Showing posts with label films. Show all posts
Showing posts with label films. Show all posts

Saturday, February 19, 2011

Short films displayed at Himiko Cafe

Himiko Visual Café will host a week of short films called “The beginning frames” by young director Tran Ly Tri Tan from February 17 to 25. There will be a party on opening night starting at 6pm at Himiko Café, 324Bis Dien Bien Phu Street, District 10, HCMC. Four short films and a trailer will be shown in the following week from 6 p.m. to 8 p.m. All will have English subtitles.

Tran Ly Tri Tan born 1982, a 2009 graduate of HCMC University of Theater & Cinema, made the short films about people that inspire him.

“I’m obsessed with many things in this life: a handicapped prostitute, a barber working in a hospital, a boy with a dream about magic, a bald visual artist… Those obsessions demand expression and I retell the stories in the film frames. I call them the beginning frames.”

The movies have all been made since 2008.  “Cut” (Cat) – the film about a life of a barber - was screened at the San Diego Asian Film Festival (US) and “The boy who saw fire” (Dua be nhin thay lua) – a documentary about the visual artist Nguyen Kim Hoang – appeared at the International Film Schools Festival (France) in 2009.

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Monday, January 24, 2011

Downloads cast gloom over CD market

HCM CITY — Pirated CDs have been an expanding business in Viet Nam for many years now, but they have run into a redoubtable opponent – the Internet.

The Sai Gon Giai Phong (Liberated Sai Gon) newspaper reports that with downloads of music, films, serials or comedy shows freely available for free, both the original and pirated CDs are stuck in a deepening market gloom.

The strong development of internet in recent years has seen more and more people choose to surf the worldwide web for their entertainment needs – listening to music and/or watching films. They can also download the music and films they like to their mobile phones and computers.

A growing number of websites have been set up to meet the demand for "free art" among the public.

These websites upload quickly the latest music and film productions to share with the internet community.

The owner of a big disc shop on Tran Hung Dao Street in District 5, said: "The economic difficulties and new habit of downloading film and music free from the internet has made our business slow. However, we still have new products to sell wholesale and to our regular customers."

Other CD shops in several districts, including the Huynh Thuc Khang market, a well-known hub for the business – are also wearing a deserted look.

The merchandising of pirate discs could have cooled off because the city police have discovered many cases and seized a lot of the copies, but this by itself cannot explain the current market situation, the newspaper said.

Huynh Tiet, director of Ben Thanh Audio, said: "We have launched some records of singers Cam Ly, Quoc Dai, Xuan Phu and Nhat Kim Anh in recent years. But it is a way to keep the trade name going, no more no less."

It is a reality that no record company would dare spend money on producing because it would only hasten their "death", Tiet explained.

"Authorities should have more effective means of preventing piracy of CDs for us to continue producing records," Tiet said.

A CD-VCD-DVD product with around 10 tracks takes between VND110 million and 300 million to produce, which means that at current retail market prices of VND40,000 each, between 3,000 and 7,000 copies have to be sold just to break even.

Since the margin is so thin, piracy makes losses inevitable, he said.

A director of the Trung Duong Audio company who wanted to remain unnamed, said: "Most record companies seem to be paralysed now due to piracy and the internet. Also, the music market is approaching saturation point. Moreover, well-known singers are establishing their own labels.

When a record company wants to produce, they dare not invite these famous singers because they know very well they have to spend a lot but recoup their money in dribs and drabs."

In this tough situation, record companies are not only trying to bring out new CDs to maintain their trade name, but are also finding new ways to develop.

The Phuong Nam Film company, which has a nationwide distribution network, has stepped up business focusing on entertainment films for children.

A company representative, Minh Duc, said: "While music is losing its position, films are attracting the interest of people."

The two main production lines for Phuong Nam in recent times are imported and Vietnamese films, Duc said.

With imported films, the company plans to launch high quality DVDs very quickly, within a month after their release in the US, at reasonable prices, even cheaper than some original CDs of Vietnamese singers.

The company has launched in the market a collection of 50 Vietnamese films for around VND40,000-100,000 each that have attracted a huge number of customers.

However, just one firm, Phuong Nam Film, is not enough for the original CD market to flourish, the newspaper wrote.

It is the reluctance of producers to invest that is making the market gloomier every day.

With a more or less entrenched piracy industry, and the internet joining the fray, however, there is no easy way to remove this reluctance, the report said. — VNS

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Tuesday, December 28, 2010

Vietnamese Student wins online short film festival

“Thinking of You” by Vietnamese-American Vu Quang Huy has won the Golden Heart prize for best film at YxineFF, Vietnam's first online short film festival.

The chemical biology student from the University of California (UC) also received prizes for best director and best cinematography at a ceremony held at Ho Chi Minh City's BHD Cinema Star Sunday.

American student of the UC, Christy Yang won the prize for best actor.

Huy's film, produced in 2009, is a vignette about a quirky flower-shop girl and the elusive "object" of her desire.

He is polishing the script for a movie version of the film he hopes to make in the next two years.

The five-minute version also won the Audience Award at Hidden Genius, a short film competition sponsored by the Vietnamese-American Arts and Letters Association.

It has been screened at various festivals like the Vietnamese International Film Festival and San Diego Film Festival.

At the YxineFF, animated film The Journey Unknown by Do Dang Thuong of HCMC grabbed the best script and best film editing prizes.

The 4-minute-40-second film depicts the journey of an unnamed, faceless character that jumps out of a book's page through the book that takes it through heaven, destruction, urbanization, and war.

Thuong said he actually created the character and background from paper before resorting to stop motion, an animation technique.

The film is the 23-year-old's first production and was screened at the Future Shorts Festival, which is organized by the global short film community, held in Vietnam last year.

The organisers of YxineFF, the Sai Gon Media Company and local film aficionados, gave away the Red Heart prize for best film chosen by audiences to L.O.V.E by Vu Ngoc Phuong, an overseas Vietnamese from the Philippines.

Up in the Tree, directed by Bui Quoc Thang of Hanoi, won the New Heart prize for the film with creative and new ideas.

All the award-wining films can be watched at the festival's website at www.yxineff.com.

The festival, which was launched in May, aims to broaden the independent film-making community in Vietnam and offer local film-makers an opportunity to promote their works worldwide.

It showed 20 films in the Competition category for 10-minute films, 21 films in the Panorama category for 30-minute shorts made in the last three years, and 12 films made by young directors in the In Focus category.

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Student wins online short film festival

Best cuts: Scenes from The Journey Unknown by Do Dang Thuong of HCM City grabbed the best script and best film editing prizes. — File Photo

Best cuts: Scenes from The Journey Unknown by Do Dang Thuong of HCM City grabbed the best script and best film editing prizes. — File Photo

HCM CITY — Thinking of You by Vietnamese-American Vu Quang Huy has won the Golden Heart prize for best film at YxineFF, Viet Nam's first online short film festival.

The chemical biology student from the University of California (UC) also received prizes for best director and best cinematography at a ceremony held at HCM City's BHD Cinema Star on Sunday.

American student of the UC, Christy Yang won the prize for best actor.

Huy's film, produced in 2009, is a vignette about a quirky flower-shop girl and the elusive "object" of her desire.

He is polishing the script for a movie version of the film he hopes to make in the next two years.

The five-minute version also won the Audience Award at Hidden Genius, a short film competition sponsored by the Vietnamese-American Arts and Letters Association.

It has been screened at various festivals like the Vietnamese International Film Festival and San Diego Film Festival.

At the YxineFF, animated film The Journey Unknown by Do Dang Thuong of HCM City grabbed the best script and best film editing prizes.

The 4-minute-40-second film depicts the journey of an unnamed, faceless character that jumps out of a book's page through the book that takes it through heaven, destruction, urbanisation, and war.

Thuong said he actually created the character and background from paper before resorting to stop motion, an animation technique.

The film is the 23-year-old's first production and was screened at the Future Shorts Festival, which is organised by the global short film community, held in Viet Nam last year.

The organisers of YxineFF, the Sai Gon Media Company and local film aficionados, gave away the Red Heart prize for best film chosen by audiences to L.O.V.E by Vu Ngoc Phuong, an overseas Vietnamese from the Philippines.

Up in the Tree, directed by Bui Quoc Thang of Ha Noi, won the New Heart prize for the film with creative and new ideas.

All the award-wining films can be watched at the festival's website at www.yxineff.com.

The festival, which was launched in May, aims to broaden the independent film-making community in Viet Nam and offer local film-makers an opportunity to promote their works worldwide.

It showed 20 films in the Competition category for 10-minute films, 21 films in the Panorama category for 30-minute shorts made in the last three years, and 12 films made by young directors in the In Focus category. — VNS

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Friday, December 3, 2010

Brazilian film week in Hanoi

A week-long festival of Brazilian films starts on Saturday (Dec.4) at the National Cinema Center in Hanoi till Dec.10.

Brazilian cinema started in 1889 with the Rio de Janeiro based film-maker, Afonso Segreto. Since then Brazil has made a name for producing comedies in the 1950s, musical animations and films influenced by the French New Wave of the 1960’s.

The festival which is called “Panorama of Brazilian Movies” will screen seven films that are suitable for all ages including Romance; Os desafinados (Out of Tune ); O auto da compadecida (The Passion of Christ); Meu nome nao e Johnny (My Name is Not Johnny); Noel, o poeta da Vila (Noel-The Samba Poet); Dois filhos de Francisco (Two Sons of Francisco); and the documentary Peoes (Metal Workers) by Eduardo Countinho about the labor strikes of 1979-1980.

All films will be screened in Portuguese with Vietnamese subtitles. Free tickets are available at National Cinema Center, 87 Lang Ha Street, Hanoi or at the Brazilian Embassy, The Apartment T-72, 12 Thuy Khue Street in Hanoi.

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Thursday, November 18, 2010

Rare documents archivist honoured

HA NOI — Historical researcher Phan Thuan An has received a commemorative insignia for his archiving career presented by the State Records and Archives Department of Viet Nam.

"National Archives Centre 1 has carried out the arrangement and stored all the rare documents provided by Phan Thuan An," said department's director, Vu Thi Minh Huong.

An has provided two original records and 86 copies of records of the reign of King Bao Dai (1926-1945), some of which detail the past sovereignty of the national sea and islands.

At present, An is the only Hue researcher whose name is listed in the Wikipedia Encyclopedia. His studies have been translated into many languages and stored in international libraries.

A similar insignia will also be given to Pham Van Khoi, who is storing 15 royal conferments under the Nguyen dynasty.

Miss Earth proceeds go to flood victims

BINH THUAN — The organising board of Miss Earth 2010 has decided to donate nearly VND2 billion (US$100,000) to the flood victims of the central provinces, including Binh Thuan, Khanh Hoa, and Quang Nam.

During the traditional costume night, contest representatives gave VND300 million ($15,300) to flood victims. The rest will be given during the gala nights held in Nha Trang, Phu Yen and Quang Nam.

No charge to view historical movies

HA NOI — Four historical films will be shown for free to celebrate the Viet Nam Fatherland Front's 80th birthday.

The movies, namely Sai Gon Liberation, The White Silk Dress, Don't Burn and The Fate of a Songstress in Thang Long, all focus on war and ethnic solidarity. They will be shown daily at 8pm from November 18 to 21 in the National Cinema Centre.

Environment films to be awarded

HA NOI — The best films about the environment will be awarded at the 4th National Environment Film Awards in December.

The Ministry of Environment and Natural Resources in co-operation with Viet Nam Television and the Viet Nam Cinematography Association launched the awards held every three years.

The films have been in the works since 2008 and fall into various categories like documentary, science, reporting, cartoon and feature films.

A special prize, Geen Viet Nam, and many others, will be awarded. — VNS

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Thursday, October 21, 2010

Culture Vulture

Acclaimed Australian filmmaker Phillip Noyce, 60, is in Viet Nam to chair the jury board of the first Viet Nam International Film Festival. He sat down with Culture Vulture on the sidelines of the event.

You came to Viet Nam to film The Quiet American. Now you return as chairman of the jury board of the first Viet Nam International Film Festival. How does that feel?

A decade has passed by since I came to Viet Nam to make The Quiet American. For me, it's a wonderful experience and honour to be here once again. Meeting old friends like director Dang Nhat Minh and actress Do Hai Yen who enthusiastically helped me to produce the film is a privilege, a big present.

During my days in Ha Noi, I will have a chance to get acquainted with other directors and filmmakers to share ideas, exchange experiences and confirm our common passion for the Seventh Art which has the power of a bridge and helps overcome barriers of language and culture. It connects people through the charm of the silver screen.

Viet Nam has two films in the Best Feature Film category, and many new entries which are arranged in Viet Nam Premier Showcase and Viet Nam Cinema Today. Have you been patient enough to watch all of the Vietnamese films screening at the festival?

The jury's screening schedule for official competition is full now, but I promise that I will try to watch Vietnamese films until I collapse.

I'm looking forward to enjoying new Vietnamese films made in 2010, films competing in international film festivals, and current impressive films on at Vietnamese cinemas. Seeing these films will help me realise the changes and development in the Vietnamese movie industry.

I have tried kept a close eye on your cinema over the last decade. I would like to help develop your cinema but have few chances to see it. The only Vietnamese film I've seen is Pao's Story. The other film being promoted in Australia that I saw was Inferno, directed by Vietnamese-born Victor Vu.

I live and work in Australia and the US, where I have only a few opportunities to see Vietnamese films. That's the reason I'm present at this festival. There was a big gap between the movie and audiences when I directed The Quiet American. Now, there are now more and more young directors, and larger audiences, who buy the tickets.

As chairman of the jury board, what can you tell us about the criteria for selecting the best films?

Films geared towards social issues and people will be promising candidates for the top prize. The jury board also highly appreciates films with new, interesting, creative and amazing angles. The members of the jury met each other for the first time at the festival, but it's expected that we will have the same feeling and idea to grant prizes for worthy entries.

I want to tell a story about when I joined the jury at the Sydney International Film Festival in 1994. I remember that among thousands of films presented, there were hundreds nominated, and due to the large amount of films, I paid attention to films made by famous directors. However, I was surprised by Dang Nhat Minh, a Vietnamese director who wasn't famous at the time. His film Tro Ve (The Return) impressed me.

Film festivals are opportunities to discover new talents. I hope that I will find other directors like Minh at this festival.

Southeast Asian cinema is being showcased at this festival. What do you think about the focus on regional films?

It is very interesting to see films and gain a deeper knowledge of movie industries in Southeast Asia. I want to learn about the region's culture, which is expressed by the region's filmmakers, through the film festival.

The movie industries of different nations have different visions of the world. We may ask how the films are made, what the filmmakers' interests are. I think there will be films which reveal their own culture and country's historical stories, although sometimes it isn't easy to understand their messages. But the film's values come from the inside – how do you feel after watching it?

When the festival ends, do you have any other plans in Viet Nam?

I will stay in Ha Noi for two days after the festival to join lectures and seminars with young filmmakers. Then I have another two days working in HCM City. At the seminars, I will share my experience in making films such as Salt and The Quiet American. I'm ready for questions relating to these films. Through the meetings, I expect that I will do something to help Vietnamese filmmakers connect with foreign film industries. I also want to exchange and talk with the younger generation who have a passion for films and willingness to devote themselves to the film industry. Young filmmakers are a very important force for the future of the nation's cinema. — VNS

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Monday, October 18, 2010

Australian director ‘keeps eye’ on Vietnam cinema

Phillip Noyce, director of “The Quiet American” is in Vietnam for a second time, eight years after he was first here to direct the film, to head the jury at the inaugural Vietnam International Film Festival from October 17 to 21.

He spoke to Tuoi Tre as soon as he landed at Noi Bai airport in Hanoi.

As the head of the feature film jury, what is your main goal?

I would like to honor true values and new cinema talents, and have a chance to watch films at the VNIFF.

What do you think about the first VNIFF’s aim of showcasing Southeast Asian cinema which is not well known globally?

It is very interesting to see films and have a deeper knowledge of movie industries in Southeast Asian countries. I do want to learn about the region’s culture, which is expressed by the region’s filmmakers, through the film festival.

Movie industry of different nations have different visions of the world. We may ask that how the films are made, what the filmmakers’ interest is. I think there will be films which reveal their own culture and country’s historical stories though sometimes it not easy to understand their messages. However, the film’s values come from the inside – how do you feel after watching it?

What is your expectation for Vietnamese films?

I am waiting to see Vietnamese films made in 2010, films competing in international film festivals, and current impressive films on Vietnamese cinemas.

Seeing these films will help me realize the changes and development in Vietnamese movie industry. I always keep a close eye on your cinema for the last eight years. I would like to help develop your cinema but I have few chances to see it. The only Vietnamese film I’ve seen is “Pao’s story.” The other film being promoted in Australia that I saw was “Inferno” directed by Vietnamese-born Victor Vu. I live and work in Australia and the US, where I have only a few opportunities to see Vietnamese films. That is the reason I am present at the festival. Besides seeing and judging films at the festival, I’ll give two lectures at the Vietnam Cinema Association on October 22 and 23 before coming to Ho Chi Minh City. I hope I can connect Vietnamese filmmakers with foreign ones.

There was a big gap between the movie and the audiences when I directed “The Quiet American.” However, there are now more and more young directors, and even audiences, who buy tickets.

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Wednesday, October 6, 2010

Japanese film week promises exciting fare

Akira Kurosawa’s “Rashomon” will be among eight films to be screened at a Japan film week to be held in Ho Chi Minh City and Nha Trang this month.

The movie, which has become a cult classic since being released in 1951, is about the rape of a woman (Machiko Kyo) and the murder of a man (Masayuki Mori), possibly by a bandit (Toshiro Mifune).

At Kyoto's crumbling Rashomon gate, several people shelter from a storm and discuss the crime which has shocked the region.

It won the Best Foreign Language Film Oscar in 1951 and the won the Golden Lion at the Venice Film Festival in 1952.

The other films to be screened are “Happy Flight”, “Tony Takitani”, “Kamikaze Girls”, “Sansho the Bailiff”, the cartoon “5 Centimeters Per Second”, “Yunagi City, Sakura Country” and “Memories of Tomorrow”.

The program is sponsored by the Japanese consulate in HCMC and the Japan Foundation.

“It will provide an opportunity for people to further understand the Japanese land, people, culture and society, from traditional to modern, through films,” the consulate said in a release.

The films will be shown from October 8 to 14 at BHD Star Cinema in HCMC’s district 10 and from 22nd to 24th at Hoang Hoa Tham cinema in Nha Trang.

Free tickets are available at the consulate in Nguyen Hue Street, HCMC, and the venue in Nha Trang.

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Thursday, September 16, 2010

Hanoi Polish film festival to mark 60 years of ties

taraka
Sweet Rush (Polish: Tatarak)

Five films will be screened at a Polish film festival to be held in Hanoi from September 19 to 23 to mark the 60th anniversary of the establishment of diplomatic ties between Vietnam and Poland.

Among them will be “Sweet Rush” (Polish: Tatarak), directed by the world-renowned auteur Andrzej Wajda, which chronicles the love affair between the neglected wife of a doctor whose two sons died in World War II and a man half her age.

The film won the Alfred-Bauer prize for innovation at the 59th Berlin International Film Festival last year.

The other films to be screened are “How to live,” “Mr Kuka’s advice,” “God’s little village,” and “Time to die.”

Poland has chosen these films to introduce to Vietnamese audiences its people and culture, Lai Van Sinh, head of the Cinematography Department, said.

Polish cinema is considered among the best in Europe and the world, he added.

The films will be screened at the National Cinema Centre where the films’ directors, actors, and producers will hold exchanges with audiences.

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Hanoi Polish film festival to mark 60 years of ties

Five films will be screened at a Polish film festival to be held in Hanoi from September 19 to 23 to mark the 60th anniversary of the establishment of diplomatic ties between Vietnam and Poland.

Among them will be “Sweet Rush” (Polish: Tatarak), directed by the world-renowned auteur Andrzej Wajda, which chronicles the love affair between the neglected wife of a doctor whose two sons died in World War II and a man half her age.

The film won the Alfred-Bauer prize for innovation at the 59th Berlin International Film Festival last year.

The other films to be screened are “How to live,” “Mr Kuka’s advice,” “God’s little village,” and “Time to die.”

Poland has chosen these films to introduce to Vietnamese audiences its people and culture, Lai Van Sinh, head of the Cinematography Department, said.

Polish cinema is considered among the best in Europe and the world, he added.

The films will be screened at the National Cinema Centre where the films’ directors, actors, and producers will hold exchanges with audiences.

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Polish films to entertain Ha Noi audience

HA NOI — Five newly produced films by Polish directors will be screened at the Ha Noi Cinema Centre, 87 Lang Ha Street, from this Sunday to next Thursday as a cultural exchange between the two countries.

The films include Fuka's Advice by director Dariuz Gajewski, God's Small Village by Jacek Bromski, Before the Sunset by Jacek Blawut and Time to Die by Dorota Kedzierzawska.

All the screenings will be at 7.30pm and 8pm. Tickets free at the cinema centre.

Up to 74 Quang Nam relic sites in ruins

QUANG NAM — As many as 74 historic sites in the central province of Quang Nam are in ruins, the provincial Relic Sites Department says.

Thirty-four others were in serious condition with no financial source for upgrading.

Japanese pianist Koyama to perform in Ha Noi

HA NOI — Japanese pianist Michie Koyama will give a solo concert entitled Beethoven Cycle at the Ha Noi Opera House on Friday and Sunday.

Koyama, who started to play piano at age 5, won the fourth prize at Frederic Chopin piano contest in Warsaw in 1985.

She has performed in Europe and America.

HTV show backs bright students with scholarships

HCM CITY — A reality show that identifies and supports talented students has begun on HCM City Television's channel 9 on Wednesdays.

The first episode of Vi Hat Giong Viet (For Vietnamese Talents) yesterday featured Luu Nguyen Hong Quang, winner of this year's National Chemistry Competition.

The 10-minute show, produced by Sai Gon Film Joint-Stock Company and HTV, will feature an outstanding student every week and provide them scholarships. — VNS

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Thursday, September 9, 2010

Hanoi’s first international film festival

A scene in the film Choi Voi by director Bui Thac Chuyen
The first ever Vietnamese International Film Festival will take place in Hanoi from October 17 to 21 to mark the 1,000th anniversary of Thang Long-Hanoi, reports the Vietnam News Agency.

Le Ngoc Minh, the deputy head of Vietnam’s Cinematography Department under the Ministry of Culture, Sports and Tourism, announced the festival on September 7 saying the festival would focus on Asian cinema.

Minh said the festival would promote cultural exchanges and cooperation between international and regional filmmakers by screening the latest films from across Southeast Asia.

Feature films, short films and documentary films produced in 2009 or 2010 that have not been screened abroad before or not been screened in Asia before October 21 can enter. Entries must have not been screened on TV or internet. There will be 10 feature films, 10 documentary films and 10 short films selected.

Films that don’t qualify for the festival will be screened on “World cinematography on Wednesday” or “Contemporary Vietnamese films”.

The judging panel will include five members for feature films, three for short, documentaries and cartoon films and three for the Network of the Promotion of Asian Cinema section. Among them are Vietnamese directors including feature film director Dang Nhat Minh, documentary film director Bui Dinh Hac and film critic Ngo Phuong Lan.

There will be a total of eight prizes awarded, including best feature film, best short film, best documentary, best director, best actor and actress and a prize of the Network of the Promotion of Asian Cinema, plus a media prize.

During the five-day event, there will be three seminars on Vietnam’s film industry. An exhibition of photos, an open air film screening and a meet and greet with actors and filmmakers will also be held.

The opening and closing ceremonies of the festival will be at the National Convention Center in Hanoi and will be broadcast live on VTV3.

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Friday, September 3, 2010

60 Years of German Cinema continues in Hanoi

The Nasty girl
The Nasty Girl (German: Das schreckliche Mädchen) is one of the seven films to be screened at the Goethe Institute in Hanoi in September

Seven German films from the 1990s will be screened in Hanoi from September 6 to 15 as part of a continuing program on 60 years of filmmaking in that country since World War II.

The program, 60 Years of German Cinema, began in January and has been showing films every two months representing each decade since the 1950’s.

The 1990’s saw the reunification of East and West Germany with all its attendant problems.

The seven films to be screened -- at the Goethe Institute, also the organizer of the event -- are “German, German,” “The Blackest Heart,” and “The Nasty Girl” (all 1990), “Ostkreuz” (1991), “After Five in the Forest Primeval” (1995), “Beyond Silence” (1996), and “Run Lola Run” (1998).

The Nasty Girl (German: Das schreckliche Mädchen) is a cult film based on the true story of Anna Rosmus of Passau, Bavaria.

In 1990 it won New York Film Critics Circle Awards for Best Foreign Language Film. In 1991 it was nominated for the Oscar and Golden Globe Awards as Best Foreign Language Film.

In 1992 it won the BAFTA Award for Best Film not in English.

The free screenings will be at 7: 30 pm every day and passes are available at the institute, 56 – 58 Nguyen Thai Hoc Street.

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Thursday, September 2, 2010

Belgian film director lectures on documentaries

film

The renowned Belgian film director Thierry Michel will teach Vietnamese directors and cinematography students how to make documentary films at a five-day training course, starting on September 6.

The course has been jointly sponsored by the Wallonie-Bruxelles delegation to Vietnam and Vietnam’s National Documentary and Scientific Film Studio, as part of an ongoing program of cooperation.

The course will help the trainees to analyze Vietnamese and foreign documentary films for reference, as well as films that have been completed, including documentary films projects of Vietnam.

Also as part of the course, the trainees will have the opportunity to discuss trends and renewal of documentary film making in Asia and other parts of the world as well as the techniques required by Asian and global TV channels. They will analyze the weak and strong points of Vietnamese documentaries so they can integrate the country’s film industry into world cinema.

The participants will also be taught how to create and form the necessary scenarios to meet the requirements of European film producers and TV channels.

Thierry Michel, who is also journalist and a lecturer at the Institute des Arts de Diffusion (IAD) in Belgium, has produced two feature films along with numerous well known documentaries including Mobutu the King of Zai-ia, the Congo River, Children of Rio, Iran: Veiled Appearances, the Metamorphosis of a Train Station and Donka.

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60 Years of German Cinema continues in Hanoi

The Nasty girl
The Nasty Girl (German: Das schreckliche Mädchen) is one of the seven films to be screened at the Goethe Institute in Hanoi in September

Seven German films from the 1990s will be screened in Hanoi from September 6 to 15 as part of a continuing program on 60 years of filmmaking in that country since World War II.

The program, 60 Years of German Cinema, began in January and has been showing films every two months representing each decade since the 1950’s.

The 1990’s saw the reunification of East and West Germany with all its attendant problems.

The seven films to be screened -- at the Goethe Institute, also the organizer of the event -- are “German, German,” “The Blackest Heart,” and “The Nasty Girl” (all 1990), “Ostkreuz” (1991), “After Five in the Forest Primeval” (1995), “Beyond Silence” (1996), and “Run Lola Run” (1998).

The Nasty Girl (German: Das schreckliche Mädchen) is a cult film based on the true story of Anna Rosmus of Passau, Bavaria.

In 1990 it won New York Film Critics Circle Awards for Best Foreign Language Film. In 1991 it was nominated for the Oscar and Golden Globe Awards as Best Foreign Language Film.

In 1992 it won the BAFTA Award for Best Film not in English.

The free screenings will be at 7: 30 pm every day and passes are available at the institute, 56 – 58 Nguyen Thai Hoc Street.

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Tuesday, August 31, 2010

Summer ends in re-runs for neglected kids' TV

HCM CITY — Reruns of Kinh Van Hoa (Kaleidoscope) and Xom Cao Cao (Grasshoppers Hamlet) are being broadcast on television because of a shortage of locally made films and TV series for children.

The acclaimed series have been shown many times on HTV Channel 7 and television around the country for years.

"We lack scripts to make new TV series for children," Chu Thien, a well-known director who has made noteworthy films and TV series targeting children.

"I've received some scripts but I've decided not to develop any of them," Thien said.

"Making series for children is not easy. I like scripts featuring childhood's innocence and their ways of solving their own problems," he said.

Thien's recent series Gia Dinh Phep Thuat (A Witchcraft Family) is filled with amusing scenes and circumstances and has received a warm welcome from young audiences.

With a script by Kwon In-chan from South Korea, the 500-episode series is Viet Nam's longest TV series for children.

The series is being screened on HTV7 on Wednesday, Friday and Sunday evenings. Fewer TV series for children are being made each year.

The series have been typically shown during children's summer holidays. At least three new series for children were screened on HTV during summer vacation several years ago.

Last year, children saw the 30-episode Mua He Soi Dong (Interesting Summer Holidays) and the 21-episode Nhung Ngay He Xanh (Green Summer).

Interesting Summer is about six teenagers who become good friends while on a 10-day summer vacation.

The 30-episode Giac Mo Bien (Dreams of Sea) is the only new series being screened on HTV Channel 7 for the summer. It is about the dreams of a group of junior high school students whose parents urge them to attend extra classes during summer vacation.

TV stations also lack game shows and entertainment programmes for children.

"With so few TV programmes to watch, my son buys ghost stories which fill the shelves of bookstores," Mai Hoa, mother of a nine-year-old boy, said.

For many film directors making films and series, focusing on romance and family issues is much easier than making productions that target children aged between six and 14.

Film studios often make films and series in exchange for commercial spots during TV. But companies usually choose to advertise their goods during peak viewing hours and not during children's series. The shortage of child actors is another difficulty faced by film studios.

"Filming must be done during summer holidays when child actors are not busy with their studies at school," said film director Do Phu Hai. — VNS

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