Sunday, February 6, 2011

In slow motion

Gillian (names changed), 37, mother of two finds herself constantly tired, despite her daily workouts at the gym, twice a week swims and yoga once a week. “I’m a stay-at-home mother with a busier life than when I was working and had no help in Sydney.”

Russell, thirtysomething, works in sales and has a busy social life, which he can’t seem to extract himself from—and he knows he has to, “for the sake of my liver”, he says with a chuckle.

Sarah says she is always on the go, despite seemingly easier work hours as a teacher and two-day weekend. “I have a lot more work-stuff to do and because I don’t want to turn into a homebody, I find myself stretched too thin socially.”

Andrew, 26, a recent resident of Saigon and banker, finds himself in front of the TV most nights of the week, watching the latest episodes of his favourite shows, a beer and take-away his sources of solace and comfort—because he’s just too exhausted.

There are scores of similar stories echoing the same sentiment: busy lives depleting peoples’ energy levels and/or increasing stress and frustration. These stories occur every day, in every city, including HCM City and break many myths associated with the notion that life in Southeast Asia is an easier one, relatively stress free given the comforts of household help and cheaper cost of living.

Nothing could be further from the truth.

That is what long-time expat and general director of Family Medical Practice Dr Rafi Kot says. Everyone is smart enough to understand the importance of slowing down but realising it is difficult. He cites an example of spontaneous activity, and how they often tend to leave lasting impressions. “Here, it’s not so easy to get up and go somewhere or do something.”

There are many challenges to living in a foreign country, from learning new languages and social mores to simpler tasks like adjusting to traffic. However, Dr Kot believes HCM City throws greater challenges than for example, Hanoi nationally and even Phnom Penh and Bangkok regionally, because of its lack of space—and therefore places to escape to. (Despite its cosmopolitan nature, Bangkok has many public parks he says.)

“One of the easiest ways to slow down,” he says, “is to walk your dog, but can one do that in a leisurely manner here? Hanoi is a bustling cosmopolitan but it has parks and its lakes bring serenity; I can’t advise patients to go for a walk in the park here so am forced to tell them to get away for a weekend—a change of environment usually does wonders for a short period. And I don’t mean going away to Phan Thiet because if your experience is going to be affected by complaints of the ride there and back or the traffic en route, it defeats the purpose of getting away. I advise people to look into low-cost carriers and get away to Hong Kong or a place that is opposite of here [to wind down].”

Inevitably, stress takes a toll on one’s body. Ailments can take the shape of sleeping disorders, digestive issues, mild to chronic pains, respiratory problems (brought on by air pollution) to more serious diseases. In the good news, despite the seemingly psychosomatic-related ailments present, people in Vietnam aren’t popping muscle relaxants, sleeping pills or pills meant for psychiatric issues. Dr Kot adds that the drug manufacturing company for one such popular drug in the west recalled its product because there was no market here.

In a world where the number of drugs being created in the mental health industry is rising, this is certainly cheer-worthy. As is peoples’ desire to take time out for themselves, to care for their minds and bodies—as evidenced, for example, by more yoga options in the city. Yoga is a no-brainer example of slow activity that’s good for your body and mind. Its meditative aspect discourages mind-wandering and/or idleness, which are common side effects of busy lives dominated by technology or addiction to social media.

Yoga living

Michelle Lloyd has been teaching yoga for three years and talks about its therapeutic values and how this ancient, gentle exercise, which incorporates meditation, is essentially about slowing down. On a personal level, she has seen its benefits on herself, from when she began practicing to teaching it. “It has had a huge impact on my relationships and I find myself able to interact with people better; I’m not so quick to react, but rather pause, breathe and respond,” she says citing one example, adding that watching it have a beneficial impact on her students brings her much joy. “I have seen it transform people in a very positive manner. They may come in to practice yoga because they want to lose weight but over time they find that the practice provides a much more profound and wholesome effect on their physical, spiritual and mental health. This is what keeps them coming back to their practice.”

I ask whether the mushrooming of yoga outlets in HCM City is indicative of a demand for more places where people can go to switch gears. She thinks so and adds that such spaces encourage one to “turn down the volume of your internal dialogue, chatter and tune into the breath.” She stresses that yoga allows people to connect with themselves for the time they practice it which in turns gives them a moment’s of silence, peace—“whether that moment is five minutes or the entire yoga session,” she adds. “Coming to a studio to practice provides the environment where people can learn how to slow down and enjoy peace of mind, methods which can be taken with them when they leave the yoga mat and go about their daily lives. Bringing awareness to your breath throughout the day, five minutes at your desk, for a taxi ride, whatever... That also is a huge part of the yoga practice.”

Slow food, slow pleasure

The importance of eating well—and slowly—cannot be stressed enough. Again, it is a fact we are all too aware of but find difficult to implement. While Vietnam may not be beset by the scourge of fast food, or reliance on processed convenience food, and meals are fairly healthy (and for some of lucky ones, prepared by staff) slow food isn’t just about a meal that is leisurely prepared. The slow food movement began in 1989 by Falco Portinari as a reaction to fast food and the damages it would cause to the body and eating culture. He propagates the ideology that taste must be developed, not denigrated as is wont to happen on reliance to fast food. “We are enslaved by speed and have all succumbed to the same insidious virus: Fast Life, which disrupts our habits, pervades the privacy of our homes and forces us to eat fast foods,” he writes on his website.

Granted that eating fresh healthy food, which is fairly in abundance here in its fruit and vegetables, is paramount but so is eating it in a leisurely manner, on the table (not in front of the TV), amongst friends and family. Slow eating (i.e. chewing longer) encourages better digestion. It also gives moment to pause and reflect, or enjoy instead of the frenzy that eating in a rushed manner while thinking of the task(s) ahead.
Studies have also shown that eating slowly can lead to weight loss without you doing anything—in one study it stated that you could lose up to 20 pounds a year without altering your diet or exercise regimen by eating slowly as it takes 20 minutes for the brain to recognise that it’s full.

The pleasures of slow dining are catching on with the resurgence of the slow cooker, and contrary to popular opinion in the 1970s, they do not strip food of flavour. A recent article in the Guardian talked about there being 864 titles on Amazon’s site dedicated to recipes for slow cookers.

Nice and slow

Joanne, 30-something, talks about how much of a difference daily dinner with the family, gadget free, on the table with proper china and silverware, has made on their relationship. “My husband and I actually know what is going on in our teenagers’ lives. It’s not just about their activities or everyone’s social lives and who needs the driver when; we really do talk over the table about holidays we want to take, news back home and even gossip about the neighbours,” she says with a laugh, adding that sometimes the obvious solution (i.e. family dinner) can evade you.

William Shakespeare summed it up well when he wrote: “Wisely, and slow. They stumble that run fast.” As we usher in 2011, and make notes about resolutions we hope not to break, take a moment to reflect on how you can incorporate slow into your life —and how it will enhance your life.

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The ancient art of catfighting

If you grew up on a daily diet of Tom and Jerry cartoons, you’d be surprised to know the forerunners of the clumsy, outwitted Tom to have actually provided an inspiration for ancient Vietnamese to create a form of martial art called vo meo (the cat kung fu).

Cat kung fu is a style of fighting adapted from the cat’s postures and movements and as such, it elevates the status of the cat to that of other awe-inspiring animals, such as the tiger, dragon and eagle after which animals many world-famous styles of martial arts have been named.

A cat’s strengths lie in its flexibility and agility, allowing it to move swiftly and noiselessly and launch quick attacks with its sharp claws and lightning-speed slaps. Observing its swift movements and formidable postures in fighting other animals and hunting mice has led some ancient Vietnamese martial art experts to invent the cat-like style of fighting, which survives and is still practiced in the country today.

A leaf from the book of life

The existence of cat kung fu is well-known to many in the world of professional martial arts but researchers need more than just anecdotal evidence to confirm its existence.

As an expert on the traditional Vietnamese martial arts, I have researched documents and exhibits in museums and libraries, and examined martial art postures related to the cat in many different schools of martial arts in Vietnam. I have discovered that the cat kung fu appeared very early in our country.

Ancient Vietnamese were good at self-protection because they had to fight against savage animals, thieves, robbers, and other enemies. In the beginning, their kung fu was based mostly on everyday activities such as hunting animals, climbing trees, plowing land, and rowing boats. At the same time, they observed how certain animals hunted their prey and then imitated their postures and movements. Not surprisingly, they did not neglect the cat, a skilled hunter and a familiar household animal to them.

To the ancient people, cats were an extremely smart and faithful animal that were loved and treated as a friend in the family. Their effective hunting skills and special fighting style gave ancient Vietnamese an idea about developing a style of fighting that captures the cat’s strengths -- quick attack, quiet retreat, sharp observation, high jumping, fast running, effortless movements and extremely nimble postures.

The cat-like fighting style, existing in a preliminary form next to other animal-based forms of kung fu, such as the tigers, monkeys, snakes, became a vital instrument for ancient Vietnamese to deal with dangers and challenges. Over time, the postures and movements of the cat were systematized and developed into a full-fledged form of martial arts.

In fact, the cat kung fu helped to diversify the many Vietnamese schools of fighting and enrich the national treasure of traditional martial arts.

Degeneration and loss due to oral teaching

The majority of martial art exercises adapted from animals were mainly taught orally and many of them have been lost after thousands of years not being collected and preserved. As the masters of the cat kung fu passed away over time, this form of martial art gradually became lost or degenerated into many inaccurate versions.

Today, drilling techniques in the art of cat fighting are rare and little known to the public. According to experts, “Mieu tay dien” (the cat washing its face) is perhaps among the earliest cat kung fu exercise that survives in Vietnam.

In 1965, I studied the cat kung fu with two martial art masters Huyen An and Nghia Hiep, and later watched Quach Cang, Ta Canh Tham and some other martial art teachers in Binh Dinh Province perform “Mieu tay dien.” This exercise consists of 32 acts, requiring great coordination between the arms and legs.

Techniques of moving, attacking, retreating, evading or neutralizing the opponent’s offense almost make no noise, approaching the movement of a falling leaf in midair. They marshal a person’s both internal and external strengths and are crystallized in the “soft but not weak, hard but not broken” principle.

The formal feline exercises in fighting not only serve the practitioners well in all situations, both in offense and defense, but also contribute to improving their strength and health.

Although the cat’s martial art enjoys less popularity today, its drilling techniques and exercises are still collected and preserved at many martial art centers. The martial art centers of Ha Trong Ngu and Ha Trong Khanh in Ho Chi Minh City’s Go Vap District perpetuate and teach students some typical lessons in the cat-style of kung fu such as “Linh mieu doc chien” (Sacred cat fighting alone) and “Bach mieu quyen” (White cat’s fists).

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Saturday, February 5, 2011

Overseas Vietnamese are subjects of film series

The latest stories about the lives of Vietnamese expatriates will be retold in a multi-episode documentary film by the Ho Chi Minh City Television Film Studio, with plans to broadcast the programme on the city’s TV channel HTV7 early this year.

“The diversity of the overseas Vietnamese (OV) community living around the world has encouraged us to make the film series, and we hope they will act as a bridge to connect all Vietnamese people worldwide,” the film’s general director Ly Quang Trung said.

“Nguoi Viet xa xu” (Vietnamese Expatriates) is the film studio’s longest chronicle film and includes 240 episodes. Production started four years ago.

Six working groups, each with seven members, travelled to many countries in the world where Vietnamese people are living to record their daily life, including their activities to maintain traditional customs, as well their wishes to make contributions to the homeland.

“Each country where Vietnamese people are living will tell an exciting story about the culture and history of the Vietnamese community,” Trung said.

Despite difficulties in climate and working conditions, film makers have tried their best to bring the film to public in the hope that the series will act as a bridge to connect local people and Vietnamese expatriates, Trung further said.

Apart from the multi-episode film on OV, Vietnamese television stations, such as Ho Chi Minh City television HTV and VTV4 channel of Vietnam Television have made a number of programmes retelling the lives of Vietnamese around the world.

There are about four million Vietnamese people living and studying in 100 countries and territories worldwide who are considered as an indispensable part of the nation

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When fashion and culture mix

Ho Tran Da Thao is a fan of her own collections. She wears her own models at international exhibitions she is invited to, to her fashion shows or simply for a night out with friends.

Thao is now used to being stopped on the streets by fashion lovers, especially foreign ones who would ask her many prying questions about her clothes.

She would return a smile, a proud one, pointing at the distinctive image printed on her clothes and starts her mini presentation to the curious stranger.

“You know, this is an image of traditional Vietnamese folk woodcut painting called Dong Ho..,”

Born in 1979, Da Thao did not start off as a fashion designer. An English graduate from Ho Chi Minh Social Studies and Humanities University, she was then later trained as a designer at Australian TAFE Institution and went through several foreign- sponsored fashion design competitions in Vietnam to build up experience.

At the 2008 International Young Fashion Entrepreneur conference organized by the British Council, she was crowned winner in Vietnam, an event which won her a chance to identify the path she would later follow with much enthusiasm.

Representing the country in the final round of the competition held in the United Kingdom, Thao seized the opportunity to visit all European fashion capitals in a three month backpacker trip afterwards. She lost at the competition, but went home with a new found inspiration.

“Ethnic fashion is on the rise at fashion capitals like Paris or Madrid. Stores presenting Indian or Nepalese tradition inspired clothes to flourish there,” Thao said.

“They can do that, why can’t I with our rich cultural heritage? I then decided it was time to go back, and do something about this”.

And the Northern Vietnam’s folk art painting, Dong Ho was what she chose to start with.
In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam; this tradition has gradually declined under the influence of modern types of painting and fake Dong Ho products.

Thao went to Dong Ho village in the northern province of Bac Ninh, where paintings have been manually produced for hundreds of years and studied the folk art with an old master.

With hundreds of old paintings and a profound knowledge of the age-old art accompanying her on her way back, Thao knew then she had just begun a difficult journey.

To recreate Dong Ho paintings on clothes, Thao worked up combining all crafting techniques to preserve the paintings’ original spirit in modern fabrics.

Not all paintings’ details can be used, some paintings can only be kept with a few sketches and strokes. Their colors originate from nature such as leaves or trees, which reflect different lights and shades on different fabrics and materials, posing another challenge to the designer.

For months, digital painting, embroidery, beading, hand drawing or a combination of all had been tried by Thao to best transfer the paintings onto her designed clothes.

fashion

Only 20 out of hundreds of Dong Ho paintings were used to make her collections.
In 2009, Thao with her collection were invited to Bangkok to join the Asian Creative Industry’s Conference and Exhibition organized by British Council and won considerable notice and praises.

Thanks to Thao, a near lost cultural tradition is given life in another form which can touch a wider audience. It is not just another fashion story.

 

Dong Ho folk woodcut painting is a genre of Vietnamese woodcut paintings originated from Dong Ho village in Bac Ninh Province, Vietnam.
Using the traditional điệp paper and colors derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories.
In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam; this tradition has gradually declined under the influence of modern types of painting and fake Dong Ho products.
However, the art of making Dong Ho pictures is always considered a symbol of traditional culture and aesthetic value of Vietnam.

 

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Friday, February 4, 2011

When year’s 1st visitor portents things to come

Among the many taboos and rituals connected with the Lunar New Year in Vietnam is xong dat, or “first-footing” as the Scots call it.

It is a deep-rooted belief that the first person to enter the house in a year will have a bearing on the family’s fortune through the year. Thus, the rich and popular are invited to come home at that time.

Traditionally, the first visitor hands out “lucky” money and New Year gifts to the hosts and seldom stays longer than a few minutes. This is to ensure that things do not get “stuck” in the new year.

But like many other traditions, xong dat too has evolved into a personal belief without a strict interpretation. It is altered to suit each family and varies according to region.

What has remained unchanged is the fact that a person who can bring luck should be the first-footer.

The flip side is that Vietnamese are chary of visiting anyone’s house early on New Year’s Day for fear they may be held responsible for any possible misfortune.

“I still remember the year when my husband suffered from a serious illness and passed away,” an elderly woman in Tan Binh District, Ho Chi Minh City, said.

“An unwanted guest visited us early morning on the first day and I cannot help recalling that experience.”

Who will bring luck?

There are several important qualities a family will look for to find their first-footer: The person’s Chinese Zodiac sign is the most common, especially in the northern and central parts.

In Chinese astrology, each year -- and a person born in that year -- is represented by an animal in a cycle of 12 signs. The hosts ask a fortuneteller to identify the animal that is luckiest for a particular year and themselves.

“I [ask] for a sign compatible with my husband’s because he is our family’s breadwinner,” Le Anh Dao, a public official in Tan Binh District, said.

“This is the Year of the Cat and my husband’s sign is the rat. So he said I should look around for someone with a Rat sign.

“It is important because the compatibility of Zodiac signs under which we are born and derive our fate from determines everything important in our life -- family, career, health, and luck.”

But in other families, sign compatibility is not a big deal.

“I don’t look at the person’s sign. As long as the person is good, healthy, and cheerful, I am fine,” the elderly women in Tan Binh district said.

“I would even prefer a family member who I can trust and know well rather than some distant relative even if he or she has the right Zodiac sign. I want to make sure of my family’s luck.”

First-footers also need to have a bright and cheerful disposition, good health, career success, and a happy family, things people normally aspire for in the new year.

Personal beliefs and experiences have already altered xong dat and it is now the turn of modernization and consumerism in urban areas, with agencies like Hoa Da in Hanoi offering xong dat services.

For VND600,000 (US$31), Hoa Da will dispatch an embodiment of luck to your house for 30 minutes. Young men born under various Zodiac signs and with good looks and a lively and cheerful countenance are hired by such agencies to call on families who do not mind paying to get the right first-footers.

Customers are also provided consultation on signs and identification cards of first-footers as proof.

Customers are usually companies or individuals running businesses who seem especially sentimental about a good beginning.

In Scottish folklore, first-footing is the practice of visiting the house of a friend or neighbor soon after midnight on New Year’s Eve with gifts.

The first-foot is traditionally a tall, dark-haired male. In some places, females and fair-haired males are regarded unlucky.

He usually brings a coin, bread, salt, coal, or a drink (usually whisky), which respectively represent prosperity, food, flavor, warmth, and good cheer.

In Greece, it is believed that the first person to enter the house on New Year's Day brings good or bad luck. Many families follow this tradition to this day and carefully select the first-foot.

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Wednesday, February 2, 2011

Tet – season of calligraphy

The celebration tradition of Lunar New Year festival (Tet) in Vietnam has become more animated in recent years with the recovery of calligraphy when those artists set up tables along streets and other public places to write letters.

In those days, dozens of clubs and public places in Ho Chi Minh City have offered calligraphic services where people can come to ask for letters written on red pieces of paper as decorations at home.

Calligraphist O Dan Phat in the Mekong Delta province of Tra Vinh said proudly that Tranh Tra (inspection) newspaper asked him to write the word “Đức” (righteous) and printed it as gifts to its readers.

It implies that the staffs of the inspection circle commit themselves to respect the virtue at their job and add more justice in society, Phat added.

Phat is one of the most honored calligraphists as he only writes words and gives them as gifts, not for sale.

“For those whom I don’t know, I won’t gift them with words because presenting words under the art of calligraphy is something like a kind of my emotions, or my trust to recipients,” Phat said.

“Calligraphy is also a confidence, advice and aspiration of elder generations to latter generations.”

And the confidence has been well preserved and developed in Saigon and other cities now.

Those who are fond of calligraphy can now come to Youth Culture House at 4 Pham Ngoc Thach Street or the Labor Culture Palace in HCMC at 55B Nguyen Thi Minh Khai Street in district 1 can see around 50 calligraphists ready to give words.

On streets Nguyen Trai, Hong Bang, Trang Tu and Hai Thuong Lan Ong in district 5, the service has been available a week ago and attracted large crowd of people coming for words to hang at home as paintings during Tet.

Besides words, people can also ask for their favorite sentences of poems.

Usually, calligraphists are paid from VND50,000 (US$2.5) up to several million of dongs for a calligraphic piece, depending on the quality of paper and ink.

Calligraphy actually dated back to a long history in Vietnam, and reaching its highest level of proficiency by the 11th century. Calligraphy in Vietnam was considered a mark of sophistication amongst the liberated elite of the country.

As a glaring example of the ancient culture of Vietnam, calligraphy is not just a style of writing but also contains symbolic connotations. Each letter in Vietnamese calligraphy is a symbol and defines some aspect of the country's identity.

calligraphy 1

Duong Quy Chi (R) is waiting for a calligraphist to write words in Tue Thanh Club in HCMC's district 5

calligraphy 2

Truong Tu Muoi (R) is given a piece with word "Xuan" (Spring) from Truong Lo

calligraphy 5

Calligraphist Xuan Hung is writing artistic letters on the pavement of Hai Thuong Lan Ong Street in District 5

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Tuesday, February 1, 2011

Vietnamese in Thailand foster ties

by Ngoc Tien

Creating goodwill: Free Vietnamese language classes have become increasingly popular, especially in northeastern provinces such as Mukdahan and Nong Khai. — VNA/VNS Photo Ngoc Tien .

Creating goodwill: Free Vietnamese language classes have become increasingly popular, especially in northeastern provinces such as Mukdahan and Nong Khai. — VNA/VNS Photo Ngoc Tien .

The Vietnamese community in Thailand tries to pass on its traditional values to a younger generation born and raised in a foreign country, and the first step is to make sure they learn the Vietnamese language.

Free Vietnamese language classes have become increasingly popular here, especially in northeastern provinces such as Mukdahan and Nong Khai. These classes are held by the Vietnamese Association in Thailand's Ubon Ratchathani Province. The class is held in the home of an overseas Vietnamese here. Most of the students were school children, along with a few adults who haven't had the chance to speak their mother tongue since they've been in Thailand.

According to Nguyen Quoc Quyen, chairman of the Vietnamese Association in Ubon Ratchathani, in addition to the four classes that the association has set up around the province, there are basic Vietnamese classes at Thai colleges and universities, held to promote trade, investment, tourism and cultural exchanges between the two countries.

"Organising one of these classes in Bangkok met with considerable difficulty, including problems finding a venue in such a crowded city, a knotty commute and the scattering of the Vietnamese population," said Thai Van Hung, deputy chairman of the Vietnamese Association in Bangkok. The first Vietnamese class in Bangkok began three months ago and currently has 20 students.

"None of our students know any Vietnamese, so we are basically teaching foreigners," said Ninh Van Thong, a volunteer teacher at the class held on Sukhumvit Road in Samut Prakan, on the outskirst of Bangkok. "Adding to the difficulty is that we only have two hours a week," said Thong.

In addition to the language classes, on Viet Nam's Tet (Lunar New Year) holidays or National Day, the Vietnamese community in Thailand often holds get-togethers so families can cook traditional Vietnamese foods, speak Vietnamese, sing Vietnamese songs, place offerings on ancestral altars and hang up pictures of President Ho Chi Minh.

"On the Tet holiday, my family make banh chung (glutinous rice square cake), spring rolls and many other traditional dishes," said Hoang Van Toan, a Vietnamese in Bangkok.

Vietnamese Ambassador to Thailand Ngo Duc Thang has praised the effort of the Vietnamese community to preserve and promote traditional values, and he praised thecommunity for its patriotism and for creating healthy relationships among families. — VNS

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