Monday, December 27, 2010

Famous artists talk to Tuoi Tre readers

Singers Tung Duong, Thao Trang and musician Tuan Khanh are in Tuoi Tre to have an online chat Monday morning. If you have any questions for them, please send them to

Musician Tuan Khanh with Tuoi Tre readers:

Nguyen Ha Linh, 25 years old: What do you think: A singer with a good voice should participate in music contests or stay underground and have their own position in the audience’s heart?

Tuan Khanh: Thank you for an interesting question. I believe music contests only show a part of values in the Vietnamese music streams nowadays. In fact, the sinking iceberg of the underground era has a very great force but still remains unexploited due to many reasons.

People in the underground streams are liberal in their style and thinking, so it is hard for them to have high awards. Contests, in general, still have their own frames and limit liberal thinking in any country. Life forms each steam a different color and I think the best way is to decide from the beginning to avoid confusion and getting lost.

The most important thing is each stream has its own audience.

Nguyen Tan Nhut, 22 years old: You are often in the judge panel of big music contests such as Vietnam Idol, Sao Mai Diem Hen… What do you think about winners in contests who disappointed the audience as they disappeared so soon? Are music contests nowadays a playground for everyone to get on TV, get a prize and go home?

Tuan Khanh: Your question is my innermost feeling. I would like to tell you one thing: the music contests nowadays are first game shows with exploring and entertaining values.

We, Vietnamese music lovers, often expect too much from these games thus we can easily become disappointed. Win or lose, sometimes it is just a promoting technique for a show.

I also wonder like you, where the emerging talents will go. Up to now, calmly thinking, I think once the performance industry is complete, investors will have a better awareness in contributing to the future of Vietnamese music rather than merely doing business in this country. Then we will have an answer to the question you and I are concerned about.

Duy Lam, 18 years old:Many Vietnamese singers have beautiful voice as well as appearance but still remain unpopular in the country and overseas. On the other hand, Chinese and Korean singers have nothing special but are very famous. Is it because of promotion and when will Vietnam have famous singers on international stage?

Tuan Khanh: Can I ask you another question? Are we also witnessing many singers with bad voice and physical appearance being promoted to stardom recently? That is the worst promoting technique with participation from well-known means of media. We also have the same promoting techniques like other countries but are distorted and done in a wrong way.

Tuan Khanh

Musician Tuan Khanh at Tuoi Tre Newspaper Monday morning

Singer Tung Duong with Tuoi Tre readers:

Hoang Van, 28 years old:What do you think a good singer should be? Have you ever admired anyone’s talents? How can a talented singer contribute to Vietnamese music?

Tung Duong: Art gives birth to many talents and as such each artist has a very big ego. However, that rule is gradually being broken by contemporary artists. If an artist does not reflect on him/herself, listen and conceive correctly, he/she cannot go far. What’s important is learning, even the smallest thing from your colleague can also be helpful.

I have many music idols but above all, learning from their good points is not a simple thing. We need to filter and turn others’ good points into yours rather than turning yourself into someone’s copy.

Hoa Sim, 28 years old:What is the toughest thing in a singing career? How do you prepare to face and overcome it?

Tung Duong: There are always ups and downs in every singer’s life. To me, the support and love from fans are the most important. An artist should always strive to live long in every audience’s heart. What I fear the most is to lose desire and aspiration in my career.

Tung Duong

Tung Duong at Tuoi Tre Newspaper Monday morning

Singer Thao Trang with Tuoi Tre readers:

Hai Ha, 18 years old: There is a mixture of good and bad singers in Vietnamese showbiz nowadays. Are you hurt to be doubted to belong to the latter category and what do you do to face it?

Thao Trang: Thank you for a very good consideration to the current situation of Vietnamese showbiz. This is caused by many factors, requiring responsibility of managers as young singers do not have a clear direction. To overcome this crisis, I think it takes a considerable time when audience can become strict critics and select their own idols.

Vo Anh Minh, 22 years old: After Vietnam Idol 2007, what difficulties did you have in your career? As one of the contestants having professional training, do you think it is an advantage in a music contest or it all depends on audience’s votes?

Thao Trang: After the contest, it was advantageous at first because there were still echoes from the contest. However, after a year, it was getting more difficult as there were more and more young singers emerging. That is the reason why each singer has to be more active and affirm themselves more to stand.

About professional training, I have never thought it was an advantage. If you take Vietnam Idol for example, seeking a music talent with good techniques is not an important thing. The contest only looks for those with potentials or those who can go farther in the future. As you said, I think it is partly correct that audience are those who decide who will be music talents.

Thao Trang

Thao Trang at Tuoi Tre Newspaper Monday morning

Hanoi singer Tung Duong, 28, won the jury prize of the Sao Mai Diem Hen singing contest in 2004. After that, he has built a successful image as a “demon” singer full of internal forces on the stage. Tung Duong was also awarded Mai Vang (Yellow Apricot) prize.   

Danang girl Thao Trang, 23, advanced into the top ten of Vietnam Idol 2006 and successfully impressed audiences.

HCMC’s Tuan Khanh, 42, who used to serve as a jury in several singing contests like Vietnam Idol and Sao Mai Diem Hen, has contributed valuable ideas and helpful comments for contestants and Vietnam music.

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Parents concerned over violent comics, DVDs

Graphic novel: A comic in the wildly popular series Vietnamese Child Prodigies.

Graphic novel: A comic in the wildly popular series Vietnamese Child Prodigies.

HCM CITY — Educators and parents are concerned that many of the most popular books for children, especially those translated from foreign languages, contain too much violence and other adult content.

"When we were teens, we liked Vietnamese stories eulogising national heroes and examples of children doing well at home and school, but now these books are old-fashioned for most children," the father of an 11-year-old boy grumbles.

Children prefer Japanese and Chinese comics and books like Skip Beat Manga, A Half of Ranma, and Inu-Yasha which depict leading characters using guns and swords and carrying on adult love affairs.

"Violent and sexy comics can affect children because they are young and naive," Bui Chi Vinh, a popular children's book write based in HCM City, says.

The best solution for the problem is for Vietnamese authors, artists, and designers to create more quality books that appeal to children, he says.

He points to the example of Than Dong Dat Viet (Vietnamese Child Prodigies), a recently published comic series that is exciting and has beautiful pictures, which is wildly popular among youngsters and their parents.

Many parents are also worried that children are exposed to violence through many DVDs and toys that are widely available.

Children's DVDs are often full of fights, with Fruity Robot and Slipp Jimmy Fri, sold this year in HCM City, being prime examples.

Instead of toy animals and dolls, shop shelves are piled with imported toy swords, guns, battery-powered tanks, and aeroplanes.

A shopkeeper in Kim Bien Market in District 5 says children take a liking to guns and swords after watching action films filled with fights. — VNS

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Saturday, December 25, 2010

Technicolour images of the abstract artist

by Vo Le Hong

 
Naked ambition: Van Duong Thanh poses next to one of her works. — VNS Photo Sunny Rose

Naked ambition: Van Duong Thanh poses next to one of her works. — VNS Photo Sunny Rose

 
 
A load on their shoulders: Women Carrying Rice on a Shoulder Pole, a painting by Thanh.

A load on their shoulders: Women Carrying Rice on a Shoulder Pole, a painting by Thanh.

HCM CITY — Colour has the strongest influence on emotion, according to artist Van Duong Thanh. Her art is not about the tangible but about the abstract. But although the universe is like a fantasy, it does evoke very strong images and feelings.

Her collection of 40 abstract paintings on display at the Sai Gon Rex Hotel in HCM City reflect her worldview.

"My strongest inspiration is the Sarus crane and other animals in the Mekong Delta," Thanh says.

"I love the green of the Delta's submerged fields."

Me Con Tren Canh Dong (Mother and Children in the Field), Bay Seu Duoi Anh Trang (Cranes in the Moonlight), Nhung Nguoi Dan Ba Ganh Gao (Women Carrying Rice on a Shoulder Pole), all on display at A Sense of Homeland, are testimony to this.

The overwhelming theme of Thanh's paintings is joy, whether it is an image of a winter's evening or a rainy afternoon.

For her, dark colours are just a "low musical note in a vivid concert".

"Art is a sublimated minute of a great accumulation."

Considered one of Asia's most talented female artists, Van Duong Thanh grew up in Ha Noi where she studied for 12 years at the Fine Arts College and the Academy of Fine Arts.

She was a researcher at the Institute of Culture in the capital from 1981 to 1987, and now divides her time between Sweden, where she teaches art, and Ha Noi.

The Vietnamese National Museum of Fine Arts in the capital added Thanh's works to its collection when she was just 21.

Since then, many of her works have gone on permanent display at national museums in several other countries including Thailand, Singapore, Spain, and Sweden.

Thanh was born in Phu Yen Province and during the war often had to evacuate to the countryside to hide in tunnels or finding shelter with peasants.

It was during this period that she developed an empathy for the rural way of life and the country's traditions. After the war ended, she completed her formal education at Ha Noi's Fine Arts College in 1980.

She has held many exhibitions in Viet Nam, France, Thailand, Singapore, Hong Kong, Germany, the US, and Sweden.

A Sense of Homeland will be on display until June 30 next year. — VNS

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Archaeology has community benefit

Dig that: Archaeologists at an excavation site in Khuoi Nang Cave in the northern province of Ha Giang, where various traces of prehistoric human beings have been found. — VNA/VNS Photo Thanh Ha

Dig that: Archaeologists at an excavation site in Khuoi Nang Cave in the northern province of Ha Giang, where various traces of prehistoric human beings have been found. — VNA/VNS Photo Thanh Ha

THANH HOA — Local people, authorities and archaeologists will both spiritually and materially benefit from a "community archaeology" model, according to participants at a recent conference in the central province of Thanh Hoa.

Thai specialist Boonyarit Chaisuwan gave an example of the Phu Khao Thong archaeological site, located 71km north of Bangkok, where local thieves used to excavate antiques to sell.

"When we reached the site, we were amazed because there were 2,000-year-old antiques scattered all over the site," Chaisuwan said, "The thieves just took the gold and left the rest there."

"We decided to educate local people about their heritage," he said pointing at a photo featuring local students listening attentively to a lecturer. Beside the students were souvenirs made by locals to sell to tourists.

"So, from the Phu Khao Thong site, which means ‘Golden Mountain' in English, locals have learnt to earn money without having to dig," he said.

"Tourists flock to see the site, where locals can talk for hours on the archaeological heritage and sell souvenirs. Locals understand that their livelihoods are secure as long as the site is protected."

According to Nguyen Giang Hai, general secretary of the Viet Nam Archaeology Association, community archaeology was still a fairly new concept in Viet Nam. "But there are still reputed examples," he said.

Pham Van Hung from Ha Noi and Nguyen Cao Lu from the northern province of Ninh Binh are good examples of locals who have spared no efforts in protecting local archaeological sites.

Hung has worked with local people to prevent looting at the Vuon Chuoi archaeological site, where traces of Dong Son Culture (2,000BC-200AD) and even older dynasties were discovered in 1994.

Lu became interested in the subject after reading books on archaeology belonging to his son, and since then, he has discovered 22 caves with traces of early human life in Ninh Binh which he has reported to local scientists.

"Archaeological sites in Viet Nam are often located in residential areas, so most are discovered by chance by local people," said Lam Thi My Dung, deputy chairperson of the Viet Nam Archaeology Association, "We say that in Viet Nam, locals are the eyes and ears of archaeologists."

Lu came to the conclusion that community archaeology should be the "people's archaeology".

Archaeologist Rasmi Shoocongdep from Thailand said that communication was the most important thing in community archaeology.

"We reported our finds using simple language instead of professional terms so that locals could understand," he said.

Vietnamese archaeologist Le Hai Dang from the Viet Nam Archaeology Institute agreed with his Thai colleague.

"We should organise workshops at the excavation sites, rather than bringing artefacts to far-away meeting halls," he said.

Archaeologist Nishimurra Masanari from Japan said community archaeology had been introduced in schools in his country, where students were given various parts of a broken jar and asked to put them back together, following the styles of certain historical periods.

"With minimal expense, community archaeology has been introduced in schools and merged with subjects such as history and fine arts," he said, "Viet Nam can do the same."

Im Sokrithy from the National Conservation Centre in Siem Reap, Cambodia, insisted that such systematic heritage protection required assistance from local authorities.

"In order to protect Angkor Wat, authorities have helped locals relocate, and provided them with housing and land with proper infrastructure."

Pham Sanh Chau, secretary general of the Viet Nam National Commission for UNESCO, said that the methods of conducting community archaeology discussed at the conference were similar to those recommended by UNESCO.

According to a UNESCO convention in 2003 on protecting intangible heritage, a heritage is only recognised by the organisation when the local community agrees and participates in the protection process.

UNESCO educates all levels of people on cultural, archaeological and artistic heritage.

UNESCO also facilitates the creation jobs for both locals and people living near the sites.

"These sentiments work well in Viet Nam because Vietnamese people have a high community spirit," he said. — VNS

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Children need quality TV programmes

CAN THO — The need for more airtime and better scheduling for children's programmes was stressed by local filmmakers as well as television stations TV broadcasting officials at a seminar held in Can Tho city early this week.

Airtime for children's programmes on Da Nang Television was 10.3 per cent, on Ha Noi Television (HNTV), 9.1 per cent, and on Viet Nam Television (VTV) is 8 per cent, and in several provincial stations, just 2 per cent, said Huynh Mai Huong of Ho Chi Minh TV (HTV).

"Children programmes are broadcast at 2.30pm, 6.30pm or 7.30pm every day failing to attract young viewers, who are either at school or are beginning to do their homework at home," she added.

Musician The Long of the VTV in Can Tho said: "We produced 147 programmes in different styles for children in 2008; this dropped to 51 programmes in 2009 and just 47 this year. "

A recent survey by psychologist Dr Huynh Van Son and his team showed that only 30-45 per cent of children in HCM City and neighbouring provinces watched TV programmes designed for them.

"Most viewers prefer watching foreign productions on cable channels such as Disney Channel and Cartoon Network, because domestic works are poorly made and boring," he said.

Cartoon time is the highlight of the afternoon for children, but over 90 per cent of the cartoons shown on TV are imported productions.

The relatively few Vietnamese cartoons shown use outdated technology and uninspiring scripts, and they are losing out in a big way to high-tech, sophisticated productions from Japan, China and the US.

To produce a programme for children, VTV spends around VND3.7 million (US$ 160) – including the royalty of VND500,000 ($25) for the show's director – these meagre figures tell their own story, according to speakers at the seminar.

Many skilled producers and directors refuse to make children's programmes because they see it a poor business opportunity.

One official with Ha Noi Television (HNTV) said that without increased financial investment and new policies, "our TV programmes will continue to fail to attract children".

He said many provincial TV stations still lacked professional staff, modern technology and support from related offices to promote their broadcasts.

Also attending the seminar, held within the auspices of the National Television Festival held in the Cuu Long (Mekong) Delta city, were representatives from foreign TV stations including Australia's ABC, China's CCVT and Japan's NHK. — VNS

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Ha Long Bay ranks sixth on National Geographic list

HA NOI — National Geographic magazine has ranked Viet Nam's Ha Long Bay sixth in a list of the world's 10 best sailing cruises.

The magazine describes Ha Long Bay as consisting of "strangely sculpted limestone islands and outcrops, dotted with small floating villages and deserted sandy beaches. In spring and early summer the water is particularly calm and clear. This UNESCO World Heritage Site is best explored by a cruise on a junk."

The list also included the Nova Scotia and Labrador Tall Ships cruise in Canada; US Washington state's San Juan Islands; a Pirate Cruise of the Grand Cayman Island; the Star Clipper to French Polynesia; a Junk Cruise in Andaman Sea, Thailand; the Seychelles Islands; a Dhow Cruise through the Strait of Hormuz, Oman; Lamu Island, Kenya and the Evia Island Cruise, Greece.

Last month, the Lonely Planet magazine also introduced Ha Long Bay as one of the world's top ten best boat journeys.

HCM City university kicks off fashion design contest

HCM CITY — The HCM City University of Technology's annual design contest for young fashion hopefuls opens tomorrow.

HUTECH Designer 2011 will be themed Hanh Tinh Xanh (Green Earth) to send the message of environmental protection to students around the country.

Contestants can send up to 10 designs.

The jury, including designer Sy Hoang, supermodel Ha Anh, and fashion lecturers from HUTECH and the HCM City University of Architecture, will select 15 best collections that will qualify for the final.

The finalists have to make clothes from their designs for the final to be held next April at the Phan Dinh Phung Gymnasium in District 3.

The winner will get a prize of VND30 million (US$1,540).

The contest was first held in 2009 for the HUTECH student and expanded to students and young people across the country in 2010.

Last year's contest was themed We Make Change, attracting contestants from 31 universities and colleges around the country and 100 others who submitted in all 332 designs.

Vo Thi Quynh Nhu of the HCM City-based Hoa Sen University won first prize with her collection titled Vu Dieu Mau Sac (Dance of Colours).

Da Nang student wins international film award

HA NOI — Ho Thi Hieu Hien, a student at the Tay Son School in the central city of Da Nang, has won the special prize at the Japan International Film Contest for Asian Children for her film Buoi Hoc Cua Thuy (Thuy's Learning Time), beating out 65 entries from 10 Asian countries and territories.

The film previously won first prize in a film contest for Vietnamese students.

Hien also won first prize in the 39th Universal Postal Union International Letter Writing Competition in September.

Ethnic man wins prize in traditional architecture contest

HA NOI — An amateur design for a stilt house of the Chu Ru ethnic group has won second prize in the Viet Nam Institute of Architecture, Urban and Rural Planning's Traditional Vietnamese Architecture Contest.

The designer, Jahieng from Pre' village in the Central Highlands province accepted the award in Ha Noi on Thursday.

The contest, organised by the institute's Architectural History Research Department, was part of a project to collect and gather information on traditional Vietnamese architecture. — VNS

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Hotels shares Xmas spirit with children

The Ramana Hotel’s staff members with Anh Sang orphanage’s children at the Xmas Charity party - Photo: Courtesy of Ramana Hotel Saigon
Somerset HCMC, a serviced residence managed by Ascott Limited (Ascott), has organized a ‘Sharing Happiness” Day at Dieu Giac temple orphanage in District 2 and donated VND30 million to the disadvantaged children there.

Richard Tan, Ascott’s country general manager for Vietnam, and some 40 staff, residents and families joined the event with a lot of food, games, songs and art competitions. The children had a lot of fun running around and taking photos with the Santas.

Somerset HCMC has been decorated with a key card Christmas tree at its lobby. There are 125 special edition key cards for sale and all proceeds from the sale will be donated to the orphanage on Christmas Day. Extra donations are expected to total VND10 million which will be used to cover foods and education needs for the children there.

*DuxtonHotel Saigon

In the spirit of giving for this Christmas season, Duxton Hotel Saigon visited and sent Christmas gifts to orphaned children, sightless people and elderly at Bamboo Village in Dong Nai Province on December 18.

*Legend  Hotel Saigon

Management and staff of the Legend Hotel Saigon have visited Hoang Mai Center in HCMC’s Go Vap District to serve buffet lunch to disabled children and give the center VND20 million and Christmas gifts. The donation was contributed by the hotel’s management and staff, and funds saved through not sending printed seasonal greeting cards as a commitment to the environment and community.

*Ramana Hotel Saigon

The four-star Ramana Hotel Saigon on Thursday hosted Xmas Charity party for 50 orphans from Anh Sang and Ga Saigon orphanages in HCMC’s District 3.

“We have never enjoyed such delicious foods and happiness in a luxurious place like this. We are so happy and hope that next year we gather again in this place to celebrate Xmas,” an orphan identified as Phuc said.

The total amount spent on the charity event was VND90 million.

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