Wednesday, December 22, 2010

Phase II of My Son restoration completed

Restored grandeur: Visitors at the My Son Holy Site. The Group G tower site has been restored with financial support from the Italian Government. — VNA/VNS Photo Van Son

Restored grandeur: Visitors at the My Son Holy Site. The Group G tower site has been restored with financial support from the Italian Government. — VNA/VNS Photo Van Son

HA NOI — The safeguarding of the My Son World Heritage Site took another step forward with the completion this month of the second phase of a preservation project, said Italian ambassador Lorenzo Angeloni.

The tripartite project between UNESCO, and the Italian and Vietnamese Governments focused on the preservation of Group G of monuments, the most important collection of remains at My Son Holy Site located in the central province of Quang Nam's Duy Xuyen District.

The group, consisting of five monuments, was selected for UNESCO preservation and sponsorship from the Italian Fund-In-Trust due to its unique decoration and materials and outstanding example of how a Cham sacred area was organised.

It lies on an elevated area never affected by seasonal flooding, and had never been restored, despite its considerable archae-ological importance.

Five key results of Phase II of the project were presented at a press conference held in Ha Noi yesterday.

Consolidation of the restoration of the G1 monument (the sanctuary), the most important of the Group G monuments was completed; with the lessons learnt from the Group G restoration to form a basis for future restoration of Cham brick monuments; and continued training of Vietnamese archaeologists, architects, conservationists and site managers in safeguarding cultural heritage in accordance with international World Heritage standards of conservation.

Training would include evaluation of the archaeological risk factors and vulnerability index of the monuments, which can be used as effective tools in the decision making for the long-term conservation of the World Heritage Site, according to Katherine Muller-Marin, representative and head of the UNESCO Ha Noi office.

She also highly appraised the catalogue of all Cham monuments in My Son which will provide the necessary database for the long-term protection of the site.

The project also helped develop a comprehensive site interpretation plan and design options of a plan for the entrance to the Group G site.

Besides these key results, the most significant success of phase II, was a project dedicated to replicating ancient Cham brickwork.

The success of this project was attributed to a local brick producer, technical staff and researchers from Institute for the Conservation of Monuments in co-operation with Italian experts from Lerici Foundation and University of Polytechnic of Milano.

"Although this research and experiments will continue, this has definitely contributed to taking the conservation work forward," said the ambassador.

In addition to the success gained in brick experimentation and production, the Guidelines for the restoration of Cham Towers with documented lessons learned from the G1 restoration in My Son would act as an important resource of knowledge and experience for conservators, particularly those working with ancient Cham monuments in central Viet Nam and other Hindu-influenced temples in the region.

The project was the first intervention since My Son was added to the World Heritage list in 1999 and only the second following the initial efforts by Polish and Vietnamese architects led by Kazimierz Kwiatkowski and Professor Hoang Dao Kinh in the early 1980s. A project which lacked the conditions to conduct more research into the materials and techniques used in the construction of the Cham monuments.

Phase I of the project began in 2003 and concluded in 2005 with the breakthrough discovery of an organic resin which was very similar to the ancient Cham material utilised as brick mortar.

The project cost 1.3 million euros (US$1.8million) from 2003-10.

"I'm convinced by the results of the project and I'm happy for the project to continue," said the ambassador. — VNS

Related Articles

South Korea hosts Vietnamese art exhibition

SEOUL — The biggest ever exhibition of Vietnamese contemporary art is taking place at the Fine Arts Museum of Gwangju City, the Republic of Korea (RoK), until February 6, 2011.

The exhibition themed Viet Nam Scenery and Spirit – Close up the Past, Looking to the Future introduces nearly 50 works of outstanding contemporary artists selected from collections of the Viet Nam Fine Arts Museum and the Viet Nam Fine Arts Association.

The painters include masters graduating from the Indochina Fine Arts College, which was established in 1924 and is the precursor of the Viet Nam College of Fine Arts, and well-known painters of next generations.

The paintings, which use a wide range of materials from oil paint, lacquer to silk, are arranged based on historical periods of Viet Nam from the 40s of the previous century to the first years of the 21st century. They introduce Vietnamese landscapes, people and their production life, traditional customs, as well as the country's resistance wars.

The exhibition reserves a solemn place for paintings on the theme of President Ho Chi Minh.

Addressing the opening ceremony, Vietnamese Ambassador to the RoK Tran Trong Toan underlined that the paintings to some extend reflect the history, culture, traditions, spiritual and material life, resistance wars and national construction of Vietnamese people.

He added the exhibition shows Vietnamese people's spirit and goodwill to befriend other nations for peace, independence and prosperity.

A representative of Gwangju city highlighted the positive achievements of the two countries' relations and the development of the Vietnamese community in the RoK. He said the exhibition would be a breakthrough for the two countries' cultural exchange activities, thus boosting their mutual understanding.

According to him, the organisation of the Viet Nam exhibition is one of Gwangju's efforts to become a centre for Asian cultural exchange. — VNS

Related Articles

Actor does charity star-turn

Doing his bit: Actor Chi Bao at a ceremony held to review the UHP charity programme in HCM City last week. — VNS Photo Vo Le Hong

Doing his bit: Actor Chi Bao at a ceremony held to review the UHP charity programme in HCM City last week. — VNS Photo Vo Le Hong

HCM CITY — A charity programme run by popular actor Chi Bao has sold a self-improvement book by Zen master Minh Niem to raise money for providing heart and cleft palate surgeries for poor children.

The programme, called Hieu ve Trai Tim (Understanding the Heart Programme), has sold 27,000 copies of Understanding the Heart and the proceeds have funded operations for 78 children with congenital heart diseases.

Carried out in co-operation with the Heart Beat Viet Nam and VinaCapital Foundation, the programme will benefit a further 22 this year.

Bao, deputy president and manager of the UHP, told a ceremony held to review the programme last week: "I recently read by chance some stories in [the book] which I found very useful for myself. The book helps readers understand some basic concepts like happiness, unhappiness, love, and suffering.

"I introduced the stories to some people and received positive feedback. So, I decided to gather friends to publish the book for charity."

He has also lectured about the book at clubs attached to dozens of colleges and universities around the country and firms.

The 50 psychoanalytical stories in Understanding the Heart are simple and practical but profound, enabling youths to look into their soul.

Niem, the author, has followers around the world. His writings help readers discover themselves, seek to sow good traits like generosity and selflessness in their soul, and transform negative energy caused by anger, envy and other sentiments. — VNS

Related Articles

Battle royal between star captains in Vietnam Hat final

Captain of the Brown Team, Jason Lopez (L) leaps for the disk against the Blue Team in the Vietnam Hat semifinals on Sunday - Photo: Pieter Funnekotter
A see-sawing scoreline and a desperate physical contest between rival teams and captains kept spectators riveted to the final in the Vietnam Hat Ultimate Frisbee Tournament on Sunday.

The team captains, David Jensen, an American who resides in Saigon, of the Orange Team and Jason Lopez, a Filipino who works in Singapore, of the Brown Team, both veteran Asian Ultimate Frisbee players, faced off in a desperate competition of high flying grabs and belly sliding layouts.

Lopez said he had been the bridesmaid at the last three Vietnam Hat tournament finals and was determined to be the bride this time

After Sunday’s tense 10-13 loss in the fading daylight, Lopez, whose Brown team was underdog to Jensen’s Orange, could only wait for next year. Jensen’s masterful long throws and high grabs stole the match from Lopez whose focus on the flying disc and athleticism was akin to a border collie.

Brilliant performances from team members on both sides kept the scores moving neck and neck throughout the long match.

“In seven years of playing in the Vietnam Hat this is the highest level of play and the most breathtaking plays I’ve seen in a final,” Jensen said.

The opposite to Lopez, Jensen has won the four finals he has played in the Vietnam Hat – two of them against the Filipino.

The Vietnam Hat 2010 over the weekend at the RMIT International University fields in HCMC’s District 7 was the biggest Ultimate Frisbee tournament held in Vietnam so far with nearly 200 competitors from at least 13 countries.

There were 50 Vietnamese players, 20 expats in Vietnam with the remainder traveling from around the world to play at the tournament.

Most of the international visitors were taking a short holiday in Vietnam after the tournament before going home.

One of the Orange team players, Barry Labendz, 29, of Brooklyn New York, who is on a six week holiday in Asia, said, “That’s what’s cool about playing Ultimate, people travel around so much.”

“I have never traveled in Asia so I wanted to entrench myself in the Frisbee community,” he said.

The Saigon Times Daily was the proud media sponsor of Vietnam Hat 2010.

Related Articles

Tuesday, December 21, 2010

Battle royal between star captains in Vietnam Hat final

Captain of the Brown Team, Jason Lopez (L) leaps for the disk against the Blue Team in the Vietnam Hat semifinals on Sunday - Photo: Pieter Funnekotter
A see-sawing scoreline and a desperate physical contest between rival teams and captains kept spectators riveted to the final in the Vietnam Hat Ultimate Frisbee Tournament on Sunday.

The team captains, David Jensen, an American who resides in Saigon, of the Orange Team and Jason Lopez, a Filipino who works in Singapore, of the Brown Team, both veteran Asian Ultimate Frisbee players, faced off in a desperate competition of high flying grabs and belly sliding layouts.

Lopez said he had been the bridesmaid at the last three Vietnam Hat tournament finals and was determined to be the bride this time

After Sunday’s tense 10-13 loss in the fading daylight, Lopez, whose Brown team was underdog to Jensen’s Orange, could only wait for next year. Jensen’s masterful long throws and high grabs stole the match from Lopez whose focus on the flying disc and athleticism was akin to a border collie.

Brilliant performances from team members on both sides kept the scores moving neck and neck throughout the long match.

“In seven years of playing in the Vietnam Hat this is the highest level of play and the most breathtaking plays I’ve seen in a final,” Jensen said.

The opposite to Lopez, Jensen has won the four finals he has played in the Vietnam Hat – two of them against the Filipino.

The Vietnam Hat 2010 over the weekend at the RMIT International University fields in HCMC’s District 7 was the biggest Ultimate Frisbee tournament held in Vietnam so far with nearly 200 competitors from at least 13 countries.

There were 50 Vietnamese players, 20 expats in Vietnam with the remainder traveling from around the world to play at the tournament.

Most of the international visitors were taking a short holiday in Vietnam after the tournament before going home.

One of the Orange team players, Barry Labendz, 29, of Brooklyn New York, who is on a six week holiday in Asia, said, “That’s what’s cool about playing Ultimate, people travel around so much.”

“I have never traveled in Asia so I wanted to entrench myself in the Frisbee community,” he said.

The Saigon Times Daily was the proud media sponsor of Vietnam Hat 2010.

Related Articles

Korean art meets Vietnamese art

Each visitor is given a lump of soft clay and instructed to roll it with their hands and carve their name on it. These balls will be shipped back to Jeju Island in Korea to make an unknown artwork - Photo: Thanh Hang
Durian Pie Factory, a collaborative exhibition between Korean and Vietnamese artists, is on at HCMC Fine Arts University until December 23.

This event is co-organized by Kim Ji Hye—an independent Korean curator and Nguyen Thanh Truc—a Vietnamese artist and member of the HCMC Fine Arts Association. The project has support from the consulate general of the Republic of Korea in HCMC and the HCMC Fine Arts University.

Eight Korean artists and three Vietnamese artists have produced 18 works ranging from paintings, installation art, and video art.

“Coming to Vietnam for the first time, we found durian to be a very strange fruit, yet we grew to like it. It’s the same for the artists from the two countries when they first met. It went from differences to harmony. This exhibition is just one step for Korean and Vietnamese artists to interact and understand each other,” said Kim.

The group of Seoul-based artists held a talk with a slideshow of art last week and an exhibition called Fluctuating Variation at ZeroStation, 91 A Dinh Tien Hoang St., Binh Thanh District.

Related Articles

Perfect of its kind

Conductor and HBSO music director, Tran Vuong Thach - Photo: Courtesy of HBSO
In the Saigon Opera House on Sunday evening, the HCMC Ballet Symphony Orchestra (HBSO) chose to offer Tchaikovsky’s Fifth Symphony as the central item of its last concert of 2010. It was preceded by the same composer’s Slavonic March in B Flat Minor, and followed by a mixed-repertoire presentation by the dancers (replacing the advertised Four Seasons program).

 It was clear from the opening notes that the orchestra under their director Tran Vuong Thach was in good form. The Slavonic March was as stirring and unsubtle as it was intended to be, and throughout the Russian spirit was strong, with Tchaikovsky’s affinity to his mighty successor Shostakovich occasionally apparent.

The symphony was also strongly played and full of beautiful episodes, especially in the second movement (taken at an appropriately unhurried pace). The Elgar-like third movement proved similarly effective, and the final movement was quite rightly given with exceptional vigour, particularly towards the end.

Ballet is essentially movement to music, and these days everyone’s doing it, from MTV to Vietnam’s own Yeah1 TV channel, with all conceivable styles on offer. But on Sunday evening the HBSO Ballet showed itself as involved in a strictly classical approach. They began with the vigorous mazurka from Le Corsaire (music by Adolphe Adam and others), continuing the Russian theme from the first half of the evening. This was followed by a pas de deux from the ballet Diana and Acteon, with Acteon dressed to resemble something between a stag (which in the myth he turns into) and Tarzan.

The highlight was the Duo from Chopiniana (also known as Les Sylphides). The two dancers here, Quynh Ly and Duc Nhuan, were outstanding in every way. They used the highly traditional Mikhail Fokine choreography, and indeed the whole evening was a tribute to these old Russian dance formulations, the very heart of the strictly classical repertoire. But this item in particular was genuinely magical, and more than made up for any lack of innovation in the program as a whole.

For the rest, we had the familiar corps de ballet numbers lit in white and dove-grey tones, with a pinkish light later turning to yellow. The very gestures we saw on Sunday can be seen on many an Internet site, so famous have these particular routines become. Let’s hope we experience some newer things soon, but these classical numbers, when well done, can never, in truth, be seen too often.

Related Articles