Friday, December 17, 2010

Electric Bicycle World Tour returns to Vietnam

Guim Valls Teruel poses for a photo outside the famous Bird’s Nest Stadium in Beijing at the start of his trip Photo: Courtesy of the organizer
Guim Valls Teruel originally from Spain plans to travel through 75 countries on his electric bicycle to promote electric vehicles and clean energy.

The eclectic cyclist started the Electric Bicycle World Tour in June 2009 in Beijing in support of a future with less reliance on traditional combustion engines, better energy conservation and waste reduction. The tour is scheduled to end in August 2012  in Vietnam.

Teruel’s electric bicycle, a Wisper 905 se World Tourer, has three 12 volt/20 watt solar panels wired in a series to recharge batteries. After traveling 14,000 kilometers the Electric Bicycle World Tour is back in Vietnam where in September 2009 Teruel, met Nguyen Thuy Anh, a Vietnamese journalist who interviewed him for a program on VTV6. In February, they will get married in Hanoi and she will join him on the tour.

The project has been written about in over fifteen different countries’ newspapers and magazines. Teruel has been interviewed on radio and broadcast on national television in China and Vietnam. The itinerary is planned into two stages: the first stage will depart in Hanoi in February and arrive in London in August, and the second stage will be from London to Hanoi in 2012.

The Electric Bicycle World Tour updated information is on the website www.electricbicycleworldtour.com and videos are uploaded at http://vimeo.com.

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Thursday, December 16, 2010

Electric Bicycle World Tour returns to Vietnam

Guim Valls Teruel poses for a photo outside the famous Bird’s Nest Stadium in Beijing at the start of his trip Photo: Courtesy of the organizer
Guim Valls Teruel originally from Spain plans to travel through 75 countries on his electric bicycle to promote electric vehicles and clean energy.

The eclectic cyclist started the Electric Bicycle World Tour in June 2009 in Beijing in support of a future with less reliance on traditional combustion engines, better energy conservation and waste reduction. The tour is scheduled to end in August 2012  in Vietnam.

Teruel’s electric bicycle, a Wisper 905 se World Tourer, has three 12 volt/20 watt solar panels wired in a series to recharge batteries. After traveling 14,000 kilometers the Electric Bicycle World Tour is back in Vietnam where in September 2009 Teruel, met Nguyen Thuy Anh, a Vietnamese journalist who interviewed him for a program on VTV6. In February, they will get married in Hanoi and she will join him on the tour.

The project has been written about in over fifteen different countries’ newspapers and magazines. Teruel has been interviewed on radio and broadcast on national television in China and Vietnam. The itinerary is planned into two stages: the first stage will depart in Hanoi in February and arrive in London in August, and the second stage will be from London to Hanoi in 2012.

The Electric Bicycle World Tour updated information is on the website www.electricbicycleworldtour.com and videos are uploaded at http://vimeo.com.

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Saigon Times Concert 2011

Harmony of Trust

Soprano Rumi Yano

This singing masters graduate from Nagoya Conservatory of Music is a favorite solo and opera vocalist of radio and television audiences in Japan. Yano’s performances have been well received in China, Korea, the U.S., Canada, Italy and France. In addition to classical music, the artist is working on contemporary Japanese music projects.

Violinist Mira Khomik

Mira Khomik began violin training in Ukraine at the age of four, and then honed her performance skills under instruction of professors at the Moscow Conservatory of Music. At the age of 16, Khomik was invited to be a soloist with the L’viv Philharmonic Orchestra in Ukraine. A graduate from L’viv National Krushelnytska School of Music in Ukraine and the Chapman Conservatory of the Arts in the U.S., she has brought home various awards from music competitions in Ukraine, Romania and the U.S. She is now completing a master’s in music at California State University in Fullerton.

Conductor Dean Khomik Anderson

Dean Khomik Anderson is among the rising stars conducting in the U.S. The American-Filipino conductor has performed with such great artists as Smokey Robinson, John Tesh, Arlo Guthrie, Manhattan Transfer, Bobby McFerrin, Lincoln Mayorga and Jimmy Hopper. He lives and works in Southern California, where he conducts the Montage Civic Orchestra, the Fullerton College Symphony, and the Irvine Young Concert Artists. He has also appeared as a guest conductor of orchestras in Hong Kong, Italy and Brazil.

Pipa Maestro Tu Shan Xiang

Tu Shan Xiang graduated from the Shanghai Conservatory of Music and completed his postgraduate studies in vocal music at the Tokyo University of Arts. The maestro has joined more than 1,900 shows and tours around the world, including at Carnegie Hall in New York and overseas tours with the famous Japanese composer Kitaro. He has won a host of music prizes in Japan and China.

Tu Shan Xiang has released a number of DVDs and CDs, including the best-selling “Fantasy of BaiDi” album in China. In 2010, he made performance tours in the U.S., Europe and Asia to mark his 40 years of devotion to the performing arts.

Tu Shan Xiang surprised and impressed the audience of the Saigon Times Concert Harmony of Trust in January 2010 which was his first Vietnam performance.

The HCMC Ballet Symphony Orchestra

The orchestra brings together many artists who have studied at home and aboard. These artists of different generations harmonize in local and international performances of classical masterpieces as well as contemporary Vietnamese and international works.

PROGRAM "Vietnam Sketch in the New World"

PART I

Vang Son

Composer: Vu Viet Anh

Performers: The HCMC Ballet Symphony Orchestra

Conductor: Dean Khomik Anderson

The first movement of this three-movement symphony depicts the culture of Vietnam’s unique village tradition in a picturesque landscape. The music evokes moonlight reflections on a country river, resounding market days, village festivals, and the solemn ambience of royal palaces in the past.

Hamabe no Uta (Song of the Seashore)

Music by Tamezo Narita, lyrics by Kokei Hayashi

Soprano: Rumi Yano

Pipa: Tu Shan Xiang

Pianist: Ly Giai Hoa

Created in 1916, this work, typical of Japan, evokes the emotion of standing in awe of nature before the sea. The beauty of nature moves people and brings back their memories of the past.

O Sole Mio

Composer: Eduardo di Capua

Soprano: Rumi Yano

The famous Italian folk song embodies Habanera rhythm and resounds in festive seasons. Yano performs this ballad to relay the hope in the message “East Meets West”   on Thursday’s world

Passacaglia & Burleske Movements

(From Violin Concerto No. 1)

Composer: Dmitri Dmitrievich Shostakovick

Violinist: Mira Khomik

The masterpiece mirrors the composer’s journey of art and his feelings during the ups and downs of the Ukrainian history. This composition tells a long story full of sad memories and high hopes on the way to perfection.

Vietnam Sketch

Composer and performer: Tu Shan Xiang

The pipa maestro returns to Vietnam with his work Vietnam Sketch which he wrote following his first visit to the country. This piece was inspired by his impressions when he saw “seas of motorbikes,” Cham dancers, marvelous historical sites and the people’s deep human attachment to their homeland.

The artist received standing ovations during his tours of Finland, France, Italy, Canada, Japan, Korea and China celebrating his 40 years of performing.

PART II

From the New World

Composer: Antonin Dvorak

Performers: The HCMC Symphony Orchestra

Conductor: Dean Khomik Anderson 

The masterpiece written during a visit to the U.S. is characterized by cultural and racial diversity and has been welcomed all over the world thanks to its beautiful melodies embracing love and peace.

Csardas

Composer: V. Monti

Violonist : Mira Khomik

Pipa: Tu Shan Xiang

Conductor: Dean Khomik Anderson with the HCMC Ballet Symphony Orchestra

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Saigon Times Concert 2011

Harmony of Trust

Soprano Rumi Yano

This singing masters graduate from Nagoya Conservatory of Music is a favorite solo and opera vocalist of radio and television audiences in Japan. Yano’s performances have been well received in China, Korea, the U.S., Canada, Italy and France. In addition to classical music, the artist is working on contemporary Japanese music projects.

Violinist Mira Khomik

Mira Khomik began violin training in Ukraine at the age of four, and then honed her performance skills under instruction of professors at the Moscow Conservatory of Music. At the age of 16, Khomik was invited to be a soloist with the L’viv Philharmonic Orchestra in Ukraine. A graduate from L’viv National Krushelnytska School of Music in Ukraine and the Chapman Conservatory of the Arts in the U.S., she has brought home various awards from music competitions in Ukraine, Romania and the U.S. She is now completing a master’s in music at California State University in Fullerton.

Conductor Dean Khomik Anderson

Dean Khomik Anderson is among the rising stars conducting in the U.S. The American-Filipino conductor has performed with such great artists as Smokey Robinson, John Tesh, Arlo Guthrie, Manhattan Transfer, Bobby McFerrin, Lincoln Mayorga and Jimmy Hopper. He lives and works in Southern California, where he conducts the Montage Civic Orchestra, the Fullerton College Symphony, and the Irvine Young Concert Artists. He has also appeared as a guest conductor of orchestras in Hong Kong, Italy and Brazil.

Pipa Maestro Tu Shan Xiang

Tu Shan Xiang graduated from the Shanghai Conservatory of Music and completed his postgraduate studies in vocal music at the Tokyo University of Arts. The maestro has joined more than 1,900 shows and tours around the world, including at Carnegie Hall in New York and overseas tours with the famous Japanese composer Kitaro. He has won a host of music prizes in Japan and China.

Tu Shan Xiang has released a number of DVDs and CDs, including the best-selling “Fantasy of BaiDi” album in China. In 2010, he made performance tours in the U.S., Europe and Asia to mark his 40 years of devotion to the performing arts.

Tu Shan Xiang surprised and impressed the audience of the Saigon Times Concert Harmony of Trust in January 2010 which was his first Vietnam performance.

The HCMC Ballet Symphony Orchestra

The orchestra brings together many artists who have studied at home and aboard. These artists of different generations harmonize in local and international performances of classical masterpieces as well as contemporary Vietnamese and international works.

PROGRAM "Vietnam Sketch in the New World"

PART I

Vang Son

Composer: Vu Viet Anh

Performers: The HCMC Ballet Symphony Orchestra

Conductor: Dean Khomik Anderson

The first movement of this three-movement symphony depicts the culture of Vietnam’s unique village tradition in a picturesque landscape. The music evokes moonlight reflections on a country river, resounding market days, village festivals, and the solemn ambience of royal palaces in the past.

Hamabe no Uta (Song of the Seashore)

Music by Tamezo Narita, lyrics by Kokei Hayashi

Soprano: Rumi Yano

Pipa: Tu Shan Xiang

Pianist: Ly Giai Hoa

Created in 1916, this work, typical of Japan, evokes the emotion of standing in awe of nature before the sea. The beauty of nature moves people and brings back their memories of the past.

O Sole Mio

Composer: Eduardo di Capua

Soprano: Rumi Yano

The famous Italian folk song embodies Habanera rhythm and resounds in festive seasons. Yano performs this ballad to relay the hope in the message “East Meets West”   on Thursday’s world

Passacaglia & Burleske Movements

(From Violin Concerto No. 1)

Composer: Dmitri Dmitrievich Shostakovick

Violinist: Mira Khomik

The masterpiece mirrors the composer’s journey of art and his feelings during the ups and downs of the Ukrainian history. This composition tells a long story full of sad memories and high hopes on the way to perfection.

Vietnam Sketch

Composer and performer: Tu Shan Xiang

The pipa maestro returns to Vietnam with his work Vietnam Sketch which he wrote following his first visit to the country. This piece was inspired by his impressions when he saw “seas of motorbikes,” Cham dancers, marvelous historical sites and the people’s deep human attachment to their homeland.

The artist received standing ovations during his tours of Finland, France, Italy, Canada, Japan, Korea and China celebrating his 40 years of performing.

PART II

From the New World

Composer: Antonin Dvorak

Performers: The HCMC Symphony Orchestra

Conductor: Dean Khomik Anderson 

The masterpiece written during a visit to the U.S. is characterized by cultural and racial diversity and has been welcomed all over the world thanks to its beautiful melodies embracing love and peace.

Csardas

Composer: V. Monti

Violonist : Mira Khomik

Pipa: Tu Shan Xiang

Conductor: Dean Khomik Anderson with the HCMC Ballet Symphony Orchestra

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Year-end pop albums make their appearance

HCM CITY – Many top singers are scrambling to release their traditional year-end album to mark the festive season and are receiving a warm welcome from fans.

Pop star Phuong Thanh released a solo album on Sunday, her first of the year, titled Nao Ai Co Biet (Nobody Knows). It has 10 romantic songs, all written by well-known composer Duc Tri.

"The album marks 10 years of collaboration between Tri and me," Thanh says.

The singer, who uses her melancholic voice to full effect, often sings about love and loneliness to strike a chord in listeners. She has never received professional training but managed to make her "God-gifted voice" unique.

"I try to immerse myself in the song to infuse them with feeling and spirit," she explains.

Her album was followed by Duc Tuan's Bay Gio… Bien Mua Dong (Now… Sea in Winter).

Tuan sings 10 romantic singles written by celebrated composer Duong Thu, the highlight being Xa Xam (Far Away) and O Lai Mua Dong (Stay with Winter).

Tuan is one of the few Vietnamese stars to sing classical and semi-classical music, not a popular genre among the youth.

"The album is my Christmas gift to fans," he says.

Last year he had won the Singer of the Year and Album of the Year awards at the prestigious annual Music Contribution Prize for his Music of the Night album in English and French.

Last week MV Productions released Cao Got (High Heels), an album featuring 15 songs starring well-known models and movie stars like Trang Nhung, Thao Nhi, and Truc Diem.

Pop star My Le resorts to classical music for the first time in her latest album My Le in Symphony also released last week. Le's delicate style has won her acclaim among both young and older listeners.

Co Nhung Giac Mo (There're Dreams) released two weeks ago by upcoming singer Giang Hong Ngoc has also been well received.

"Ngoc's album Ruby 20 released last year has many sad songs," Tran Mai Dao, a fan of hers, says.

She says she prefers There're Dreams because of its several youthful melodies like Thien Duong Tinh Yeu (Paradise of Love) and Het Roi (It's Over)."

Albums by other pop singers like Pham Thanh Thao, Khanh Doan and Oversea Vietnamese Kannan Nguyen are nearing completion.

"We won't be worried about what music to hear during the festive season," a first-year student at the HCM City Open University says cheerfully. – VNS

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Finnish artist fashions playful works in metal

Steely: Works by Maritta Nurmi at the exhibition.

Steely: Works by Maritta Nurmi at the exhibition.

HA NOI — A playful exhibition by Finnish artist Maritta Nurmi entitled After the End of Art Anything Goes, has opened at Art Viet Nam Gallery in Ha Noi.

Nurmi, a visual artist born in Finland, has been based in Ha Noi since 1994 and is well-known for her installation art. Nurmi's background both in art and in natural sciences, together with her experience of Asia, lends her work a multilayered and multicultural feel.

The artist is famed for her richly detailed work in silver, aluminium and copper leaf on canvas. In this playful exhibition, that combines art and fashion, she has managed to add text to textile to accentuate her works' effervescent surfaces.

Freed from the constraints of making art as it is currently known, Nurmi explores all sorts of media and objects, elevating the everyday and mundane into what we may call the zone of the sublime.

Large round aluminium trays used for steaming rice are suddenly transformed into whirlpools of flora and line; small wooden stools, playfully patterned, spring from the floor to the wall, while their corresponding tea tables are transformed into colourful, functional artworks.

Stainless steel work tables are essays in structure and line; dragons and Buddhas appear faintly in their mirrored surfaces, transporting the object and the viewer into a fanciful world.

Nurmi uses images of roses and repeats them many times in her artworks. "Rose means everything," she explains. "I love roses and I think people do."

In the midst of all the playfulness, Nurmi takes her ideas into yet another dimension. Inspired by the colourful textiles of the people of Benin, in West Africa, where she was an artist in residence in 2009, she had fabrics of her artworks made in India, which she then transformed into her own eclectic mode of fashion – Couture Adorable de Maritta.

Stripes and circles, angles and lines, colour and pattern all collide into a splendid kaleidoscope of fun and frolic, a true testimony to the function of art as art and art as function wherein "anything goes."

"Nurmi's artworks really surprise and attract me," says Pham Trung, lecturer at the Viet Nam Fine Arts University.

"She is an artist of liberalism. She breaks all old orders to create the art of her own. However, she is influenced by Eastern philosophy and Zen Buddhism. She stands at the border of many cultures."

Nurmi has exhibited her works in many countries including Finland, Germany, the UK, the US, Thailand, and Viet Nam.

The exhibition will run until January 7 at Art Viet Nam Gallery, 7 Nguyen Khac Nhu Street, Ha Noi. — VNS

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Culture Vulture

Tai tu music inherits thousands of years of Vietnamese traditional music

Prof Dr Nguyen Thuyet Phong is an ethnomusicologist who was honoured by the US government as a National Heritage Fellow in 2007 and one of two Vietnamese listed in the New Grove Dictionary of Music and Musicians alongside Prof Dr Tran Van Khe. Phong talked about the possibility of tai tu music being recognised as an Intangible World Cultural Heritage by the UN.

The Ministry of Culture, Sports and Tourism has tasked the Vietnamese Institute of Music and its departments in HCM City and other southern provinces to develop a thorough profile for tai tu music. This would be submitted to the United Nations' Education, Science and Culture Organisation (UNESCO) which would consider the music as an Intangible World Cultural Heritage status. What role do you have in the project?

It was my pleasure to be invited by Culture Minister Hoang Tuan Anh to work on the project. What part I will play depends on the assignments of the Vietnamese Institute of Music and the HCM City's Department of Culture, Sports and Tourism.

In my opinion, the road ahead is still very challenging. The art form has lost most of its luster to cai luong (reformed theatre), while its performances are much influenced by tan co giao duyen (a mixture of elements of traditional and pop music).

Tai tu music is traditionally performed in visiting rooms. Its standard orchestra includes a dan tranh (16-string zither), a dan kim (two-chord guitar), a dan co (two-chord fiddle), a ty ba (pear-shaped four-chord guitar), a doc huyen (monochord zither) and a flute.

Performing tai tu music on a big stage as pop and rock music groups do, or like performances during tourism festivals, is not true to its nature.

We should take into account its chamber concert nature when we are striving to restore the art form to its original form in terms of instrumentalists, singers, repertoire, style of singing and instruments, among others.

The most noteworthy surviving tai tu music figures in HCM City include musicians Vinh Bao and Ba Tu who are quite old now and some other musicians. Also, there are artists we don't know about, but we still are trying to find out who they are.

Even though tai tu music today has a much bigger audience, we still need to restore its chamber space that can accommodate small audiences.

Compared to other kinds of traditional Vietnamese music, tai tu music has a much shorter history. Will it pose any hurdle for UNESCO's recognition?

In my opinion, UNESCO recognition is not based on the history of the art form, but on its quality and musical system. In this respect, we can see tai tu music as unique in that it synthesises traditional music of the north, centre and south of the country over thousands of years.

So it has an extraordinary power. Its performance adheres to strict specific rules. Its theory, which has been handed down by generations through word of mouth, draws on many traditions of the past.

Once the art form is restored, we should commit to conserving it.

What do you have to say about the get-together of ethno-musicologists from over the world during a recent conference of the International Council for Traditional Music (ICTM) in Ha Noi city and Quang Ninh Province?

It was a good opportunity for us to advertise our traditional music and learn from international experts in studying and conserving traditional music. It's noteworthy that the ICTM is also advising UNESCO on appraising intangible heritage profiles.

With 54 ethnic groups, Viet Nam is of great interest and inspiration to the world's ethnomusicologists. Some presentations at the conference deal with subject matter like ethnic groups' music and youth, ethnomusicological applications in education, sociology and the mass media. — VNS

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