Showing posts with label says. Show all posts
Showing posts with label says. Show all posts

Saturday, February 12, 2011

Hue agencies consider creating tours based on city's heavy rain

Le Huong

Touring in the rain: Foreign tourists enjoy walking along Hue's Trang Tien Bridge in light rain. Local authorities and travel agencies are thinking hard to design tours targeting Hue's rainy days. — VNA/VNS Photo Quoc Viet

Touring in the rain: Foreign tourists enjoy walking along Hue's Trang Tien Bridge in light rain. Local authorities and travel agencies are thinking hard to design tours targeting Hue's rainy days. — VNA/VNS Photo Quoc Viet

Royal treatment: Tourists visit one of Hue's royal palaces. — VNA/VNS Photo Huy Hung

Royal treatment: Tourists visit one of Hue's royal palaces. — VNA/VNS Photo Huy Hung

The song Remember Ha Noi's Autumn by late composer Trinh Cong Son has inspired Saigontourist to design a tour of the city's beautiful locations mentioned in the lyrics.

"Ha Noi in autumn with yellow-leafed Celtis sinensis, red-leafed tropical almonds . . . small lanes perfumed by milky pines, old houses with brown mossy roofs, West Lake with flocks of Eurasian coot flying to the sun . . .," the song says.

Nguyen Duc Thanh, 67, who has taken the tour says it is both romantic and has deep cultural meanings.

"It has not only satisfied tourists' desires to explore the capital, but also introduced in the most vivid and realistic way the city's tangible and intangible cultural spaces," Thanh says.

He wonders why Hue travel agencies do not design a tour in Hue's rainy season based on the theme Old Flame, after another song by the same musician about his first love.

"It rains hard and long over the old tower . . .," says the song.

Tourists may visit the famed musician's house by Phu Cam Bridge, where he used to watch the small road on the other side of the An Cuu River through a curtain of rain "over small tree leaves".

Columns of trees, narrow roads and ancient towers in the rain are all mentioned in Son's song, redolent of his feelings and memories of Hue. This will lure tourists to a Hue Old Flame tour as they were attracted to the Remember Ha Noi's Autumn tour, Thanh says.

While the rest of the country has two seasons – wet and dry – the central province of Thua Thien-Hue also has two seasons – heavy rainy and light rainy.

Hue's heavy rainy season starts in September with widespread flooding and lasts till December. Drizzling rains then continues till April, when the summer thunderstorms arrive.

The Hue area is at the junction of climates of the North and South. The average rainfall in the whole province is 2,700mm.

While locals may look on such continuous rain as a disadvantage to the area's economic development, artists regard the rain as heaven's gift.

"Hue's rain is a way of playing guitar by the heaven, a combination of fragile and abnormal clashes," writes author Nguyen Xuan Hoang, "Rains can be as quiet as whispers over the leaves, as far as an old tale and as uproarious as laughter. Hue's rain is as mysterious as a human."

Writer Hoang Phu Ngoc Tuong says to see Hue in a vaporous blanket of rain is to comprehend the innermost feelings of the people.

Painter Vo Xuan Huy, a teacher at the Hue Fine Arts College, admits that the blur and no clear borders in his paintings are the unconscious influence of Hue's rain.

Huy says it might be the same with music, with deep melodies inspired by the sorrowful sound of continuous rain.

Researcher Nguyen Thu Hanh, who chairs the Scientific Union for Developing Sustainable Tourism, has recently proposed that Hue's rain be turned into a unique tourism product.

"Rain curbs outdoor activities while at the same time nurturing indoor entertainment," Hanh says. "Tourists have more time to get closer to one another, to meditate, enjoy music, poetry and drink tea or coffee."

Union members have put forward some ideas for tourism products that can be exploited during the rainy season.

These include visiting suitable destinations, tours along the Huong River with stops to view the scenery like Vong Canh Hill, Ngu Phung Tower (at Ngo Mon Gate), the peak of Ngu Binh Mountain and high-rise hotels along the Huong River.

They have proposed a system of hotels and cafes, with decor to suit the environment, offering suitable atmospheres and spaces for watching the rain and enjoying its profound pleasures.

Indoor activities could include the likes of poetry readings, musical performances, exhibitions and cooking or painting classes while pagodas and gardens could meet the demand for meditation.

The wet season is a good time to enjoy Hue's complicated cuisine and increase the sale of the likes of umbrellas, traditional bamboo conical hats and raincoats, they say.

The director of Vietnamtourism's branch in Hue, Nguyen Thi Kim Binh, says tours designed with rain themes are more suitable to small groups of tourists.

"Taking care of tourists in the rain requires proper organisation," she says. "My branch receives big groups. Not many foreign tourists have a specific urge to drink coffee in the rain."

Tran Tien Dat, from the Sales Department of Hue Travel, admits the proposal has merits. The company has been in operation for 20 years but has no specific tour designed for the wet season.

"From now on we may take advantage of the rain, to keep tourists longer rather than letting them go to other destinations when it rains," he says.

Ngo Hoa, deputy chairman of Thua Thien-Hue People's Committee, agrees that tourism might be the economic sector to take advantage of the rain.

He tells of his own experience of the serious flood in 2007, when he saw tourists at Hue's Century Hotel swimming in the pool watching the rain on the river bank.

"They told me it was interesting to see fierce streams running in the Huong River," he recalls.

"The wet season is also a high tourism season in Hue, when luxury hotels are fully booked, mostly by westerners and Hue's temperature of 150C is still warm enough. Many told me they liked the rain."

Hoa says he will ask the local culture department to consider the proposal, and will consult tourism enterprises to help authorities further exploit tourism in the rainy season.

"Of course, the State should be responsible for completing infrastructure while local authorities and enterprises will design the product." — VNS

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Saturday, January 22, 2011

Tattooing, the new teen thing

While adults consider tattoo an art and self-beautification, teenagers mostly get their body tattooed to imitate their peers, says Truong Nghiem, the owner of a tattoo shop on Hoang Van Thu Street in Ho Chi Minh City.

Many school students come to his shop because it is discreetly located and big shops may not serve them, he says.

Most youngsters get tattooed without informing their parents until the deed is done. Huong, a girl studying in a high school in District 3, says: “I thought about it very carefully for almost a year before I decided to get a tattoo. My mom didn’t like it, but since it was already done, there was no point in scolding me.”

There are exceptions, though. Nghiem was once surprised when a father brought his 14-year-old son for a tattoo. The man himself had a tattoo on his arm and thought it was no great deal for his son to have a small star on his arm too.

Sang of a high school in the city says: “Not all those who have tattoos are thugs or drug addicts. It’s different now. I want to have a tattoo just because it looks beautiful.”

The little sparrow tattoo on his shoulder is a sign not of rebellion but of his appreciation for a form of art, he says. He hopes to become a tattoo artist himself.

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A teenager has the Italian phrase for “I love you” tattooed on her shoulder

Pride vs prejudice

Nghiem, an experienced tattoo artist, says teenagers should consider carefully before getting a tattoo. Most teenagers choose simple images like words, stars, flowers, and zodiac symbols, but as soon as they get something a bit fancy, people will immediately switch to “judgment mode,” he warns.

Tien, a Vo Thi Sau High School alumnus, says: “Tattoos do look cool, but girls with tattoos are definitely ‘no’. Even if I happen to go out with a tattooed girl, I won’t take the relationship seriously.”

Despite the increasing popularity of tattooing, it is undeniable that most people still harbor a prejudice against tattooed teenage girls.

Whenever Nguyen Khuyen High School literature teacher Nguyen Thi Dan Thanh spots a student with a tattoo, she reminds them not to do anything they would regret later.

“Though I often tell my students to look at things from different perspectives, tattoos are just unacceptable. It’s inadvisable for boys to have tattoos, and it’s doubly so for girls.”

Some parents strongly disapprove of their children trying to assert themselves by tattooing.

“A perfectly plain body is most beautiful,” My, the owner of a fashion shop in District 1, says.

“I don’t see why people want to imprint these shapes on their body.” She recently took her child to a clinic on Nguyen Binh Khiem Street to get a tattoo removed.

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A “second thoughts are best” tattoo like David Beckham’s costs around VND2 million

Infection risk

Dr Nguyen Thi Kim Oanh, a dermatologist at District 10’s Medical Center, says: “When it comes to tattooing, what concerns us most is the risk of infection. Whether it is done by machine or hand, if hygiene rules are not strictly observed, there is always a possibility of contracting HIV or hepatitis B, C.”

To ensure they do not transmit infections and diseases in the tattooing process, tattoo shops must follow strict sanitation and safety standards such as sterilizing tattooing equipment properly or using single-use needles, she says.

The tattoo ink should never be reused since there is a high risk of viruses finding their way into it, and the skin must be sterilized and cleaned before and after the process like for a surgery, she warns.

Dermatologists agree there are generally no side effects in tattooing but say since the ink is made of chemicals, precautions should be made to ensure it is safe and non-allergic.

Easy come, not easy go

Removing tattoos could be a tricky business. Oanh says: “If the ink does not go too deep, it will fade easily. But if it does, it is very difficult to be removed and will definitely leave scars.”

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A complex tattoo may cost thousands of dollars and take days to complete

In the past common removal methods included cover-up, excision, dermabrasion, and the use of acid, heat (CO2 laser), and even salt. All of them cause great pain and leave ugly-looking scars on the skin.

A new method that promises scarless removal has been developed recently – Q-Switched lasers. However, it requires multiple sessions and the treatment process is painful.

Typically, the cost of removing a tattoo is much greater than creating it, and usually depends on size, color, and depth.

Tattoos are made with a small machine that has a needle in front and an ink cartridge in the back. The machine works just like a sewing machine, with the needle permeating ink beneath the skin. The tattooing process can last up to a few hours for a large tattoo, cause bleeding, and result in several days of pain.

How to make a tattoo:
- Locate and measure the tattoo area and draw a sample on paper or computer.
- Pick the desired ink color and prepare the ink.
- Sterilize tattoo equipment and the skin area to be tattooed.
- Start drawing the tattoo on the skin (for complicated ones, the drawing must be done many times, with the same sterilization process used each time)
- Apply medicine to prevent infection

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Since tattooing involves injecting a needle through the skin, safety is still a great concern

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Thursday, December 16, 2010

Year-end pop albums make their appearance

HCM CITY – Many top singers are scrambling to release their traditional year-end album to mark the festive season and are receiving a warm welcome from fans.

Pop star Phuong Thanh released a solo album on Sunday, her first of the year, titled Nao Ai Co Biet (Nobody Knows). It has 10 romantic songs, all written by well-known composer Duc Tri.

"The album marks 10 years of collaboration between Tri and me," Thanh says.

The singer, who uses her melancholic voice to full effect, often sings about love and loneliness to strike a chord in listeners. She has never received professional training but managed to make her "God-gifted voice" unique.

"I try to immerse myself in the song to infuse them with feeling and spirit," she explains.

Her album was followed by Duc Tuan's Bay Gio… Bien Mua Dong (Now… Sea in Winter).

Tuan sings 10 romantic singles written by celebrated composer Duong Thu, the highlight being Xa Xam (Far Away) and O Lai Mua Dong (Stay with Winter).

Tuan is one of the few Vietnamese stars to sing classical and semi-classical music, not a popular genre among the youth.

"The album is my Christmas gift to fans," he says.

Last year he had won the Singer of the Year and Album of the Year awards at the prestigious annual Music Contribution Prize for his Music of the Night album in English and French.

Last week MV Productions released Cao Got (High Heels), an album featuring 15 songs starring well-known models and movie stars like Trang Nhung, Thao Nhi, and Truc Diem.

Pop star My Le resorts to classical music for the first time in her latest album My Le in Symphony also released last week. Le's delicate style has won her acclaim among both young and older listeners.

Co Nhung Giac Mo (There're Dreams) released two weeks ago by upcoming singer Giang Hong Ngoc has also been well received.

"Ngoc's album Ruby 20 released last year has many sad songs," Tran Mai Dao, a fan of hers, says.

She says she prefers There're Dreams because of its several youthful melodies like Thien Duong Tinh Yeu (Paradise of Love) and Het Roi (It's Over)."

Albums by other pop singers like Pham Thanh Thao, Khanh Doan and Oversea Vietnamese Kannan Nguyen are nearing completion.

"We won't be worried about what music to hear during the festive season," a first-year student at the HCM City Open University says cheerfully. – VNS

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Wednesday, December 8, 2010

Sisters celebrate humanity

Shades of grey: Portrait by Vu Bach Lien.

Shades of grey: Portrait by Vu Bach Lien.

Sister act: An exhibition by the sisters Vu Bach Hoa and Vu Bach Lien. — VNS Photo Truong Vi

Sister act: An exhibition by the sisters Vu Bach Hoa and Vu Bach Lien. — VNS Photo Truong Vi

HA NOI — The artwork of sisters Vu Bach Hoa and Vu Bach Lien is simplistic in terms of scale, colours and themes but it makes the viewers think and feel in complex and profound ways, says painter Le Huy Tiep, who is head of the Art Council.

A new exhibition in Ha Noi entitled Sisters features photos, paintings and sculptures by Hoa and Lien and will run until next Friday.

Hoa, the elder sister, was born in 1959 and lived through the American War. Her works, such as the sculpture in wood entitled The Village Girl or the lithograph The Fall Night, depict tranquillity, love of peace and the beauty of daily life.

Hoa says she loves flowers and always tries to bring them into her work.

"The way she kneads, carves or paints with so much love for each subject helps us to come to terms with life and the fragility of human existence," Tiep says. "People are more tolerant and warm-hearted when they are made to think about life."

Lien, a graphic artists, was born in 1976. Her particular forte is the language of digital art, stone lithography, etching and monoprint.

Her works display a concern for the positive and negative changes in life. Her art mostly focuses on women and children, tolerance and humanity.

She graduated from the Ha Noi College of Industrial Fine Arts, majoring in graphics.

"I use monoprint and lithography. Sometimes I fail to achieve my goals, but sometimes my work exceeds my expectations," she says.

The exhibition is being held at 16 Ngo Quyen Street, Ha Noi. — VNS

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Tuesday, November 16, 2010

Museum celebrates bygone era

Seeking the past: Y Thim works hard to find items to exchange. He is sometimes willing to pay up to tens of millions of dong for unique and rare artefacts.

Seeking the past: Y Thim works hard to find items to exchange. He is sometimes willing to pay up to tens of millions of dong for unique and rare artefacts.

Long legacy: Y Thim's house in Cu Ea Buar Hamlet, Buon Ma Thuot City, is known locally as the

Long legacy: Y Thim's house in Cu Ea Buar Hamlet, Buon Ma Thuot City, is known locally as the "Museum of the Central Highlands Legacy". — VNA/VNS Photos Le Nguyen Phu

DAC LAC — On a journey to the Tay Nguyen (Central Highlands) province of Dac Lac, visitors can discover a unique house which showcases machinery and artefacts of a bygone era in the surrounding villages.

The house in Cu Ea Buar Hamlet, Buon Ma Thuot city, is privately owned by Centre of Culture and Information official Y Thim and known locally as the "Museum of Central Highlands Legacy".

Y Thim regularly drives his ploughing machine to remote areas to collect old and broken machinery and artefacts for restoration.

The devices, including musical instruments – one example is a flat metal disc (gong) which is hit by a mallet – ornamental jars, Kpan chairs and so on. All have been thrown away by villagers.

"Once I visited a villager's house and saw his family selling a set of damaged gong to a scrap dealer. I offered to buy the instrument for a higher price and then have them restored," says Y Thim.

Y Thim says that he always pondered the fact that the modern generation no longer sees value in such cultural and subsistence artefacts, causing the instruments and machinery to be discarded and forgotten.

"I want to preserve these traditional treasures of the villages," says Y Thim.

Many traditional pieces are still plentiful and easy to find, and generally their owners just hand them over and are glad to get rid of them, Y Thim says. But with rare and unique artefacts, he has to find something to exchange for them or to pay for them, sometimes up to tens of millions of dong.

For instance, Y Thim once heard of someone who owned a set of 10 bronze-mixed-gold gong aged 100 years old. But the owner wanted to exchange them for three male elephants, which the family could not afford. After frequent visits Y Thim got the price down to three buffaloes, which were worth 20 taels (US$ 33,52).

At present, there are nearly 20 sets of gong, 30 ornamental jars and many other unique devices in Y Thim's museum, the results of 20 years collecting.

Y Than Nie K'dam, the patriarch of Ea Bong Village in Cu Ea Buar Hamlet, says the collection maybe worth "tens of elephants and hundred of buffaloes".

"Even the total number of villagers can not compare to his collection," K'dam said.

Y Thim is also a music teacher and teaches children in the village how to use the ethnic devices.

His two sons, Y Nal and Y Na are graduates of the Military of Culture and Arts College, while his youngest child, Y Thu E Ban, is capable of playing eight kinds of musical instruments.

Y Thim, whose family and museum house are considered "living treasures" of the Central Highlands, says: "Preserving traditional devices is necessary so that younger generations will learn about their ancestors and will treasure the cultural legacies of their fathers." — VNS

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Saturday, November 13, 2010

Cable TV operators race to meet demand

HCM CITY — Cable television operators are sinking big money to stay ahead of what is a highly competitive field but consumers, who have got used to a good thing, are demanding more and more.

Ha Noi Cable Television (HCATV), which now has 55,000 subscribers and has been growing since its launch in 2002, offers 18 Vietnamese and foreign channels.

Its biggest competitor is Viet Nam Television's VCTV, which launched in 1996 and offers 65 channels, including 21 international channels like Arirang, CNN, HBO and Star Movies.

Both have invested a lot of money to produce quality entertainment programmes.

In HCM City, the two leading providers, HTVC and SCTV, offer their own cultural programmes for both children and youngsters on channels like SaoTV, Yan TV, Yeah 1 TV, and HTVC Shopping.

Yan TV and Yeah 1 TV have Americans and Koreans producing reality shows like Style and Star, Yan Special-Yan Live, and Sao 24/7, which have become popular.

Le Dinh Cuong, a senior official at HCATV, says: "To attract more customers, we have to improve the quality of our programmes to meet the increasing demand of audiences, especially youngsters."

However, subscribers remain unsated with the quality of programmes, signal, and after-sales service.

Vu Thuy Ha, a subscriber in Ha Noi, says: "My provider, HCATV, offers a dozen entertainment programmes but most of them are old and poor.

"It rehashes film programmes, music, and dance in Vietnamese and foreign languages that were produced two decades ago."

SCTV subscribers have an even bigger complaint – that channels are arbitrarily taken off without notifying them about the reason.

Nguyen Le Son, who lives in HCM City's District 3, says: "For example, my favourite channel was Travel and Living but it was removed earlier this year.

"This causes customers to lose trust in the provider."

VCTV general director Nguyen Quoc Viet says: "We will soon produce a series of cultural and educational programmes offering latest information and reports and live shows."

VCTV sent some of its young producers and technicians to Singapore and Korea to improve their skills, he says.

The cable TV market, with 2 million subscribers, has been doubling every year for the last several years but the competition remains fierce, he adds. — VNS

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Friday, October 15, 2010

Little stars not dreaming of big time

Bored with walking: Phuong Trinh, 17, began her career on stage at the age of 10 playing a gamut of roles in city theatre productions. —VNS Photo

Bored with walking: Phuong Trinh, 17, began her career on stage at the age of 10 playing a gamut of roles in city theatre productions. —VNS Photo

HCM CITY — Does every actor dreams of becoming a movie star?

Five-year-old Dang Khoi of HCM City, who has acted in many films and TV serials, says: "Being a movie actor is not my dream. I dream of becoming a doctor who takes care of poor women and children."

The most important things in his life are his parents, teachers and friends, he says.

Khoi, who took part in Nhat Tam Lasta Studios' actor training programme for children, has played leading roles in TV series like Giac Mo Co Tich (Legendary Dream) and Mot Ngay Khong Co Em (A Day Without You).

He is now shooting for the film Ve Dat Thang Long (Returning to Thang Long Citadel), a 40-episode work on Ha Noi's history and culture produced by HCM Television.

Like many of his friends, he enjoys watching films but never seriously thinks of himself an actor.

"I saw my son's acting ability and wanted him to join the field because it can make his life more joyful," Khoi's mother says.

But she admits that while her son laps up the adulation he gets from people who have seen him on the screen, his true interest is his family and friends.

Seventeen-year-old Phuong Trinh, who has been an actress from a very young age, retains a child-like innocence despite the accolades she gets from fans, colleagues and critics.

Five years ago, when a director needed a pretty child actor, his first choice was Trinh whose maturity then belied her age.

She had begun her career on stage at just 10, playing a gamut of roles in city theatre productions like Ba Me Nhi (The Little Mommy).

Her latest TV offering is Nhung Ong Bo Doc Than (Single Daddies), a sentimental, 30-part series produced by MT&Pictures.

"I like to act in movies and commercials," she says.

But she is wary of the ivory tower many stars are forced to occupy and wants none of it.

"I love acting in movies but do not want to become a lonely star."

She adds she prefers spending time with her parents and friends who mean everything to her.

Like normal children, she has to finish her homework every day and study hard.

Le Thanh, a theatre director at Nhat Tam Lasta Studios, says: "Most of my students are children and teenagers who enjoy acting for fun but not as a career."

Most of her young wards learn acting for at least six months before joining the industry.

"But the most important lesson I teach them is how to become a good kid. That's what their parents want." — VNS

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‘Visual diary' salutes Ha Noi

Musings: Nguyen Cam's painting Temple of Literature is one of 40 works on display at the exhibition.

Musings: Nguyen Cam's painting Temple of Literature is one of 40 works on display at the exhibition.

HA NOI — As Ha Noi approached its 1,000th anniversary, painter Nguyen Cam travelled from Paris to celebrate this momentous historic celebration of passing time with an exhibition at Art Viet Nam Gallery.

All of the pieces Cam has included in the Traces of Memory exhibition are mixed media on canvas created using dark colours.

Calligraphic musings and bits of jute, votive papers, ginkgo leaves, tea bags, and other distinctly Vietnamese elements are scattered over fractured landscapes to give the impression of a visual diary.

All of the materials he used to create his paintings are symbolic, he says. Ginkgo was the first tree to grow in Hiroshima after the bomb. The plant inspires Cam as a symbol of power, vitality and eternity, while tea bags express the changes of time.

"Everyday I drink tea, in a silent and thoughtful space. I realised that the colours and textures of the tea are never the same. I see it as similar to our daily lives: each day is different," he says.

The artist left the country for France when he was very young and he returns with the solemn, wizened perspective of a man whose life has been pushed and pulled, torn and mended.

"As Cam approaches the autumn of his life, having escaped a near brush with death, a heightened intensity and awareness of the preciousness of each and every moment is ever present," says Suzanne Lecht, director of Art Viet Nam Gallery, the painter's close friend.

Ever mindful of the beauty of movement, the artist methodically pursues his future, honours his past, reveres the present, and exposes injuries accumulated along the way, she says.

"I feel an intensified freedom when I return to Viet Nam, the country of my childhood and birth," Cam says. "Certainly returning home, that physical place which creates the landscape and language of our spiritual home, is life giving. It inspires me to delve into the deep recesses of the mind and heart where a solace that helps to face life's vagaries might be found."

The exhibition will run until November 5 at Art Viet Nam Galley, 7 Nguyen Khac Nhu Street, Ha Noi. — VNS

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Friday, October 1, 2010

Peace Trees help children blossom

by Minh Thu

Building a future: A group of Americans who donated money to build libraries and kindergartens in the central province of Quang Tri visit a kindergarten in the province. — VNS Photo Minh Thu

Building a future: A group of Americans who donated money to build libraries and kindergartens in the central province of Quang Tri visit a kindergarten in the province. — VNS Photo Minh Thu

QUANG TRI — Doan Thi My Lien, a young teacher, feels a rush of excitement as she prepares her first lessons at a new kindergarten in Khe Da Village in the central province of Quang Tri.

This kindergarten is one of four built by Americans from the non-governmental organisation Peace Trees Viet Nam in the 15 years it has worked in the country to reverse the impacts of war.

The land where cruel battles once launched has become a place for kindergartens, libraries, friendship villages and gardens.

The achievements are the fruits of labour of many people from the US who directly or indirectly suffered from the war in Viet Nam.

The story began when Jerilyn Brusseau lost her young brother, Daniel Cheney, in Viet Nam. Brusseau and her mother decided to turn sorrow into service.

They gathered like-minded people who were against the war and wanted to heal the scars in the country with Peace Trees Viet Nam. They quickly received support from many people, but their journey to the country on the opposite side of the Earth didn't start until 1990 when Viet Nam and the US normalised relations.

A group of American activists led by Brusseau recently visited Peace Trees' newest kindergarten and the Mothers' Peace Library in Khe Da Village.

Children's laughter greeted the group. The youngsters, barefoot and wearing dirty clothes, seemed to be everywhere, including on the new football field, swings and other playground equipment which Peace Trees donors also funded.

Next to the playground stands the new library, a single room with wooden tables, chairs, and a grey shelf already filled with books.

A slightly larger structure is home to the completed kindergarten with its own small kitchen and bathroom, as well as plastic chairs and tables ready to welcome about 30 youngsters.

"Peace Trees projects are really meaningful for the people here," says Ho Thi Loi, the head of the regional Women's Union. "This new school is dedicated to the children of Khe Da Village and neighbouring Ka Tang Village because prior to this, there was no kindergarten here."

Lien, 26, has taught for four years and just returned to work after maternity leave. She is very eager to take over a new class.

"I have spent weeks preparing lesson plans, making toys for the children and decorating the classroom," she says.

Lien lives in the town, 4km away from the school but she is currently staying with some villagers in order to get to know the children and the parents.

"In the past, children under the age of six didn't have a chance to go to kindergarten before entering primary school. Now they will thanks to support from the local authorities and foreign sponsors," she says.

"Because the villagers are very poor, they can't afford to send their children to school, so I'm staying with them and trying to persuade them to do good things for their kids."

David Hansen is one of the US donors visiting the new kindergarten. He plays with the children, gives them toys and smiles with them. He came to Viet Nam for the first time in 1970 to follow orders as a US soldier but now he is in Viet Nam to be a friend to the Vietnamese people.

Tran Thi Hong Van at the Friendship Village Kindergarten in Dong Ha City, began working here the day the kindergarten was inaugurated in 2002.

"Parents here are very poor and they have to work hard, so teachers here have to work harder than other kindergarten teachers," Van says.

"We arrive early to welcome children and leave late when the parents finish their work and pick up their children."

At first the children were shy and afraid of strangers, especially foreigners, but now they get on well with American visitors, Van says.

"The US donors visit the kindergarten several times a year and bring toys and presents for the children whenever they come. Now when they see them, my kids express their joy and friendliness," Van says.

Building libraries and kindergartens on land cleared of bombs is very good work, says Hansen.

"Children are the owners of the future; we should close the past and open the future by giving them the best things we can," he says.

"There is nothing more meaningful than these constructions. We came to destroy the land in the past and now we have come back to contribute to building a bright future for Vietnamese children." — VNS

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Sunday, September 19, 2010

Parents favour traditional toys for Mid-Autumn fest

Many parents in Hanoi have turned to traditional hand-made toys for their children for the coming Mid-Autumn Festival instead of the once dominant made-in-China imports.

Traditional toys are cheaper and safer, they explain.

Although shops on Luong Van Can street, Hoan Kiem district, are flooded with Chinese toys of various types and designs, those in nearby Hang Ma Street display more made-in-Vietnam toys.

Nguyen Chi Hai says he has saved money buying traditional toys.

"My son already had too many modern toys," he says as he inspects a mask and a lantern from a Hang Ma street shop.

"I bought him some traditional toys so that he would know what my parents, my wife and I played when we were small."

He also worries that imported toys may contain substances harmful to children.

"I hesitate when buying such toys for my son," he says.

"Traditional Vietnamese toys are our best choice now."

Le Thu Huong, an employee of a private company in Dong Da District, also prefers folk toys.

"I can buy Vietnamese toys of beautiful shape and colour for the cost of just one Chinese toy," she says.

Hang Ma Street shop owner Truong Quoc Khanh confirms that customers now prefer traditional Vietnamese toys rather than modern Chinese imports.

"A customer asked me for a Vietnamese lantern yesterday but it was sold out," he says. "I showed her a Chinese lantern with music but she refused it."

The family shop sold only about 100 Vietnamese folk lanterns last Mid-Autumn Festival. So far this year it has sold almost 800 in the shape of a star, rabbit, fish and lotus.

"I expect to sell more than 1,000 Vietnamese lanterns this year," he says.

Other Vietnamese folk toys are also selling better.

Luong Van Can street in Hoan Kiem District shopowner Nguyen Ngan Hoa says every kind of traditional toys including drums and masks made from cardboard is selling well.

"I sell wholesale and retail an average of about 300 masks a day," she says. "Last year I sold only slightly more than 700 for the entire festival."

Customers have become saturated with Chinese toys, she argues.

Hang Ma Ward People's Committee deputy chairman Nghiem Xuan Giao says his committee joins with the Hoan Kiem District People's Committee each year to organise the Hanoi Traditional Mid-Autumn Fair.

"The fair opens a week before the day of the festival day is held to display and introduce Vietnam's traditional toys," he says.

"I'm glad to see that this year children are more interested in the toys."

Mid-Autumn Festival is traditionally celebrated on the 15th day of the 8th lunar month when the moon is at fullest and brightest.

This year it falls Wednesday next week.

It is one of the most important festivals of the year in Vietnam when family members gather for a feast and children dance and parade with colourful lanterns and cakes in the moonlight.

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Friday, September 10, 2010

Remembering old Nha Trang

nhatrangxua
On entering Nha Trang Xua visitors go back in time to a golden era of peace and tranquility

The central coastal city of Nha Trang has long been famed for its beautiful palm-fringed beach, breath-taking vistas and succulent seafood. But if you're bored with lazy days by the beach, Nha Trang Xua (Old Nha Trang) is the place for you.

It's hard to believe the resort, which occupies 2ha in Thong Thai Village at the foot of Giang Huong Mountain, is just 3km from the chaotic city centre.

The resort has 11 bungalows nestling in a field of rice. The air is scented with the sweet smell of lotus flowers, and a gentle breeze wafts your cares away.

The resort is owned by Truong Dinh Ngoc Yen, a Nha Trang-born woman, who loves peace and quiet.

"I used to spend a lot of time living with my grandma in the village when I was a child," she says.

"Later, I went to university in Nha Trang, before opening a business in the bustling city. However, I always longed for the peaceful atmosphere that I remembered from my childhood.

"I love seeing small birds pecking at food on the ground. I have always dreamt of building a small secluded garden like my mum's. My childhood is full of fond memories."

She followed her dreams and bought a small plot of land which she turned into a picturesque garden.

Visiting friends urged her to open the garden to the public, so she established Nha Trang Xua in 2009.

In the beginning it was just a small garden and a food court. But even then, about 200 people would visit daily – three times that number on the weekends.

To create a local atmosphere, Yen has bought plants native to the area to her garden. There are also vegetables, fruit trees and herbs.

"The resort reminds me a lot of my grandparents' house in Vinh Phuong Village 30 years ago," says local resident Huynh Phuong.

"Every corner of the resort is a reflection of different parts of Nha Trang in days gone by. The wet yin-yang roofed house in the middle of the garden, the pond, the mossy brick path."

Yen has relocated houses dating back 100 to 300 years to the resort, which now comprises 11 houses; a food court capable of accommodating 250 diners; a food centre for package tourists and formal functions, which has a capacity of 700 guests; and a seven-room hotel.

The restaurant offers more than 100 traditional local dishes, which are served authentically.

"The resort is unique, local but professionally run," says Bui Minh Thang, director of Phuong Thang Tourism Company. "Nha Trang lacks places like this. It gives visitors an incite into local culture."

However, Thang says the owner should advertise the place better to foreign visitors and provide better car-parking facilities.

But these shortcomings do not put off Beth Keyser from Australia.

"I like the small cozy and nature-friendly atmosphere of the resort," she says. "I have stayed in similar places in Thailand, but here, I feel like I'm experiencing Vietnamese life as it was in the early 19th century. All the furniture inside the old house is authentic."

Yen says she wants visitors to feel like they are in a time warp.

"I want visitors to see a different world, to escape from the hustle and bustle of city life and return to the old peaceful days when people had time for one another. I want people to hear birds singing in the morning, smell the scent of flowers and discover themselves, something that can only happen in a place of quietness and harmony," she says.

Lovely as the resort is, Yen is not happy – she has expansionist plans.

"I want to relocate more old houses so that I can host wedding parties. I love to imagine a wedding procession proceeding down the path in a field of mature rice," she sighs.

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Remembering old Nha Trang

by Le Huong

 
 
Garden of Eden: On entering Nha Trang Xua visitors go back in time to a golden era of peace and tranquility. — Photos courtesy of Nha Trang Xua

Garden of Eden: On entering Nha Trang Xua visitors go back in time to a golden era of peace and tranquility. — Photos courtesy of Nha Trang Xua

 
Tranquillity: A lotus pond is a resfreshing respite from the heat of summer.

Tranquillity: A lotus pond is a resfreshing respite from the heat of summer.

The central coastal city of Nha Trang has long been famed for its beautiful palm-fringed beach, breath-taking vistas and succulent seafood. But if you're bored with lazy days by the beach, Nha Trang Xua (Old Nha Trang) is the place for you.

It's hard to believe the resort, which occupies 2ha in Thong Thai Village at the foot of Giang Huong Mountain, is just 3km from the chaotic city centre.

The resort has 11 bungalows nestling in a field of yellow rice – at least when I was there. The air is scented with the sweet smell of lotus flowers, and a gentle breeze wafts your cares away.

The resort is owned by Truong Dinh Ngoc Yen, a Nha Trang-born woman, who loves peace and quiet.

"I used to spend a lot of time living with my grandma in the village when I was a child," she says.

"Later, I went to university in Nha Trang, before opening a business in the bustling city. However, I always longed for the peaceful atmosphere that I remembered from my childhood.

"I love seeing small birds pecking at food on the ground. I have always dreamt of building a small secluded garden like my mum's. My childhood is full of fond memories."

She followed her dreams and bought a small plot of land which she turned into a picturesque garden.

Visiting friends, urged her to open the garden to the public, so she established Nha Trang Xua in 2009.

In the beginning it was just a small garden and a food court. But even then, about 200 people would visit daily – three times that number on the weekends.

To create a local atmosphere, Yen has bought plants native to the area to her garden. There are also vegetables, fruit trees and herbs.

"The resort reminds me a lot of my grandparents' house in Vinh Phuong Village 30 years ago," says local resident Huynh Phuong.

"Every corner of the resort is a reflection of different parts of Nha Trang in days gone by. The wet yin-yang roofed house in the middle of the garden, the pond, the mossy brick path."

Yen has relocated houses dating back 100 to 300 years to the resort, which now comprises 11 houses; a food court capable of accommodating 250 diners; a food centre for package tourists and formal functions, which has a capacity of 700 guests; and a seven-room hotel.

The restaurants offers more than 100 traditional local dishes, which are served authentically.

"The resort is unique, local but professionally run," says Bui Minh Thang, director of Phuong Thang Tourism Company. "Nha Trang lacks places like this. It gives visitors an incite into local culture."

However, Thang says the owner should advertise the place better to foreign visitors and provide better car-parking facilities.

But these shortcomings do not put off Beth Keyser from Australia.

"I like the small cosy and nature-friendly atmosphere of the resort," she says. "I have stayed in similar places in Thailand, but here, I feel like I'm experiencing Vietnamese life as it was in the early 19th century. All the furniture inside the old house is authentic."

Yen says she wants visitors to feel like they are in a time warp.

"I want visitors to see a different world, to escape from the hustle and bustle of city life and return to the old peaceful days when people had time for one another. I want people to hear birds singing in the morning, smell the scent of flowers and discover themselves, something that can only happen in a place of quietness and harmony," she says.

Lovely as the resort is, Yen is not happy – she has expansionist plans.

"I want to relocate more old houses so that I can host wedding parties. I love to imagine a wedding procession proceeding down the path in a field of mature rice," she sighs. — VNS

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Tuesday, September 7, 2010

Vietnam's minority Chams cling to Muslim faith

cham-woman
A Cham Muslim woman and her grand-daughter walk outside a mosque in Ho Chi Minh City.
Photo: AFP

The call to prayer from the minaret reaches out over tightly-packed alleys in a Ho Chi Minh City neighborhood as men in white knitted skullcaps and colorful sarongs walk to their local mosque.

The scene is more reminiscent of Malaysia, Indonesia or Brunei -- not Vietnam and its Chinese-influenced culture where Muslims are a tiny fraction of the population.

This small community in an area known as District 8 says it is the largest enclave of Cham Muslims in the metropolis informally still known as Saigon.

It has more than 1,300 residents, halal restaurants, a large mosque and a madrassa that regularly sends students to Malaysia for further study.

These and other Cham communities in southern and central Vietnam are all that remain of the Champa kingdom that ruled for centuries.

There are more than 100,000 Chams in the Buddhist-dominated country of 86 million, the government says.

"The Cham fell and lost their country. I feel like I live in another country and it's not my home," says a noodle-seller who gave her name only as Hachot, 49.

The Cham were a Hindu people who ruled parts of south and central Vietnam for hundreds of years and gradually converted to Islam.

But by the late 15th century the Vietnamese had pushed south and Champa was in decline.

Today, the kingdom's most visible legacy is the My Son temple ruin near Danang city. It is a UNESCO world heritage site and popular with tourists.

These days more than 80 percent of Cham are adherents of Islam, researchers say.

According to government data, Muslims are the smallest of six major religious groups in the country, with Buddhism the largest.

Religious activity remains under state control in Vietnam but worship among a variety of faiths is flourishing. However, the Muslims have kept a lower profile than Catholics and Buddhists.

"We just follow this religion. We don't care about politics," says Haji Mou-sa, 52, deputy manager of the local madrassa. He is fluent in Malay and knows some Arabic.

Mou-sa says Ho Chi Minh City has more than a dozen imams, all trained in Vietnam. Foreign imams also visit, especially from Malaysia, and the Koran has been translated into Vietnamese.

A slight man in a collarless shirt, sarong, and metal-rimmed glasses, he has lived in District 8 since the 1960s, when Chams first began moving to the area.

Many came from the Mekong Delta province of An Giang, where Chau Doc city is still home to a significant Cham Muslim population.

In the beginning, the District 8 Cham homes were made from wood and thatch. Electricity came to the area in 1990, and much later a bridge was built connecting the once-isolated area to downtown, leading to improved roads and rapid development of the surrounding area.

According to residents, there are 16 mosques in Ho Chi Minh City, some of them built with assistance from Muslim nations.

A plaque in the Cham neighborhood's Masjid Jamiul Anwar says it was rebuilt in 2006 with funds from the United Arab Emirates and the Red Crescent.

Although they get support from the Middle East, Cham relations remain strongest with Malaysia and Indonesia, thanks partly to shared cultural and religious values.

"Malaysians came here and supported schools and better jobs," Hachot recalls. The ties started more than 20 years ago after Vietnam began a policy of gradual economic openness.

She says she does not feel a part of wider Vietnamese society, even though the government helped to rebuild her house some years ago.

Attitudes of the majority Kinh ethnic group towards the Cham vary, Hachot says.

"Some Kinh say the Cham are dirty," she says, and they object to the Muslims' shunning of pork. "Other people don't care."

Many older Muslim residents make pilgrimages to Mecca, and most Cham have Arabic names on their government-issued identity cards.

Mohamath Zukry, 22, moved from his small town in An Giang more than 18 months ago to study and live at the madrassa. He plans to go to Malaysia to finish his religious education, and to study information technology.

Less devout Mack Aly, 29, a real estate agent who lives outside the Cham neighbourhood, says he still enjoys an alcoholic drink with his friends, and dates a non-Muslim woman.

"In Vietnam religion is not so strong. I won't eat pork. But I don't pray five times a day. And I drink and smoke," he explains at an upscale coffee shop.

Aly and his family have taken advantage of the opportunities offered by the Muslim diaspora. His brother works in Egypt and his sister in Indonesia.

Headscarves, long skirts and sleeves are common in Cham neighborhoods but women leave their heads uncovered when they go to work, and may opt for jeans. They say this is partly out of a fear of discrimination by co-workers.

Ngo Van Dong, 50, is among a small number of Kinh who have converted, despite initial opposition from his family who thought the religion "weird." The mechanic says he adopted Islam more out of love for his Cham wife than religious piety. Over time, he came to understand his adopted faith better.

Like their fellow Muslims around the world, the Cham in District 8 are marking the holy fasting month of Ramadan until about September 9.

They commonly also enjoy Vietnam's biggest celebration, the Tet Lunar New Year in February, although they do not engage in the spiritual rituals that accompany it.

"But we still have fun," says Dong.

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Visitors seek vanishing beauty of Con Dao

condao

Mother Nature has been unduly kind to Con Dao, even if mankind hasn't.

The archipelago epitomizes picture-postcard prettiness – soft white sand, aquamarine seas, virgin mangrove forests, coral reefs to die for, real-life mermaids that sing like sea nymphs. The superlatives go on and on.

There are few places in the 21st century that can rival Con Dao's pristine beauty. And as you look out on all this splendor, it's hard to imagine that it was once a French penal colony and an American prisoner-of-war camp.

"It's a real heaven on earth, something that I thought could only exist in my dreams," says Vu Minh Huyen, a tourist from Hanoi.

The 16-island archipelago lies in sublime loveliness 180km south of Vung Tau City – at the moment at least. The nation now wishes to exploit its natural charms, which is why Belgian engineer Stijn Verdickt fears for its future.

"Go before it's too late," he warns.

The 10-year Con Dao development master plan is expected to be given the nod of approval by Prime Minister Nguyen Tan Dung later this year.

In fact, beach-view land plots on Con Son, the only inhabited island in the archipelago, have already been sold, says Bui Van Binh, deputy chairman of the district's People's Committee.

"As soon as the master plan is approved, construction will start on a massive scale," he says.

Binh admits that developing Con Dao while preserving its natural beauty and breathtaking biodiversity is a "paradox" – a really tough job.

But development will come, says Dao Xuan Lai, head of the UNDP Sustainable Development Department in Vietnam. But he is hopeful it will be done with discernment.

"Development and preservation are not necessarily opposing forces," he says.

Preserving the island is to attract tourists to boost the incomes of the local people and ensure sustainable growth and ensure sustainable growth, he says.

Preservation of the archipelago has been given top priority under the National Action Plan on Biodiversity and National Global Environment Facility over the past 15 years.

Con Dao became a national park in 1993 – only one of four officially protected areas in Vietnam to include both terrestrial and marine values.

Con Dao is home to the biggest population of sea turtles in Vietnam. Among those are the endangered green and hawksbill species. Park director Le Xuan Ai says about 350 mother turtles come to Con Dao to lay eggs each year and that about 50,000 baby turtles hatch and make their way to the sea.

The islanders also cherish the dugongs, the so-called "singing mermaids". At least 10 can be found serenading off-shore.

The 20-ha national park is also home to more than 40 other endangered species that are named in the International Union for Conservation of Nature's Red List and Vietnam's Red Book.

Fringing the archipelago is about 7,000ha of coral reef. About 300 species of coral have been counted and coral fish has the highest density recorded off the coast of Vietnam.

Former Deputy Prime Minister Vu Khoan likens Con Dao to a blank sheet of paper "on which we should carefully draw".

The archipelago, where the French built tiger cages to hold political prisoners nearly 150 years ago, has drawn special attentions from the Government and the Party. In fact, such is the importance given to the archipelago that development can only proceed with prime ministerial approval – a rare distinction.

However, development on Con Dao has been slow and small-scale, something that Ai says is ‘lucky".

"Great care and consideration have been paid to development of the archipelago so that it proceeds in the right direction," he says.

Binh says an important milestone was made in 2005 when then Prime Minister Phan Van Khai approved the Con Dao Socio-economic Development Plan, which would have come to full fruition in 2020.

The strategy, known as "Plan 264", has "completely changed direction of Con Dao's development in a much more sustainable way," says Ha Van Nghia, deputy director of the province's Agriculture and Rural Development Department in.

Plan 264 dictates that development of Con Dao should only focus on sustainable tourism services on the basis of the archipelago's preserved historic relics and protected national park, which accounts for 83 per cent of the land area.

The first plan, signed by former Prime Minister Vo Van Kiet in 1997, mistakenly stated that development should be "multifaceted and comprehensive".

Ai says Kiet himself then admitted that if it had been carried out, Con Dao would have been destroyed.

However, Plan 264, the second development proposal, remains a far cry from a report by the UNDP. The plan aims to raise the archipelago's current population of 6,700 to 50,000 and attract 500,000-700,000 tourists annually by 2020. About 30,000-50,000 tourists now visit Con Dao each year.

The UN's Coastal and Marine Biodiversity Conservation and Sustainable Use in Con Dao project however states that these targets are well beyond the archipelago's carrying capacity.

"The natural ecological systems on the archipelago are very sensitive to human interference. Thus every distortion and interference beyond its capacity will result in major disruption. Con Dao's attractive green and natural appearance will be lost," Ai said.

The third master plan is currently being considered by the Prime Minister. It has revised down these targets to 20,000 residents and no more than 500,000 tourists a year, Nghia says.

It also prohibits industries, such as aquatic product processing, which can harm the archipelago's marine environment. Any development will have to be environmentally friendly and in keeping with the islands' marine and terrestrial ecology.

The new plan has the support of Nguyen Thi Hong Xinh, the former deputy chairwoman of the provincial People's Council. "It is a positive development and a reflection of the progress in official sensitivity," she says.

Ai, however, says there is no room for complacency.

"Good evaluation of any planned investment projects is crucial to Con Dao's sustainable development," says Ai, who has spent 25 years, half his life, fighting to preserve the archipelago's natural beauty.

He is not alone. Watching from their resting places are late heroine Vo Thi Sau and former Party leader Le Hong Phong, whose love for Con Dao lives on.

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Monday, August 30, 2010

HCMC fest offers good reasons to go vegetarian

banhxeo
Rare delicacies like banh xeo (pancake) from the Mekong Delta are available at the festival
Photo: Phuong Thuy

Kim Tuyen was waiting patiently for half an hour in front of the Hoa Hao Buddhism Organization booth at the Ho Chi Minh City vegetarian food festival last Thursday.

The chefs are making coconut milk and sometimes picking up herbs from a big bowl.

She is happy to wait since she rarely gets the chance to taste authentic banh xeo (pancake) from the Mekong Delta province of Dong Thap.

The chefs arrived in the city last Thursday and only stayed for the duration of the festival at 23-9 Park in District 1 until Sunday.

“I just finished my work nearby and found this festival by chance. I have tried vegetarian banh xeo before and it tasted really good; so I want to eat again today,” Tuyen says.

As two pancakes appear on her table, she looks delighted. “I am a long-term vegetarian. Only my daughter and I are vegetarian, so we eat separately from other family members. Eating food with a lot of vegetables like this make me feel light and healthy.”

The pancake, made on a non-stick pan without using oil, has a bright yellowish coat. It is filled with green peas, bean sprouts, and slices of carrots and tofu, and served with a variety of fresh vegetables and herbs.

An American from California, who introduces himself as just Jeff, says: “Vietnamese use conservative spices and good sauces, which makes the food very tasty.”

Jeff has tried the banh xeo and also tried pizza, skewers, banh chuoi (banana cake) and plans to eat more on the last day of his trip to Vietnam. “Though I’m not a vegetarian, eating this kinds of food makes me feel good. And knowing that the money I paid will go to charity makes me feel much better.”

Besides Vietnamese cuisines, there are also foreign foods like Thai or Indian, contributing to the festival’s variety and color.

At the Indian booth set up by Ashoka, a chain of city-based restaurants, young manager Sumit Sharma says: “Our restaurant serves north Indian food. There are more than 40 dishes in the menu. We have an Indian chef here so people can see how the food is made.” North Indian food is made predominantly from wheat while rice is the staple in the south.

A vegetarian himself, Sumit says: “In Indian, we prefer to cook vegetarian food at home while Vietnamese tend to go to restaurants.” It is no doubt influenced by the fact that a third of Indians are vegetarians and there is a long tradition of not cooking meat at home.

Sumit’s favorite Vietnamese food is pho chay (vegetarian noodle soup). “For the first 10 days after I came to Vietnam, I only ate bread and butter,” he recalls.

“Then I came to work for this Indian restaurant and now I can eat vegetarian food every day.”

Nearby, tasting naan bread with yellow dal, is young English couple Laura and Mundia. The two have been in the city for two months and will become teachers at an international school in September. Laura says though she’s not a vegetarian, she loves vegetables and often visits vegetarian restaurants back home.

“In England, you can only find a maximum of two vegetables in a dish. There are five or six different kinds of herbs and leaves in a Vietnamese dish, which I like,” Mundia says.

Some people chose to go vegan not only for health reasons but also for good causes. Veronika, a young German doctor working for a city hospital, says: “I’m a vegetarian. I gave up eating meat two years ago as a reaction to the cruel animal slaughter and to show respect to the environment.”

But she finds it hard to be a vegetarian in Vietnam. “When I first came here, I ate fruits to survive. Later, I found some vegetarian restaurants from my travel book. Sometimes I go to eat with friends but there is no vegetarian food and I just eat some salads”.

“I hope this event will help promote the vegetarian habit in the country because there are many good reasons to be a vegetarian”.

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