge or unsustainable development practices, Hanoi is still beautiful”, Vietnam-born architect Nguyen Chi Tam, who was raised in Paris, said, as he returned to Vietnam to explore his origins.

He believes that Hanoi should follow an eco-friendly and esthetically conscious urban redevelopment path and architects should be involved in the urban planning process. Xenophilous tendencies which motivated some of Hanoi’s architectural decisions caused it to lose its soul. Tokyo’s architecture deprived of cultural identity should be a lesson learnt.

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Revellers enjoy the capital city by night

by Ha Nguyen

LIght show: Thap Rua (Turtle Tower) is more sparkling and fanciful these day to welcome the city's 1,000th anniversary. — VNA/VNS Photo Doan Tung

Light show: Thap Rua (Turtle Tower) is more sparkling and fanciful these day to welcome the city's 1,000th anniversary. — VNA/VNS Photo Doan Tung

The clock is continuing to count down to the grand ceremony for Ha Noi's 1,000th anniversary on October 10, and the city is bustling with animation, colourful lights and symbols of the city's history.

Many people in Ha Noi want to soak up the rare atmosphere of the celebration and capture memories of the event in their photos, while others are rediscovering their love for the city by wandering around it by night.

"Hoan Kiem Lake is sparkling with LED lights, and the Turtle Tower is more fanciful during the night," said Ha Huu Vu from Ha Noi's Hai Ba Trung District. Vu and his friends made a tour through a night in the capital city on Saturday.

Vu's friend Quoc Viet sat on a stool drinking iced tea from a sidewalk tea vendor and talking with others, a long-standing pleasure of Ha Noi.

"Sitting on the sidewalk and talking to your friends is a young person's pleasure, too," said Viet. "I like to sit here and enjoy the city life and the simple sounds of the local people."

Vu's other friends Quang Thang and Dinh Hung decided to join a music night that praised Ha Noi through 40 well-known singers of the revolutionary music.

" Although hearing time and again, we are still interested in songs about Ha Noi's history and its profound beauty as well as the elegant lifestyle of the capital's residents," said Thang.

Meanwhile their other friend Huy Hung led a group of five to the Long Bien Bridge, which has long become a symbol of the city and has been lit up like a dragon across the Hong (Red) River. At night, drink and snack vendors set up shop along the length of the bridge.

"When we arrived, a crowd of people was already there enjoying the river even though it was 1am," said Hung.

At 2am, Vu and his friends returned to the inner city to eat nem chua ran (fried fermented-pork) and hot bun rieu cua (spicy noodles with crayfish) on Tong Duy Tan Street, which also known as "Food Street". The street was also bustling at this late hour, with people jostling to park their motorbikes and piling into shops for the delicious dishes.

Continuing their night odyssey, Vu's group drove their motorbikes past Tran Vu Temple near West Lake and then on to the ancient citadel of Hoang Thanh at the intersection of Phan Dinh Phung and Nguyen Tri Phuong streets. They also drove up O Quan Chuong, Cua Nam and Cua Bac streets.

"We are really impressed by the light decorations on Dien Bien Phu Street which represent 1,000 years of the nation's civilisation, with images of harps, bronze drums and the bamboo of Saint Giong, down to the time of Ho Chi Minh and a capital city of peace, with pigeons flying," said Vu. — VNS

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President unveils enormous statue

 
 
President Nguyen Minh Triet and monks of the Viet Nam Buddhist Sangha dedicate the statue of Saint Giong. – VNA/VNS Photo Nguyen Khang

President Nguyen Minh Triet and monks of the Viet Nam Buddhist Sangha dedicate the statue of Saint Giong. – VNA/VNS Photo Nguyen Khang

 
Certified: Beatriz Fernandez (right), the international licensing manager of Guinness World Records, presents a Guinness record certificate to Ha Noi yesterday. — VNA/VNS Photo Nhat Anh

Certified: Beatriz Fernandez (right), the international licensing manager of Guinness World Records, presents a Guinness record certificate to Ha Noi yesterday. — VNA/VNS Photo Nhat Anh

 
Ceramics: Visitors look at ceramic items displayed at Bat Trang Pottery Village in Gia Lam District, where an exhibition runs through October 9. — VNS Photo Truong Vi

Ceramics: Visitors look at ceramic items displayed at Bat Trang Pottery Village in Gia Lam District, where an exhibition runs through October 9. — VNS Photo Truong Vi

HA NOI — An unveiling of the 85-tonne bronze statue of Saint Giong on top of Soc Mountain in Soc Son District yesterday was described as one of the most important events in celebrations for the 1,000th anniversary of Ha Noi.

The 14.2m statue was described as a symbol of the Vietnamese people's tradition of fighting to save the country. It features the legendary hero on his metal horse flying off into the sky after fighting against northern invaders.

Addressing the unveiling ceremony, President Nguyen Minh Triet praised the great contribution of the legend of Saint Giong in the defence of the country from foreign invasion.

"Mentioning Saint Giong is referring to patriotism and the Vietnamese people's deep hatred of foreign invaders," Triet said. "Saint Giong's strength also symbolises the extraordinary strength and strong will of the Vietnamese people. That's the meaning of [President Ho Chi Minh's sentence] ‘nothing is more valuable than independence and freedom'."

Triet said the very strength which had encouraged Vietnamese people to overcome all challenges, had pushed the "Viet Nam ship" to a glorious shore.

He stressed that the statue would be a reminder to future generations to preserve the achievements of previous generations. At the same time it would be an encouragement for people to make greater efforts in studying, working and safeguarding the nation, he said.

The statute, from the design of sculptor Nguyen Kim Xuan, had been under construction since late 2007 at the total cost of VND50 billion (US$2.6 million), which had been provided by private local sponsors.

The legend has it that Saint Giong was a three-year-old child living in the northern province of Bac Ninh under King Hung VI (around 500BC), when he responded to a call from the king to fight against the northern invaders, and suddenly grew up into a strong man to join the battle.

After seeing off the invaders, he took off his metal armour and flew into the sky on his metal horse from the top of the mountain.

Since then the local community has organised a festival every year between the 6th and 12th day of the fourth lunar month to commemorate the event. The festival has been nominated to UNESCO for recognition as an intangible cultural heritage. UNESCO's decision is expected this year.

Guinness certificate

A section of the Ceramic Road along the Hong (Red) River dyke in Ha Noi received a Guinness certificate yesterday for the longest ceramic mural in the world.

The mural is on the section of the road running along 810m of the dyke from An Duong to Tan Ap on Yen Phu Road and covers a total of 1,570sq.m.

It's part of a longer ceramic mural which runs 3,950m from An Duong to the Van Kiep gates of the dyke, measuring 7,000sq m, in 21 parts covering various topics.

Beatriz Fernandez, the international licensing manager at Guinness World Records, represented the organisation at the recognition ceremony.

People's Committee deputy chairwoman Ngo Thi Thanh Hang said the city acknowledged the goodwill of artists involved in the project, including 20 Vietnamese artists and 15 foreign artists from 10 countries, 500 Vietnamese and overseas children, 50 fine arts students and more than 100 ceramic handicraft artisans and workers from all over the nation.

The work has been in progress since March 2007, using the best ceramic materials from villages throughout the country, such as Bat Trang, Phu Lang, Chu Dau, Binh Duong, Vinh Long and Bau Truc.

Music, martial arts, kites

A music gala attracted thousands of people to Hang Day Stadium yesterday.

The show was staged as a story, telling about Ha Noi from the past to the present day through songs.

A martial arts festival also began yesterday and will end tomorrow at the Quan Ngua Sports Palace.

The festival has attracted about 2,500 martial artists from 21 domestic clubs performing 50 different styles, plus guest teams from such countries as Israel, Russia, German and France.

The festival is the first of its kind in Ha Noi in the 22-year history of the development of martial arts in the country.

A new cultural venue for hosting artists' activities was opened in Cau Giay District.

Called the Intellectual Palace, it comprises two buildings on 6,700sq m land, which will host the offices of the city's Literature and Arts Association and the Union of Science and Technology Associations.

The Ha Noi Kite Festival kicks off today to celebrate the capital's millennium anniversary.

The festival at My Dinh Stadium square on Le Duc Tho Street would run into the night with 124 Vietnamese artists, said Ngo Hong Tien from the Ha Noi Department of Culture, Sports and Tourism. — VNS

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Jazzy Trebeka returns to Le Club

Trebeka’s comeback will spice up Le Club for a four month residence - Photo: The Sofitel Legend Metropole Hanoi
French jazz singer Trebeka said, “au revoir,” to Le Club at the Sofitel Legend Metropole Hanoi last time she was here and as promised she has returned for Vietnam’s birthday of birthdays, the millennium celebration.

From October to January 31, Trebeka stages her renditions of jazz favorites to enliven Le Club and the lower halls of the luxury hotel, where guests enjoy wining and dining over candlelight. As always, her performances promise to be thrilling.

Trebeka will be on the stage every night except Mondays for her show from 8:45 p.m. until late. Her soulful voice will immerse guests in sensual moments of sweet music.

Born in France, Trebeka grew up in a multi-ethnic and multi-talented family and has indulged in different stages of expression from her family’s artistic repertoire covering literature, music and professional dancing.

At the age of 18, Trebeka won the heart of jazz enthusiasts in Parisian jazz clubs and local festivals for her melodious voice and unique blending of European, Asian and African music elements.

With over 300 annual gigs around the world, Trebeka has shot to popularity as the resident singer at the luxurious Burj Al Arab Hotel in Dubai and the Grand Hyatt Hotel in Shanghai, as well as a regular performer at international jazz festivals and jazz clubs.

Trebeka’s strong desire to further explore the continent of Asia has urged her back to Hanoi to excite domestic and expatriate jazz lovers and to enjoy what is on offer for her in this country. “I promised last time to return and experience the traditional customs and delicious Vietnamese food for a second time,” she said.

Known as the classiest house of jazz in Hanoi, Le Club attracts audiences with its stylish French decorative touches and outstanding jazz vocalists from all over the globe. Australian-born Tita Farrar, American Andromeda Turre, Hlulani Hlangwane from South Africa, and French performers Nadia Cambours and Isabelle de Valvert are just a few names.

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