Showing posts with label ethnic. Show all posts
Showing posts with label ethnic. Show all posts

Saturday, January 22, 2011

Ethnology museum celebrates Tet with diverse programme

Multi-cultural: Visitors join in a traditional ethnic Thai dance at the Viet Nam Museum of Ethnology festival last year. — Photo courtesy Viet Nam Museum of Ethnology

Multi-cultural: Visitors join in a traditional ethnic Thai dance at the Viet Nam Museum of Ethnology festival last year. — Photo courtesy Viet Nam Museum of Ethnology

HA NOI — The Viet Nam Museum of Ethnology will hold its annual Tet (Lunar New Year) celebrations on February 6-8, with music, food and games – and the participation of 90 representatives from six ethnic groups from around the country.

The Raglai from the central province of Ninh Thuan and the Dao Lo Gang and Na Mieo from the northern province of Lang Son will be participating in the holiday programme for the first time.

Traditional performances will include gong ceremonies of the Raglai, prayers for peace and good crops by the Na Mieo, Tay and Dao Lo Gang, the lion dance of the Nung, and the bamboo pole dance of the Thai, as well as calligraphy, water puppetry of the Kinh majority.

Kids will be able to join in a variety of folk games, including swinging, wrestling, walking on stilts, chess playing and stick pushing. They also be able to make their own folk toys under the instruction of ethnic people, including making figurines and pinwheels.

This year, visitors will be able to enjoy traditional food from the Tay ethnic group, such as roast pig with mac mat (a type of wild leaf), steamed glutinous rice, dried buffalo meat and traditional cakes.

About 150 student volunteers will join museum staff in helping visitors enjoy the events.

The events would help preserve and popularise the precious cultural traditions of Viet Nam, said museum director Vo Quang Trong.

Visitors would gain a better understanding of the cultures of the different ethnic groups, as well as join in the spirit of the festivities, Trong said. — VNS

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Tuesday, January 4, 2011

Uncle Ho's diary translated into ethnic language

CAO BANG – President Ho Chi Minh's Prison Diary has been translated into the Tay-Nung ethnic language by Hoang An, a member of the Tay ethnic group.

Responding the movement to study and follow Ho's moral example, launched by the Communist Party of Viet Nam, An said his work aimed to popularise Ho's life and work among the Tay and Nung people.

"Since the Party launched the movement, I've tossed it over in my mind a lot," said An. "I thought I should do something significant to respond the movement."

An has already translated Nguyen Du's epic poem Truyen Kieu (The Tale of Kieu) into the Tay language. "Almost all of the Tay and Nung people in the region like to read it," said An, saying that he believed Ho's work would also be well-received.

A teacher with 40 years experience, An was born in the northern province of Cao Bang's Trung Khanh District and speaks Mandarin as well as Tay-Nung. To prepare to translate the Prison Diary, An said he read extensively and began to increase his vocabulary.

"I have to translate very carefully a word, a sentence, a verse, and after finishing, I try to read it aloud to my friends and to experienced researchers to gather their ideas for revisions," An said.

After three years of work, An completed a draft of 300 pages in the Tay-Nung language which is expected to be published this year by the Culture and Nationalities Publishing House.

"Reading An's draft, I admired it greatly for its correct translation which could help the Tay and Nung ethnic people more easily read and understand this difficult work," commented poet Ngo Luong Ngon.

An's hard work not only helps preserve the national cultural and character but is an invaluable spiritual gift to the Tay and Nung people to learn about and follow Ho's ideas, Ngon said. – VNS

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Wednesday, December 29, 2010

San Diu folk songs fade with time

Few people of San Diu group now can sing Soong Co folk songs. Local authorities has begun a project to preserve the art together with other cultural values of local ethnic groups. - VNS File Photo

Few people of San Diu group now can sing Soong Co folk songs. Local authorities has begun a project to preserve the art together with other cultural values of local ethnic groups. - VNS File Photo

TUYEN QUANG – The folk singing of the San Diu ethnic group in the northern province of Tuyen Quang is fading with time, worry local elders.

The folk lyric singing, known as Soong Co, is rarely heard now, even in Ninh Lai Commune, Son Duong District, where the form was believed to have originated. Over 70 per cent of the population of Ninh Lai Commune are of the San Diu group but few young people can now sing the songs.

"I even don't know how to speak the San Diu language, let alone sing the traditional songs," say some teenagers in the area.

Do Van Huong, 66, is one of the rare remaining locals who still can, and he recalls the memories of his youth and falling in love with his wife, Hoang Thi Suu, during nights of singing Soong Co.

"Back then, men who couldn't sing Soong Co wouldn't have been able to find a wife," said Huong. "In springs, when farmers weren't so busy in the fields working, young people always joined singing festivals."

Teams of singers travelled around, stopping at every village and recruiting more members at each stop, he said.

"The lyrics are simple spoken language, yet they contain melodies inside," said Le Thi Long, 61, from Ninh Lai Commune. "People loved to sing Soong Co since, through the songs, they could speak out their feelings and hopes."

While young people sang the songs to find lovers, old people used them to teach the youth about the merits of the ancestors and good behaviour, Long said.

According to Nguyen Viet Thanh, director of the provincial Department of Culture, Sports and Tourism, teens from local ethnic groups no longer wear traditional clothes, speak ethnic languages, or have even grown up in homes of traditional design.

The customs of other ethnic groups in the province were also fading, Thanh said, including the Long Tong (Field Work) Festival of the Tay ethnic group, the Cap Sac (coming of age) ceremony and Tet Nhay (New Year's Dance) of the Dao group, the Nhay Lua (Fire Dance) of the Pa Then group, and the Sinh Ca songs of the Cao Lan group.

The province has begun a project to preserve these cultural values, with a budget of up to VND3.8 billion (US$1.9 million). The project includes research on the cultural values of seven ethnic groups in 45 villages in the districts of Na Hang, Son Duong, Chiem Hoa, Yen Son and Ham Yen.

From that research, the most endangered heritage would be prioritised for preservation efforts, with some local festivals to be reconstituted in conjunction with economic and tourism development efforts. – VNS

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Tuesday, December 7, 2010

Dac Lac hangs on to vanishing heritage

Gong show: Centuries-old gong music is the precious cultural heritage of Viet Nam's ethnic people. — VNA/VNS Photos Thanh Ha & Hong Ky

Gong show: Centuries-old gong music is the precious cultural heritage of Viet Nam's ethnic people. — VNA/VNS Photos Thanh Ha & Hong Ky

DAC LAC — The Central Highlands province of Dac Lac is being stripped of its cultural heritage as gongs, drums and many ancient hunting knives and tools are used to feed the thriving trade in ethnic antiques, officials warn.

Buon Trap Town in Krong Ana District boasts an all-woman team playing the Jo, a gong designed exclusively for women of the E De ethnic group.

"The team play on two ten-gong sets which are owned by a local family. Six gongs were sold to antique collectors in recent years and two others were broken," said Tran Viet Du, an official with the district's Culture Office said.

"When the team play the Jo, we have to rent gongs from a nearby town for the performers," Du said.

"Buon Trap is one of many locations in the province where gongs have been sold to traders that can never be replaced again," said Y Wai Bya, director of Dac Lac's Culture, Sports and Tourism Department.

"That is due largely to the poverty of the local people. Many people do not hesitate to sell antique gongs to collectors to get large sums of money," he said.

Du and Bya are among many officials who have expressed growing alarm about the antique trade in Central Highlands provinces.

"Researchers specialising in the Central Highlands' culture and history need to come up with long-term strategies for the preservation of gongs, drums and other old items relating to ethnic culture," Bya said.

Bya admitted that the province still lacked policies to preserve gongs and train officials to gain a profound understanding of traditional music and the culture of ethnic people.

Bya said the provincial People's Committee recently approved a policy to assist gong owners.

"Each family that owns an antique gong will receive an annual stipend of VND500,000 (US$25) from the province," he said, giving no further details.

The committee is also working on a project to build in each village a museum to display traditional musical instruments and items used in the daily lives of the ethnic people.

"More festivals will be organised in Dac Lac's villages and districts where ethnic people can perform gongs, drums and introduce their folk music to outside audiences," Bya said.

The centuries-old gong music is a precious cultural heritage of Viet Nam's ethnic people. They play the gong to commemorate a good harvest, during festivals, and to mark occasions like the birth of children, weddings, and funerals.

The Central Highlands gong culture was recognised as a Masterpiece of Oral and Intangible Cultural Heritage by UNESCO in 2006.

Cultural researcher Y Duong, grandson of Y Jut Nie K'Dam, author of the first Vietnamese – E De Dictionary, said he had spent many years working on a project to protect gongs and would submit it soon to the Dac Lac People's Committee for consideration.

Apart from ancient gongs and drums, K'pan long benches used by gong performers and tools used by hunters of elephants and wild animals are much sought after by antique traders.

Ama Pet, a well-known elephant hunter in Buon Don town, said he was among few people who still kept the leather ropes used in elephant hunting.

Pet caught and domesticated 15 elephants using his rope which is more than 10m in length. Elephant hunting is now banned in Dac Lac. He said he intends to sell his rope to have money to spend for the family.

He said he has priced the rope at VND15 million (US$750) including a piece of buffalo leather used to cover the back of the elephant. — VNS

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