Monday, August 23, 2010

Poor students get helping hand from PepsiCo Vietnam and STF

Pham Phu Ngoc Trai, former president of PepsiCo in Indochina, awards scholarships to students in HCMC- Photo: Ngoc Xuan
PepsiCo Vietnam and the Saigon Times Foundation (STF) granted ten scholarships to junior and senior students of HCMC University of Economics, University of Agriculture and Forestry, and University of Industry on Saturday at HCMC University of Economics in HCMC.

It is part of a VND550 million program called Long-term Scholarships STF-Pepsi that STF under Saigon Times Group and PepsiCo Vietnam has been running since the 2008-2009 academic year. The recipients are poor students with good grades from ten universities in HCMC, Hanoi and Danang.

VND100 million in scholarships was awarded to 10 students on Saturday, VND10 million each for their last two years of study. On August 14, the two organizations granted VND50-million in scholarships to five students in Can Tho City, and the program will go to Danang and Hanoi in September and October. 

Also at the scholarship awarding ceremony, Pham Phu Ngoc Trai, former president of PepsiCo in Indochina hosted a discussion with 2,000 students of HCMC University of Economics and other universities. He shared his experience and gave useful advice to students about study, finding jobs and getting involved in charity activities.

PepsiCo and Saigon Times Group also has a blood donor program since 2008 and a project to provide computers for schools in remote areas since May.

After the ceremony, there was a meeting with actor Chi Bao and singer Ha Anh Tuan as well as an introduction about the book Understanding the Heart written by Minh Niem. The book is a collection of fifty articles about the spiritual side of dealing with heart disease. All the profits from book sales will be donated to poor children and provide surgery for children with heart problems.

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Southern belle wins pageant

by Le Binh

There she is: Miss Viet Nam World 2010 Luu Thi Diem Huong and runners-up Nguyen Ngoc Kieu Khanh (right) from Germany and Phan Thuy Vy Victoria from the US pose for photographers. Huong will be the Vietnamese representative at the Miss Earth 2010 pageant in November. — VNA/VNS Photos Pham Hau

There she is: Miss Viet Nam World 2010 Luu Thi Diem Huong and runners-up Nguyen Ngoc Kieu Khanh (right) from Germany and Phan Thuy Vy Victoria from the US pose for photographers. Huong will be the Vietnamese representative at the Miss Earth 2010 pageant in November. — VNA/VNS Photos Pham Hau

Beauty parade: Il Divo band opened the evening with an Italian song and were accompanied by 40 beautiful contestants wearing white dresses while raising their national flags.

Beauty parade: Il Divo band opened the evening with an Italian song and were accompanied by 40 beautiful contestants wearing white dresses while raising their national flags.

NHA TRANG — Luu Thi Diem Huong from HCM City was crowned Miss Viet Nam World 2010 late on Saturday night at the Vinpearl Resort in the coastal city of Nha Trang.

Huong, 20, triumphed over four others in the question and answer contest by responding to a question about Van Mieu Quoc Tu Giam (Literature Temple) to win the crown.

"At this moment, I want to tell my mother that I'm successful, I'm living a nice dream," Miss Viet Nam World 2010 said to the camera.

At first, Huong was not considered a front runner in the contest. In fact, it was unclear if she would qualify for the top 15 because she did not make a good impression in the first events, such as Miss Beach, Miss Talent, Miss Sport, Miss Fashion and Miss Ao Dai.

But Huong's supporters became hopeful when she won the Miss Photogenic title, which was also announced on Saturday night.

The winner also won approval from the jury and audience in the HCM City qualifying round when she said she prefers knowledge over beauty because wisdom is the immortal value of a person.

Sexy in the bikini performance and elegant in her long, black evening gown, Huong had a very unique look throughout the contest. She charmed the jury and the 5,000 member audience at the resort's amphitheatre with her grace and her knowledge of Vietnamese history.

"Almost all Vietnamese people know about Van Mieu Quoc Tu Giam, which dates back hundreds of years and was Viet Nam's first university. It is the cradle of our fondness for pursuing the tradition of learning. We are proud of this and use it to help develop the country," Huong said.

Huong is a second-year student at the Hoa Sen College's Business Administration and Tourism Department. She wants to become a business woman and is interested in charity activities. She also loves learning languages like English and Spanish which allows her to advertise Viet Nam's image to the world.

Huong's prizes included a bejewelled crown worth VND1 billion (US$52,000) that she can keep forever and VND500 million ($26,000) in cash.

This year's crown was designed in the shape of a blooming lotus, a traditional symbol of Viet Nam. It is embellished with 628 small precious stones and a diamond.

Huong will be the Vietnamese representative at the Miss Earth 2010 pageant which will be held at the same venue in November.

Nguyen Ngoc Kieu Khanh from Germany and Phan Thuy Vy Victoria from the US came in second and third. They received VND300 million ($15,000) and VND200 million ($10,000), respectively.

Other contest titles included Miss Friendship, Miss Elegant and Miss Beautiful Face. Winners were awarded VND30 million ($1,500) each. The Miss Beautiful Face title was given to Nguyenova Daniela who was the only half-Vietnamese contestant.

Making friends and learning a lot of during the pageant were highlights for the contest participants.

"This is a good chance for me to learn more about being Vietnamese. I've been able to learn more about how to behave as a real Vietnamese girl," said second-place Khanh. She was born in Germany and often visits Viet Nam with her family.

The final night was directed by well-knownartists Pham Hoang Nam and Do Thanh Hai. They designed a stage and backdrop screen to reflect Viet Nam's culture.

The highlight of the night was a performance by Il Divo. They opened the evening with an Italian song and were accompanied by 40 beautiful contestants wearing white dresses while raising their national flags. Il Divo sang two other songs including the favourite Unbreak My Heart.

Contestants looked very sexy in the bikini show. They showed off their bodies donned in beautiful pink bikinis with summer accessories including hats and rattan baskets.

Audience members also enjoyed a charming ao dai (traditional long dress) performance and lotus dancing to the sounds of the quartet Nam Dong Ke.

Songs and dances featuring Vietnamese culture were performed by popular artists and Miss Viet Nam World 2007, Ngo Phuong Lan, joined the stage to express her best wishes to the contestants.

The Miss Viet Nam World pageant is significant for the young Vietnamese generation abroad, according to Bui Dinh Dinh, ambassador to Russia.

"The pageant not only helps popularise Vietnamese beauty to the world but it helps young Vietnamese abroad to know more about their origins," he said.

The first Miss Viet Nam World pageant was held in 2007. — VNS

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Photography festival, competition held in Da Nang on weekend­

DA NANG — The 15th Arts Photo Festival was held in the central city of Da Nang on the weekend.

The festival included an exhibition of the top 150 photos in a competition that drew 1,170 entries. The works on show included landscape photography, vivid images of ordinary people's lives and photographic celebrations of the achievements of the doi moi (renewal process).

Two gold medals were given to Khoanh Khac Truong Sa (A Moment in Truong Sa) by Van Thanh Chau from the central province of Khanh Hoa and Vong Xoan Ngay Hoi (Bead Tree Wreath Festival) by Nguyen The Duc from the Central Highlands province of Kon Tum.

The festival drew 200 professional and amateur photographers from 10 cities and provinces.

Hoi An-Japan cultural exchange begins in central province

QuAng Nam — A Hoi An-Japan cultural exchange opened in Hoi An ancient town in the central province of Quang Nam on Saturday.

During the two-day event, various cultural activities will be held, including an exhibition showcasing photos on Hoi An ancient town and documentary photos on Hoi An-Japan cultural exchanges and an artistic painting exhibition entitled Colours of Heritages.

There will be a seminar on cultural heritage preservation and tourism development, an introduction of Japanese cuisine and performances of Japanese musical instruments and children's games.

On the opening night, Vietnamese and Japanese artists jointly performed special dances from both countries such as lion and royal dances.

The event, co-organised by the Japanese Embassy in Viet Nam, the Japan International Co-operation Agency (JICA) and the Hoi An People's Committee, offers a chance for artists in particular and the people of the two countries in general to exchange and share their own special cultural characteristics, thus helping boost the friendship between the two nations.

Leading ‘success coach' Jack Canfield to visit Viet Nam

HCM CITY — Jack Canfield, an American success coach and authority on peak performance, will host a one-day seminar on Achieving Breakthrough Results in Work and Life in HCM City next month.

Viet Nam is among five countries he will visit during his trip to Asia, including Malaysia, Singapore, Philippines and Thailand.

Event organisers claim participants will learn how to effectively apply the Law of Attraction and the Success Principles to ensure sustainable growth and success in their career and their personal lives.

In a preparatory step for next month's workshop, Canfield's co-author for the book titled The Success Principles&Leadership for Youth, Dr Peter Chee on Saturday spoke on techniques for achieving breakthrough success based on the Success Principles studied and developed by Jack Canfield.

Nearly 300 Vietnamese managers attended the seminar held by the Institute of Training and Development (ITD) Viet Nam.

Jack Canfield has 210 books and more than 125 million copies in print in 47 languages and holds the Guinness Book of World Records for the most books on New York Times bestseller list.

His workshop will be held on September 29 at the Equatorial Hotel in HCM City. — VNS

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Sunday, August 22, 2010

Hoi An-Japan cultural exchange opens

hoian

A Hoi An-Japan cultural exchange opened in Hoi An, the ancient town in the central province of Quang Nam, on Saturday.

During the two-day event, various cultural activities will be held, including an exhibition showcasing photos on Hoi An ancient town and documentary photos on Hoi An-Japan cultural exchanges and an artistic painting exhibition entitled “Colors of Heritages”.

There will be a seminar on cultural heritage preservation and tourism development, an introduction of Japanese cuisine and performances of Japanese musical instruments and children’s games.

In the opening night, Vietnamese and Japanese artists jointly performed special dances from both countries such as lion and royal dances.

The event, co-organized by the Japanese Embassy in Vietnam, the Japan International Cooperation Agency (JICA) and the Hoi An People’s Committee, offers a chance for artists in particular and the people of the two countries in general to exchange and share their own special cultural characteristics, thus helping boost the friendship between the two nations.

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Rice paper village

Banhtrang

In the small village lying along the beautiful Ba River in the southern coastal Phu Yen Province, it was supposed to be a quiet  day.

Dong Binh’s renowned rice paper factories were not working at full capacity but still columns of smoke were rising up into the sky and bamboo grids filled with rice paper lined its roads.

The smell of rice flour pervaded the air and armies of trucks carrying rice paper passed in and out of the village.

Local residents don’t know when rice paper was first made here; they only know they learnt the craft of making it from their parents who learnt it from theirs.

But they think it started with one or two households making it to sell during the Lunar New Year, funerals, and death anniversaries before it gradually caught on.

Now, every household in Dong Binh makes rice paper.

Phu Yen people are very proud of the village’s savory white rice paper which has become popular all over the country. It is made from rice grown in Tuy Hoa city and irrigated by the Ba.

Like everything else, making good rice paper requires hard work. The rice must be soaked in water for up to five hours and then ground into flour. A normal work day starts at three in the morning. A wood fire is lit, water is boiled, and flour is kneaded.

Besides rice flour, wheat flour is also used to prevent the rice paper from breaking during transportation or becoming sticky when softened in water for use as a wrap. Two kilograms of wheat flour is added to every 10 kg of rice flour.

When the flour is kneaded, the right amount of water must be added; too little makes the paper thick, and later, when steamed, causes it to cook unevenly. Too much, on the other hand, makes the rice paper brittle.

Once the flour is kneaded, it is rolled into a very thin round on a flat pan and steamed.

This job is mostly done by women since they are considered to be more dexterous and meticulous, essential qualities for making nice, round rice paper.

They work in teams of at least three -- one spreads the flour, another spreads the rice paper over a bamboo grid, and the third carries the grid to dry under the sun and removes the rice paper when dried.

Spreaders are often likened to drivers since their hands never stop working. One hand stirs the flour and the other mixes it or adjusts the heat. Every move has to be quick and precise.

Even drying the rice paper in the sun requires experience -- if it is dried for too long, it will either become brittle and break or bend.

Nature’s blessing

Spreading the rice paper needs nature’s cooperation in the form of sunny weather. Most producers do not work on wet days. If it suddenly starts to rain while the flour is being rolled, the work is halted.

But on sunny days, every household in Dong Binh rolls 30 to 40 kg of rice on average (1kg of rice makes 20 to 25 pieces).

During the Lunar New Year, almost the whole village works through the night to make enough to meet the demand within and outside the province.

At night or when it rains, people use fire to dry the paper.

Dong Binh makes rice paper in various thicknesses, with the thickest being the most expensive. Prices range from VND3,000 for a pack of 10 pieces to VND7,000.

Though every household has its own secrets in mixing the flour and adding ingredients, they all make rice paper that is different from anything else made elsewhere in the country.

Dong Binh rice paper is popular as a wrap to roll up food since when soaked in water it does not stick or melt. It is also added to fried chopped meat and fried shrimp cakes.

It has a slightly tough taste and the fragrance of young rice stalk. If stored in a dry place, it keeps for several months.

In Phu Yen, there is a simple dish locals dearly love and show off to visitors: pork and vegetables wrapped in Dong Binh rice paper.

A few of the papers, a little chopped pork, and fresh vegetables, and a very delicious dish is ready.

Getting there: From Tuy Hoa city, drive along Highway 25 until you reach the 2km highway marker. Follow the small road off the highway until you reach the village.

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Interactive exhibits reflect loss, change in old Hanoi

quarter

A history of the Hanoi Old Quarter is reflected in documentary photos and installation art works on display at an exhibition at the Viet Art Centre, 42 Yet Kieu, Hanoi .

In the exhibition, Reminders of Old Streets, young artists like Nguyen Huy An, Le Tran Hau Anh, Nguyen Quoc Thanh and Tran Hau Yen The tell stories of loss and change to the capital's cultural heritage.

The exhibition is arranged to be interactive, through the display and performances of artisans from Hang Ma street , which were once popular in the old streets.

Nguyen Thanh Loan was interested to find an embroidery frame by which patrons of the exhibition could contribute to the making of an embroidered picture of Hanoi .

"I tried to embroider a small part of the picture. It's a really interesting idea, as if I am able to contribute to a portrayal of Hanoi 's image," she says.

Thanh's artworks play with motifs of the Old Quarter: old houses with curved, tile roofs; young women in traditional robes.

The motifs create a romantic, but commercialised image of the city. The artworks include portraits shot in the streets.

The aim is not to capture the reality of Hanoi (it is not a documentary) or to reconstruct the old images of Hanoi . Instead, it plays with the romantic and sentimental imagination of the city.

Old Hanoi and the present-day expanded capital have shown the importance of handicraft villages and guild streets.

Global integration is challenging Vietnam on how to retain the unique characteristics of its culture. Also the process of westernisation or sinosisation has caused pressure on heritage values.

The heritage of Hanoi 's old streets will be discussed at a seminar on 6pm August 18 at the exhibition space.

It will be joined by art critic Nguyen Quan, painter Tran Hau Yen The and Dr Nguyen Van Huy, former director of Vietnam Museum of Ethnology.

The exhibition will run until tomorrow as part of activities funded by the Vietnam-Denmark Cultural Exchange and Development Fund.

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Saturday, August 21, 2010

Living the Quan Life

Nhau

During a journey into local food and drink culture, Tom DiChristopher learns how to nhau with the best of them.

I’m just finishing my first package of quail eggs at an al fresco District 3 quan when the rain starts coming down. Staff scramble to extend the awning as customers cover their food and beer and run for cover.

Nobody complains or sulks. Everyone is laughing. A few stare at the lone Westerner huddled in their midst, clutching his Bierre Larue.

With the awning up, the staff darts around, wiping down plastic chairs and aluminium tables. Clearly, if you had reservations, you are in the wrong place. However, if you’re looking for something different, pull out a plastic chair and prepare to nhau. There’s no better place to learn than HCM City.

A ruou-fueled Introduction

The first thing to know is that there are two types of quan: quan an and quan nhau. The former is essentially a restaurant, while the latter is the Vietnamese version of a beer hall. While some quan nhau—especially large, multi-story ones—serve everything from clams to kangaroo, many specialise in a staple.

On this rainy evening, I’m meeting my friend Hai and his roommate Adam at Lau De 306B Dien Bien Phu, where goat is the house specialty.

No matter the size or specialty of the quan, explains Hai, one thing remains consistent: food, drink and conversation share equal billing.

Savoury (often barbecued) meat, salty seafood, heaps of greens and snacks sold by roving street vendors are meant to be shared, fuel for good conversation and a means of bracing your stomach for the deluge of beer.

The relationship is so indivisible that the word nhau also functions as slang for the kind of eating, drinking and talking that goes on at the quan.

Though it’s not uncommon for locals drink in excess, there is an art to keeping yourself upright during a marathon nhau session. Beer is often inexpensive, so it tends to go fast. (Our Bierre Larues tonight run just VND9,000).

Also, once you’ve established that you’re staying, it’s standard practice for waitstaff to pop bottles until you tell them to stop, particularly when a crate of beer is placed at the foot of your table.

Rice wine is another menu item that requires caution. It turns out the staff at Lau De are Hanoian, and they’ve brought with them ruou ong khoai, or bee wine. The deep ochre nectar has a slightly floral aroma, and the taste is a mix of vanilla and burning.

Between dirt cheap beer and ruou shots, balancing food and drink can take some practice (as the massive headache I will awake with the following day will prove).

One tool in the fight for sobriety is the hotpot. However, there’s room for surprise even when it comes to this ubiquitous DIY dish.

“What is that? Liver?” asks Adam as Hai shovels a plateful of ingredients into the hotpot.

“It’s brain,” says Hai.

Silence.

“Pig brain.”

Silence.

“Brain is the best,” Hai assures us. “It melts in your mouth.”

And he’s right. It’s no sweetbreads served at a chichi bistro, but after a few minutes simmering in the hotpot, we’ve got ourselves a delicacy. Bon appetit.

Nhau for the intermediate

Inspired by my brief encounter with bee wine and pig’s brain, I head out with former AsiaLIFE staff photographer Christian Berg, who has his masters in Southeast Asian Studies and speaks Vietnamese fluently, to learn more about the quan life.

On a Thursday evening, we convene a party of eight at Lucky Beer (325 Vo Van Tan, D3), a quan nhau known for the quality of its VND5,000 bia hoi (fresh beer). Looking around the joint, there’s a question that’s nagging me: where are all the women? Christian’s answer is inflected with nuance: “A ‘traditionally good’ Vietnamese woman would not go to quan nhau.”

While more liberal women nhau, the quan remains an overwhelmingly male institution. Christian adds that the crowd at a quan nhau will vary depending on a few factors, from the type and strength of rice wine served to the cut of the waitstaff’s uniforms (Indeed, at one quan popular among gentlemen located at 302 Dien Bien Phu, the waitresses seem to share one common endowment.)

Current staff photographer Nam Quan also helps to explain the demographics, telling me that people typically begin to nhau at 18 or 19, although the more affluent of this generation often prefer modern venues like KFC and Gloria Jean’s.

However, certain quans are better regarded than others; one just up the street at 121 Vo Van Tan, Nam says, is usually packed despite the fact that their prices are high by quan standards.

But for the novice, Lucky Beer provides plenty of opportunities to broaden the palette. The house does wonderful things with peppercorn, and some of us have even developed a taste for the kidney and liver dish that Nam ordered.

The spicy fare and light beer has us out late, and by evening’s end we’ve engaged in all manner of discourse: our respective country’s views on the Cold War's thaw, the existential dilemma of the expatriate and the relative strength of Borat versus Bruno.

By the time we leave, the atmosphere is still lively and I’m reminded of something Hai, who used to live up north, told me at Lau De about quan culture: “People in Hanoi are light years behind. People in Saigon know how to live.”

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